266 Résultats
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A surprising trend can be discerned in museum building since the end of the 1990s, one that still seems to be going strong today : an unprecedented number of grand-scale projects have been undertaken in recent years, not only by private sponsors, but in many cases made possible instead by public funding. This book not only shows new museums , galleries and exhibition(...)
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A surprising trend can be discerned in museum building since the end of the 1990s, one that still seems to be going strong today : an unprecedented number of grand-scale projects have been undertaken in recent years, not only by private sponsors, but in many cases made possible instead by public funding. This book not only shows new museums , galleries and exhibition(...)
Titre:
Art spaces ; architecture & design
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A surprising trend can be discerned in museum building since the end of the 1990s, one that still seems to be going strong today : an unprecedented number of grand-scale projects have been undertaken in recent years, not only by private sponsors, but in many cases made possible instead by public funding. This book not only shows new museums , galleries and exhibition venues for the fine arts, but also features unusual buildings housing special collections, as well as museums exhibting material from other fields of knowledge. One central focus of contemporary architecture can be traced particulary well in the examples illustrated in the book : new surfaces that enable the creation of new forms. Astoundingly, parallel to this development another architectural approach which can be already be called classical is also experiencing a Renaissance - the clearly defined, austere cube cloaked in a free-floating glass shell. No less than three buildings depicted here demonstrate the immense variety that is possible within these rigid parameters. The works shown here are no more than five years old and show, what a broad bandwidth can be discerned within a moment's snapshot. There are visionaries like Asymptote and masters such as Günter Behnisch and Tadao Ando, whose buildings span an arc from classical modernism to the architecture of today.
Art spaces ; architecture & design
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A surprising trend can be discerned in museum building since the end of the 1990s, one that still seems to be going strong today : an unprecedented number of grand-scale projects have been undertaken in recent years, not only by private sponsors, but in many cases made possible instead by public funding. This book not only shows new museums , galleries and exhibition venues for the fine arts, but also features unusual buildings housing special collections, as well as museums exhibting material from other fields of knowledge. One central focus of contemporary architecture can be traced particulary well in the examples illustrated in the book : new surfaces that enable the creation of new forms. Astoundingly, parallel to this development another architectural approach which can be already be called classical is also experiencing a Renaissance - the clearly defined, austere cube cloaked in a free-floating glass shell. No less than three buildings depicted here demonstrate the immense variety that is possible within these rigid parameters. The works shown here are no more than five years old and show, what a broad bandwidth can be discerned within a moment's snapshot. There are visionaries like Asymptote and masters such as Günter Behnisch and Tadao Ando, whose buildings span an arc from classical modernism to the architecture of today.
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Publication:
mai 2006, Köln, New York, London
mai 2006, Köln, New York, London
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Young asian architects
Young asian architects
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This second volume of a new series about young architects introduces to the projects of 57 young and innovative architects from India to Australia. The book features key architectural works in the form of luscious images and insightful descriptions. An index with contact information of the architects is also enclosed.
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This second volume of a new series about young architects introduces to the projects of 57 young and innovative architects from India to Australia. The book features key architectural works in the form of luscious images and insightful descriptions. An index with contact information of the architects is also enclosed.
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décembre 2006, Collogne
décembre 2006, Collogne
Titre:
Young asian architects
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This second volume of a new series about young architects introduces to the projects of 57 young and innovative architects from India to Australia. The book features key architectural works in the form of luscious images and insightful descriptions. An index with contact information of the architects is also enclosed.
Young asian architects
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This second volume of a new series about young architects introduces to the projects of 57 young and innovative architects from India to Australia. The book features key architectural works in the form of luscious images and insightful descriptions. An index with contact information of the architects is also enclosed.
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décembre 2006, Collogne
décembre 2006, Collogne
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us(...)
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us(...)
Titre:
Pleasure : the architecture and design of rockwell group
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us away from ordinary environments. The work of Rockwell Group stands out among that of other modern masters for its undiluted populism and immediate gratification. Pleasure is the first book to examine the theaters, hotels, stadiums, restaurants, casinos, and other public spaces across the country that have positioned Rockwell Group as one of America's most powerful firms. With provocative analysis from the most notable educators, artists, critics, and design tastemakers of our day, the book is a riveting re-working of the traditional architectural monograph format. Pleasure will appeal not just to architects and designers of all types, but also to the wide spectrum of people who are seduced by the destination spaces it creates.
Pleasure : the architecture and design of rockwell group
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us away from ordinary environments. The work of Rockwell Group stands out among that of other modern masters for its undiluted populism and immediate gratification. Pleasure is the first book to examine the theaters, hotels, stadiums, restaurants, casinos, and other public spaces across the country that have positioned Rockwell Group as one of America's most powerful firms. With provocative analysis from the most notable educators, artists, critics, and design tastemakers of our day, the book is a riveting re-working of the traditional architectural monograph format. Pleasure will appeal not just to architects and designers of all types, but also to the wide spectrum of people who are seduced by the destination spaces it creates.
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livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
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Campo Santo
Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own(...)
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own(...)
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Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own curmudgeonly presence. The essays, however, feel unfinished, lacking polish and structural integrity. The collection is split into two parts, "Prose" and "Essays," with the first—a series of considerations of the landscape, history and social milieu of the island of Corsica—by far the more successful. The second, longer section contains an assortment of literary critical pieces, some detailed, such as a long essay about novelists writing about the destruction of German cities during WWII; others discursive, such as an apparently unfinished review of a book about Kafka's relationship with film that wanders from films Sebald himself viewed to films Kafka may or may not have seen. Although Sebald was a beautiful and intelligent writer, it's hard to see how these essays will appeal to anyone outside of scholars and already committed Sebald fans eager to read every word he ever set to paper.
Campo Santo
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Résumé:
This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own curmudgeonly presence. The essays, however, feel unfinished, lacking polish and structural integrity. The collection is split into two parts, "Prose" and "Essays," with the first—a series of considerations of the landscape, history and social milieu of the island of Corsica—by far the more successful. The second, longer section contains an assortment of literary critical pieces, some detailed, such as a long essay about novelists writing about the destruction of German cities during WWII; others discursive, such as an apparently unfinished review of a book about Kafka's relationship with film that wanders from films Sebald himself viewed to films Kafka may or may not have seen. Although Sebald was a beautiful and intelligent writer, it's hard to see how these essays will appeal to anyone outside of scholars and already committed Sebald fans eager to read every word he ever set to paper.
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livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
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livres
Titre:
Architecture on architecture
Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New(...)
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New(...)
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Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New York's Appellate Division First Department--to modernist interventions--the Saginaw Art Museum in Michigan and New 42nd Street Studios near Times Square--the firm's work is notable for its balance of innovation and tradition, of working within an urban context while contributing to that context. The first monograph on this award-winning firm, Architecture on Architecture illustrates the philosophy of Platt Byard Dovell White in its presentation of buildings and projects. Portfolios of twenty-three institutional, commercial, and residential works are complemented by two essays--one by noted critic Kenneth Frampton--and a lively timeline showing the personal and professional evolution of the architects.
Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New York's Appellate Division First Department--to modernist interventions--the Saginaw Art Museum in Michigan and New 42nd Street Studios near Times Square--the firm's work is notable for its balance of innovation and tradition, of working within an urban context while contributing to that context. The first monograph on this award-winning firm, Architecture on Architecture illustrates the philosophy of Platt Byard Dovell White in its presentation of buildings and projects. Portfolios of twenty-three institutional, commercial, and residential works are complemented by two essays--one by noted critic Kenneth Frampton--and a lively timeline showing the personal and professional evolution of the architects.
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livres
livres
Publication:
mai 2007, New York
mai 2007, New York
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The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Possessed of enormous talent and ambition, these two artists -- one trained as a sculptor, the other as a stonecutter -- met as contemporaries in the building yards of St. Peter's in Rome and ended their lives as bitter enemies. Over(...)
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The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Possessed of enormous talent and ambition, these two artists -- one trained as a sculptor, the other as a stonecutter -- met as contemporaries in the building yards of St. Peter's in Rome and ended their lives as bitter enemies. Over(...)
Titre:
The genius in the design : Bernini, Borromini, and the rivalry that transformed Rome
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The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Possessed of enormous talent and ambition, these two artists -- one trained as a sculptor, the other as a stonecutter -- met as contemporaries in the building yards of St. Peter's in Rome and ended their lives as bitter enemies. Over the course of their careers they became the most celebrated architects of their era, designing some of the most beautiful buildings in the world and transforming the city of Rome. “The Genius in the Design” is an extraordinary tale of how these two men plotted, schemed, and intrigued to get the better of each other. Full of dramatic tension and great insight into personalities, acclaimed writer Jake Morrissey's engrossing and impeccably researched account also shows that this legendary rivalry defined the Baroque style that immediately succeeded the Renaissance and created the spectacular Roman cityscape of today. Almost exactly the same age -- Bernini was born at the end of 1598, Borromini nine months later -- they were as alike and as different as any two men could be, each a potent combination of passion and enterprise, energy and imperfection. Bernini was a precocious talent who as a youth caught the attention of Pope Paul V and became Rome's most celebrated artist, whose patrons included the wealthiest families in Europe. The city's greatest sculptor -- the creator of such masterpieces as Apollo and Daphne and the Ecstasy of St. Teresa -- Bernini would also have been Rome's pre-eminent architect had it not been for Francesco Borromini, the one man whose talent and virtuosity rivalled his own. In contrast to Bernini's easy grace, Borromini was an introvert with a fiery temper who bristled when anyone interfered with his vision; his temperament alienated him from prospective patrons and precipitated his tragic end. Like Mozart and Salieri, these two masters were inextricably linked, their dazzling work prodding the other to greater achievement while taking merciless advantage of each other's missteps. “The Genius in the Design” is their story, a fascinating narrative of beauty and tragedy marked at turns by personal animosity and astonishing artistic achievement.
The genius in the design : Bernini, Borromini, and the rivalry that transformed Rome
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The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Possessed of enormous talent and ambition, these two artists -- one trained as a sculptor, the other as a stonecutter -- met as contemporaries in the building yards of St. Peter's in Rome and ended their lives as bitter enemies. Over the course of their careers they became the most celebrated architects of their era, designing some of the most beautiful buildings in the world and transforming the city of Rome. “The Genius in the Design” is an extraordinary tale of how these two men plotted, schemed, and intrigued to get the better of each other. Full of dramatic tension and great insight into personalities, acclaimed writer Jake Morrissey's engrossing and impeccably researched account also shows that this legendary rivalry defined the Baroque style that immediately succeeded the Renaissance and created the spectacular Roman cityscape of today. Almost exactly the same age -- Bernini was born at the end of 1598, Borromini nine months later -- they were as alike and as different as any two men could be, each a potent combination of passion and enterprise, energy and imperfection. Bernini was a precocious talent who as a youth caught the attention of Pope Paul V and became Rome's most celebrated artist, whose patrons included the wealthiest families in Europe. The city's greatest sculptor -- the creator of such masterpieces as Apollo and Daphne and the Ecstasy of St. Teresa -- Bernini would also have been Rome's pre-eminent architect had it not been for Francesco Borromini, the one man whose talent and virtuosity rivalled his own. In contrast to Bernini's easy grace, Borromini was an introvert with a fiery temper who bristled when anyone interfered with his vision; his temperament alienated him from prospective patrons and precipitated his tragic end. Like Mozart and Salieri, these two masters were inextricably linked, their dazzling work prodding the other to greater achievement while taking merciless advantage of each other's missteps. “The Genius in the Design” is their story, a fascinating narrative of beauty and tragedy marked at turns by personal animosity and astonishing artistic achievement.
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livres
livres
Publication:
mars 2005, New York
mars 2005, New York
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Art deco New York
Art deco New York
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'Art deco New York' takes readers on a historical and visual journey through the city during the transformative decades between the two world wars, when Art Deco influenced not only architectural styles but also fashion and furniture, textiles and graphic, the design of train and automobiles and even the look of film and stage sets.
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'Art deco New York' takes readers on a historical and visual journey through the city during the transformative decades between the two world wars, when Art Deco influenced not only architectural styles but also fashion and furniture, textiles and graphic, the design of train and automobiles and even the look of film and stage sets.
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Art deco New York
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'Art deco New York' takes readers on a historical and visual journey through the city during the transformative decades between the two world wars, when Art Deco influenced not only architectural styles but also fashion and furniture, textiles and graphic, the design of train and automobiles and even the look of film and stage sets.
Art deco New York
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'Art deco New York' takes readers on a historical and visual journey through the city during the transformative decades between the two world wars, when Art Deco influenced not only architectural styles but also fashion and furniture, textiles and graphic, the design of train and automobiles and even the look of film and stage sets.
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livres
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Publication:
octobre 2004, New York
octobre 2004, New York
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$29.99
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At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and(...)
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At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and(...)
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The arts & craft movement in Europe & America : design for the modern world
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At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together before.
The arts & craft movement in Europe & America : design for the modern world
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At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together before.
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livres
livres
Publication:
décembre 2004, New York
décembre 2004, New York
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livres
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$6.99
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The first major book of its kind, "Design in Canada" is a richly illustrated, fascinating portrait documenting more than fifty years of contemporary product design in this country. From the radical Project G stereo that every well-appointed "bachelor pad" had to have, to the wedge-shaped Contempra phone that quickly convinced homeowners to replace their boring black(...)
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The first major book of its kind, "Design in Canada" is a richly illustrated, fascinating portrait documenting more than fifty years of contemporary product design in this country. From the radical Project G stereo that every well-appointed "bachelor pad" had to have, to the wedge-shaped Contempra phone that quickly convinced homeowners to replace their boring black(...)
Publication:
octobre 2004, Toronto
octobre 2004, Toronto
Titre:
Design in Canada : fifty years from teakettles to task chairs
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The first major book of its kind, "Design in Canada" is a richly illustrated, fascinating portrait documenting more than fifty years of contemporary product design in this country. From the radical Project G stereo that every well-appointed "bachelor pad" had to have, to the wedge-shaped Contempra phone that quickly convinced homeowners to replace their boring black telephones, Canadian design has entered our homes and shaped our lives. For the first time, we can look at these products through the eyes of the cutting edge designers who created them, and celebrate their achievements.
Design in Canada : fifty years from teakettles to task chairs
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The first major book of its kind, "Design in Canada" is a richly illustrated, fascinating portrait documenting more than fifty years of contemporary product design in this country. From the radical Project G stereo that every well-appointed "bachelor pad" had to have, to the wedge-shaped Contempra phone that quickly convinced homeowners to replace their boring black telephones, Canadian design has entered our homes and shaped our lives. For the first time, we can look at these products through the eyes of the cutting edge designers who created them, and celebrate their achievements.
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livres
livres
Publication:
octobre 2004, Toronto
octobre 2004, Toronto
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$13.99
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The abrupt conflict in Brian Rose's subjects between an older world, sometimes rural and sometimes urban, and the brutal political division imposed on it is not only historically important, but in Rose's hands, a subject for the camera. Previously priced at $56.00. Brian Rose is a photographer based in New York and Amsterdam.
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The abrupt conflict in Brian Rose's subjects between an older world, sometimes rural and sometimes urban, and the brutal political division imposed on it is not only historically important, but in Rose's hands, a subject for the camera. Previously priced at $56.00. Brian Rose is a photographer based in New York and Amsterdam.
Titre:
Brian Rose : the lost border, the landscape of the Iron Curtain
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The abrupt conflict in Brian Rose's subjects between an older world, sometimes rural and sometimes urban, and the brutal political division imposed on it is not only historically important, but in Rose's hands, a subject for the camera. Previously priced at $56.00. Brian Rose is a photographer based in New York and Amsterdam.
Brian Rose : the lost border, the landscape of the Iron Curtain
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The abrupt conflict in Brian Rose's subjects between an older world, sometimes rural and sometimes urban, and the brutal political division imposed on it is not only historically important, but in Rose's hands, a subject for the camera. Previously priced at $56.00. Brian Rose is a photographer based in New York and Amsterdam.
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
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livres soldés
livres soldés
