Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own(...)
Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own curmudgeonly presence. The essays, however, feel unfinished, lacking polish and structural integrity. The collection is split into two parts, "Prose" and "Essays," with the first—a series of considerations of the landscape, history and social milieu of the island of Corsica—by far the more successful. The second, longer section contains an assortment of literary critical pieces, some detailed, such as a long essay about novelists writing about the destruction of German cities during WWII; others discursive, such as an apparently unfinished review of a book about Kafka's relationship with film that wanders from films Sebald himself viewed to films Kafka may or may not have seen. Although Sebald was a beautiful and intelligent writer, it's hard to see how these essays will appeal to anyone outside of scholars and already committed Sebald fans eager to read every word he ever set to paper.
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Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New(...)
Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New York's Appellate Division First Department--to modernist interventions--the Saginaw Art Museum in Michigan and New 42nd Street Studios near Times Square--the firm's work is notable for its balance of innovation and tradition, of working within an urban context while contributing to that context. The first monograph on this award-winning firm, Architecture on Architecture illustrates the philosophy of Platt Byard Dovell White in its presentation of buildings and projects. Portfolios of twenty-three institutional, commercial, and residential works are complemented by two essays--one by noted critic Kenneth Frampton--and a lively timeline showing the personal and professional evolution of the architects.
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Les «Wallpaper* city guides» proposent au voyageur amateur de design un choix rigoureux des meilleures adresses qu'une ville peut offrir, dans une mise en pages sobre et élégante. Précis et pratiques, ils réunissent toutes les informations nécessaires pour vous faire découvrir de l'intérieur les villes les plus enivrantes du monde.
Wallpaper* city guide : Barcelone (édition française)
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Les «Wallpaper* city guides» proposent au voyageur amateur de design un choix rigoureux des meilleures adresses qu'une ville peut offrir, dans une mise en pages sobre et élégante. Précis et pratiques, ils réunissent toutes les informations nécessaires pour vous faire découvrir de l'intérieur les villes les plus enivrantes du monde.
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mars 2007, Paris
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Ingo Maurer has revolutionozed lighting design. Whether pure and simple or opulent and grandiose, his lamps and lighting installations bare his uniquely poetic as well as romantic signature. This book offers an in-depth overview of Ingo Maurer's work from the beginning of his career until today.
septembre 2007, München, London, New York
Ingo Maurer: designing with light / gestalten mit licht
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Ingo Maurer has revolutionozed lighting design. Whether pure and simple or opulent and grandiose, his lamps and lighting installations bare his uniquely poetic as well as romantic signature. This book offers an in-depth overview of Ingo Maurer's work from the beginning of his career until today.
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Flexible architecture adapts to new uses, responds to change rather than stagnating, and is motive rather than static. Understanding how it has been conceived, designed, made, and used helps us understand its potential in solving current and future problems associated with technological, social, and economic change. This book explores the whole genre of flexible(...)
juin 2007
Flexible : Architecture that responds to change
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Flexible architecture adapts to new uses, responds to change rather than stagnating, and is motive rather than static. Understanding how it has been conceived, designed, made, and used helps us understand its potential in solving current and future problems associated with technological, social, and economic change. This book explores the whole genre of flexible architecture buildings that are intended to respond to evolving situations in their form, operation, or location. Crossing the boundaries between architecture, interior design, product design, and furniture design, this innovative book is the first to deal with the entire scope of the topic.
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The commercial architecture created by Wayne McAllister (1907-2000) is responsible for much of the character of Southern California. His Fred-and-Ginger nightclubs and glinting-steel-and-blazing-neon circular drive-ins brought Hollywood to life. His Sands Hotel in Las Vegas became the home of the Rat Pack; the mythology of Frank Sinatra, Dean Martin, and Sammy Davis Jr.(...)
février 2007, Layton
The leisure architecture of Wayne McAllister
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The commercial architecture created by Wayne McAllister (1907-2000) is responsible for much of the character of Southern California. His Fred-and-Ginger nightclubs and glinting-steel-and-blazing-neon circular drive-ins brought Hollywood to life. His Sands Hotel in Las Vegas became the home of the Rat Pack; the mythology of Frank Sinatra, Dean Martin, and Sammy Davis Jr. owes a great deal to the swank glamour of the Copa Room and the Sands Hotel, one of McAllister's finest.
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février 2007, Layton
Jardiniers
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«Jardiniers» donnent un visage et la parole à ceux qui créent des jardins et qui, souvent, disparaissent derrière leurs créations. Professionnels ou amateurs, dix-neuf jardiniers de diverses nationalités se retrouvent dans ce livre et font dialoguer, au-delà des pays, et grâce aux photographies de Bruno Suet, leurs jardins : Patrick Blanc, Alan Bloom, Érik Borja, Fernando(...)
Jardiniers
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«Jardiniers» donnent un visage et la parole à ceux qui créent des jardins et qui, souvent, disparaissent derrière leurs créations. Professionnels ou amateurs, dix-neuf jardiniers de diverses nationalités se retrouvent dans ce livre et font dialoguer, au-delà des pays, et grâce aux photographies de Bruno Suet, leurs jardins : Patrick Blanc, Alan Bloom, Érik Borja, Fernando Caruncho, Gilles Clément, Randoll Coate, Didier Courbot, Éléonore Cruse, Ian Hamilton Finlay, Kathryn Gustafson, Claude Lafon, Éric Ossart & Arnaud Maurières, Piet Oudolf, Hugues Peuvergne, Dan Pearson, Alain Richert, Barbara Wirth, Jacques Wirtz.
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The resin-scented wood of the Swiss Pavilion by Peter Zumthor at the Hannover Expo, the hypo-oxygenated air of Diller+Scofidio’s Blur Bar, the sculpting air stream of Renzo Piano’s Wind Tunnel in Maranello, the placebo odors of Decosterd & Rahm, and the edible air of Marti Guixé’s Pharma Food are just a few of the most recent instances of an architecture that is seeking(...)
octobre 2006, Milan
Invisible architecture : experiencing places through the sense of smell
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The resin-scented wood of the Swiss Pavilion by Peter Zumthor at the Hannover Expo, the hypo-oxygenated air of Diller+Scofidio’s Blur Bar, the sculpting air stream of Renzo Piano’s Wind Tunnel in Maranello, the placebo odors of Decosterd & Rahm, and the edible air of Marti Guixé’s Pharma Food are just a few of the most recent instances of an architecture that is seeking to reappropriate the invisible dimension of olfaction in order to imbue the experience of places with greater meaning and totality.
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The essays and projects in this book illustrate how contemporary landscape architecture is changing open areas into spaces that can be used by the public.
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janvier 1900, Basel, Berlin, Boston
Changing places : contemporary German landscape architecture
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The essays and projects in this book illustrate how contemporary landscape architecture is changing open areas into spaces that can be used by the public.
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With nearly a hundred watercolor illustrations and a comprehensive text, this book unveils Tibetan architecture in all its splendor. Fluent in Tibetan, author-illustrator Michel Peissel spent 45 years investigating the remotest regions of Greater Tibet, embarking on 29 expeditions on foot and horseback to reach the lesser-known fortresses, chapels, and monasteries that he(...)
Tibetan pilgrimage : architecture of the sacred land
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With nearly a hundred watercolor illustrations and a comprehensive text, this book unveils Tibetan architecture in all its splendor. Fluent in Tibetan, author-illustrator Michel Peissel spent 45 years investigating the remotest regions of Greater Tibet, embarking on 29 expeditions on foot and horseback to reach the lesser-known fortresses, chapels, and monasteries that he sketched and painted for this volume. As we observe in these pages, the Tibetan nation and culture remain very much alive even though the land has been petitioned and appropriated by China, India, Pakistan, and Nepal. From ancient monasteries and palatial fortresses to the new, elegant buildings that are still being built across occupied Tibet, Michel Peissel's watercolors cannot but foster a heightened appreciation for the subtle beauty and grandeur of Tibetan architecture, confirming the extent of its influence and remarkable originality.
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