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Cet ouvrage questionne une histoire récente du design où la notion d’ornement se donne au cœur de nouvelles logiques de conception et de production. Avec l’avènement du numérique et la redéfinition du rôle de l’ornement, la forme ornementale se donne à présent dans une dimension calculée de morphogenèse : sa dynamique s’ancre dans les processus de croissance de la nature.(...)
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Cet ouvrage questionne une histoire récente du design où la notion d’ornement se donne au cœur de nouvelles logiques de conception et de production. Avec l’avènement du numérique et la redéfinition du rôle de l’ornement, la forme ornementale se donne à présent dans une dimension calculée de morphogenèse : sa dynamique s’ancre dans les processus de croissance de la nature.(...)
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Design et merveilleux : de la nature de l'ornement / Design and the wondrous: on the nature of ornament
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Cet ouvrage questionne une histoire récente du design où la notion d’ornement se donne au cœur de nouvelles logiques de conception et de production. Avec l’avènement du numérique et la redéfinition du rôle de l’ornement, la forme ornementale se donne à présent dans une dimension calculée de morphogenèse : sa dynamique s’ancre dans les processus de croissance de la nature. Dans toutes ces réalisations, la dimension générative de la nature a conféré à l’ornement un rôle structurel nouveau. S'appuyant sur une sélection d'œuvres de plus de cinquante artistes, , quatre essais (Marie-Ange Brayer, Spyros Papapetros, Martine Dancer-Mourès et Sophie Fétro), nous donnent à lire et comprendre, l'évolution du design et de l'ornement, à l'ère du numérique. / This volume presents a new narrative of design, situated somewhere between plant life and ornament, nature and artifice. Through essays by several authors it explores the ornament’s role with respect to morphogenesis, by which the object is continually transformed through an evolving dynamic of forms. With the arrival of the digital age, the ornament’s role in design has been greatly modified. No longer a simple motif, it is used as an animated form. At the intersection of information sciences and biology, designers utilise 3D printing to create carefully calculated objects based on organic growth. With contributions by Spyros Papapetros, Marie-Ange Brayer, and others.
Design et merveilleux : de la nature de l'ornement / Design and the wondrous: on the nature of ornament
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Cet ouvrage questionne une histoire récente du design où la notion d’ornement se donne au cœur de nouvelles logiques de conception et de production. Avec l’avènement du numérique et la redéfinition du rôle de l’ornement, la forme ornementale se donne à présent dans une dimension calculée de morphogenèse : sa dynamique s’ancre dans les processus de croissance de la nature. Dans toutes ces réalisations, la dimension générative de la nature a conféré à l’ornement un rôle structurel nouveau. S'appuyant sur une sélection d'œuvres de plus de cinquante artistes, , quatre essais (Marie-Ange Brayer, Spyros Papapetros, Martine Dancer-Mourès et Sophie Fétro), nous donnent à lire et comprendre, l'évolution du design et de l'ornement, à l'ère du numérique. / This volume presents a new narrative of design, situated somewhere between plant life and ornament, nature and artifice. Through essays by several authors it explores the ornament’s role with respect to morphogenesis, by which the object is continually transformed through an evolving dynamic of forms. With the arrival of the digital age, the ornament’s role in design has been greatly modified. No longer a simple motif, it is used as an animated form. At the intersection of information sciences and biology, designers utilise 3D printing to create carefully calculated objects based on organic growth. With contributions by Spyros Papapetros, Marie-Ange Brayer, and others.
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livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Théorie du design
Théorie du design
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livres
livres
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Bringing together the work of over twenty international scholars from various disciplines, "Cultural Histories of the Material World" provides a substantial collection of works that explore materiality and material culture from a historical perspective. These scholars represent some of the most innovative voices in their respective fields, using historiographical lens to(...)
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Bringing together the work of over twenty international scholars from various disciplines, "Cultural Histories of the Material World" provides a substantial collection of works that explore materiality and material culture from a historical perspective. These scholars represent some of the most innovative voices in their respective fields, using historiographical lens to(...)
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Cultural histories of the material world
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Bringing together the work of over twenty international scholars from various disciplines, "Cultural Histories of the Material World" provides a substantial collection of works that explore materiality and material culture from a historical perspective. These scholars represent some of the most innovative voices in their respective fields, using historiographical lens to chronicle how the field of material culture has operated between multiple disciplines and has grown to prominence in the last two decades, both inside and beyond the academy. Essential reading for the study of material culture and including writing by Bill Brown, Nancy Troy, Horst Bredekamp, Jas Elsner, and Pamela H. Smith, this book builds on the recent proliferation of works that address materiality and offers unified collection of key perspectives on the material turn across the humanities.
Cultural histories of the material world
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Bringing together the work of over twenty international scholars from various disciplines, "Cultural Histories of the Material World" provides a substantial collection of works that explore materiality and material culture from a historical perspective. These scholars represent some of the most innovative voices in their respective fields, using historiographical lens to chronicle how the field of material culture has operated between multiple disciplines and has grown to prominence in the last two decades, both inside and beyond the academy. Essential reading for the study of material culture and including writing by Bill Brown, Nancy Troy, Horst Bredekamp, Jas Elsner, and Pamela H. Smith, this book builds on the recent proliferation of works that address materiality and offers unified collection of key perspectives on the material turn across the humanities.
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livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Théorie du design
Théorie du design
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livres
livres
Titre:
Uchronia: designing time
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily(...)
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily(...)
Titre:
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily biological and social rhythm. We need a new approach to time to overcome our temporal system of clocks and calendars. This book investigates a new perception of time by exploring the concept of uchronia, a term derived from the Greek u-topos and meaning 'no time' or 'non-time'. Uchronia is a way of questioning, speculating on and designing new kinds of temporal systems that are more about being in tune than on time.
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily biological and social rhythm. We need a new approach to time to overcome our temporal system of clocks and calendars. This book investigates a new perception of time by exploring the concept of uchronia, a term derived from the Greek u-topos and meaning 'no time' or 'non-time'. Uchronia is a way of questioning, speculating on and designing new kinds of temporal systems that are more about being in tune than on time.
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livres
livres
Publication:
janvier 2020
janvier 2020
Sujet:
Théorie du design
Théorie du design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
Titre:
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
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livres
livres
Publication:
août 2019
août 2019
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$23.00
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly(...)
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly(...)
Titre:
The beauty of everyday things
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$23.00
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.
The beauty of everyday things
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie du design
Théorie du design
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livres
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$31.95
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
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Wabi-sabi : pour aller plus loin
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
Wabi-sabi : pour aller plus loin
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
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livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$50.00
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was(...)
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was(...)
Titre:
Pre design 1969: plastic laminate
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was formed in the late 1960s in Milan and in less than a decade gave rise to an extremely interesting experience, which until now has only been partially investigated.
Pre design 1969: plastic laminate
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was formed in the late 1960s in Milan and in less than a decade gave rise to an extremely interesting experience, which until now has only been partially investigated.
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livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Théorie du design
Théorie du design
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livres
livres
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
Publication:
janvier 2024
janvier 2024
Titre:
Seeing <—> Making: Room for thought
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
Seeing <—> Making: Room for thought
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
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livres
livres
Publication:
janvier 2024
janvier 2024
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livres
livres
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Le design institue un rapport ambivalent à notre culture matérielle. Il produit à la fois l'objet de série, fini et prêt à l'usage et le prototype mis en oeuvre au sein de l'enchevêtrement de croquis et de maquettes, comme matériau actif et ouvert de développement du geste inventif. Comment une même culture industrielle peut-elle induire deux rapports aux objets si(...)
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Le design institue un rapport ambivalent à notre culture matérielle. Il produit à la fois l'objet de série, fini et prêt à l'usage et le prototype mis en oeuvre au sein de l'enchevêtrement de croquis et de maquettes, comme matériau actif et ouvert de développement du geste inventif. Comment une même culture industrielle peut-elle induire deux rapports aux objets si(...)
Titre:
La zone obscure : Vers une pensée mineure du design
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Le design institue un rapport ambivalent à notre culture matérielle. Il produit à la fois l'objet de série, fini et prêt à l'usage et le prototype mis en oeuvre au sein de l'enchevêtrement de croquis et de maquettes, comme matériau actif et ouvert de développement du geste inventif. Comment une même culture industrielle peut-elle induire deux rapports aux objets si différents ? En sondant les zones obscures qui les séparent, il s'agit de défricher une voie mineure dans la compréhension des pratiques de conception et d'engager un rapport renouvelé à la matérialité du monde. La zone obscure (LZO) de Vincent Beaubois interroge la discipline du design à l'aune de la conceptualité de Gilbert Simondon, l'un des rares philosophes français à s'être très tôt intéressé aux objets techniques. Beaubois s'oppose à une pensée majeure du design, d'essence industrielle, pour promouvoir au contraire une « pensée mineure du design » qui, contre l'idéologie du projet, privilégierait les notions de diagramme et de prototype. Il faudra donc « se défaire du design comme simple outil de développement pour en faire un vecteur d'intensification et de problématisation de notre rapport au monde ».
La zone obscure : Vers une pensée mineure du design
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Le design institue un rapport ambivalent à notre culture matérielle. Il produit à la fois l'objet de série, fini et prêt à l'usage et le prototype mis en oeuvre au sein de l'enchevêtrement de croquis et de maquettes, comme matériau actif et ouvert de développement du geste inventif. Comment une même culture industrielle peut-elle induire deux rapports aux objets si différents ? En sondant les zones obscures qui les séparent, il s'agit de défricher une voie mineure dans la compréhension des pratiques de conception et d'engager un rapport renouvelé à la matérialité du monde. La zone obscure (LZO) de Vincent Beaubois interroge la discipline du design à l'aune de la conceptualité de Gilbert Simondon, l'un des rares philosophes français à s'être très tôt intéressé aux objets techniques. Beaubois s'oppose à une pensée majeure du design, d'essence industrielle, pour promouvoir au contraire une « pensée mineure du design » qui, contre l'idéologie du projet, privilégierait les notions de diagramme et de prototype. Il faudra donc « se défaire du design comme simple outil de développement pour en faire un vecteur d'intensification et de problématisation de notre rapport au monde ».
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$63.50
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic(...)
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic(...)
Titre:
Repair: Sustainable design futures
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic futures. Thematically expansive and richly illustrated, with over 125 visuals, this volume features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to how we might address our broken social and physical worlds. Organized around reparative thinking and practices, the book includes 30 long and short chapters, photo essays, and interviews that focus on multiple responses to fractured systems, relationships, cities, architecture, objects, and more. ''Repair'' will encourage students, academics, researchers, and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage, and rethink the act of repair and its impact on our society and environment.
Repair: Sustainable design futures
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic futures. Thematically expansive and richly illustrated, with over 125 visuals, this volume features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to how we might address our broken social and physical worlds. Organized around reparative thinking and practices, the book includes 30 long and short chapters, photo essays, and interviews that focus on multiple responses to fractured systems, relationships, cities, architecture, objects, and more. ''Repair'' will encourage students, academics, researchers, and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage, and rethink the act of repair and its impact on our society and environment.
Classification:
livres
livres
Publication:
octobre 2022
octobre 2022
Sujet:
Théorie du design
Théorie du design
