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Le renouveau urbain de Saint-Étienne est marqué par des opérations d’envergure et des interventions dans des petits sites de quartiers. L’idée de réunir, sous forme d’atelier, de jeunes créateurs issus d’écoles stéphanoises pour leur confier la conception d’espaces urbains est une initiative originale et salutaire. Leurs projets valorisent les « micro-espaces » et les «(...)
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Le renouveau urbain de Saint-Étienne est marqué par des opérations d’envergure et des interventions dans des petits sites de quartiers. L’idée de réunir, sous forme d’atelier, de jeunes créateurs issus d’écoles stéphanoises pour leur confier la conception d’espaces urbains est une initiative originale et salutaire. Leurs projets valorisent les « micro-espaces » et les «(...)
Titre:
Saint Étienne : l'atelier espace publique
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Le renouveau urbain de Saint-Étienne est marqué par des opérations d’envergure et des interventions dans des petits sites de quartiers. L’idée de réunir, sous forme d’atelier, de jeunes créateurs issus d’écoles stéphanoises pour leur confier la conception d’espaces urbains est une initiative originale et salutaire. Leurs projets valorisent les « micro-espaces » et les « pièces urbaines » d’une ville résolument tournée vers le design. Parmi les projets présentés : Atelier Yes, Nathalie Audry, Assan Smati, Rémi Rouchon, Céline Savoye…
Saint Étienne : l'atelier espace publique
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Le renouveau urbain de Saint-Étienne est marqué par des opérations d’envergure et des interventions dans des petits sites de quartiers. L’idée de réunir, sous forme d’atelier, de jeunes créateurs issus d’écoles stéphanoises pour leur confier la conception d’espaces urbains est une initiative originale et salutaire. Leurs projets valorisent les « micro-espaces » et les « pièces urbaines » d’une ville résolument tournée vers le design. Parmi les projets présentés : Atelier Yes, Nathalie Audry, Assan Smati, Rémi Rouchon, Céline Savoye…
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avril 2004, Paris
avril 2004, Paris
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Designer et architecte, Frédéric Ruyant capture des tranches de vie urbaine et en transfigure la dimension ordinaire. Espaces publics, parkings de supermarchés, façades d’immeubles, abribus deviennent les théâtres privilégiés d’événements incongrus, poétiques, comme propositions pour réinventer la ville. Autant d’actions et de projets qui donnent envie de croire que(...)
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Designer et architecte, Frédéric Ruyant capture des tranches de vie urbaine et en transfigure la dimension ordinaire. Espaces publics, parkings de supermarchés, façades d’immeubles, abribus deviennent les théâtres privilégiés d’événements incongrus, poétiques, comme propositions pour réinventer la ville. Autant d’actions et de projets qui donnent envie de croire que(...)
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Urban oasis : Frédéric Ruyant
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Designer et architecte, Frédéric Ruyant capture des tranches de vie urbaine et en transfigure la dimension ordinaire. Espaces publics, parkings de supermarchés, façades d’immeubles, abribus deviennent les théâtres privilégiés d’événements incongrus, poétiques, comme propositions pour réinventer la ville. Autant d’actions et de projets qui donnent envie de croire que l’espace urbain n’est pas forcément un désert pour l’homme.
Urban oasis : Frédéric Ruyant
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Designer et architecte, Frédéric Ruyant capture des tranches de vie urbaine et en transfigure la dimension ordinaire. Espaces publics, parkings de supermarchés, façades d’immeubles, abribus deviennent les théâtres privilégiés d’événements incongrus, poétiques, comme propositions pour réinventer la ville. Autant d’actions et de projets qui donnent envie de croire que l’espace urbain n’est pas forcément un désert pour l’homme.
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mars 2004, Paris
mars 2004, Paris
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Conçue dans les années 1960 par l’architecte et urbaniste Jean Benjamin Maneval, la Bulle six coques est un projet unique d’habitat en plastique produit en série. Il associe de manière exemplaire recherche d’avant-garde, ingénierie et collaboration avec la grande industrie. Les prototypes conçus par l’architecte ainsi que les documents destinés à la commercialisation de(...)
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Conçue dans les années 1960 par l’architecte et urbaniste Jean Benjamin Maneval, la Bulle six coques est un projet unique d’habitat en plastique produit en série. Il associe de manière exemplaire recherche d’avant-garde, ingénierie et collaboration avec la grande industrie. Les prototypes conçus par l’architecte ainsi que les documents destinés à la commercialisation de(...)
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La bulle six coques : Jean Benjamin Maneval
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Conçue dans les années 1960 par l’architecte et urbaniste Jean Benjamin Maneval, la Bulle six coques est un projet unique d’habitat en plastique produit en série. Il associe de manière exemplaire recherche d’avant-garde, ingénierie et collaboration avec la grande industrie. Les prototypes conçus par l’architecte ainsi que les documents destinés à la commercialisation de la Bulle sont les parfaites expressions de l’esthétique des « années pop ». Le village de vacances de Gripp, qui regroupe une vingtaine de Bulles et qui fut en service jusqu’en 1998, est ainsi le témoignage d’un ensemble unique au monde.
La bulle six coques : Jean Benjamin Maneval
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Conçue dans les années 1960 par l’architecte et urbaniste Jean Benjamin Maneval, la Bulle six coques est un projet unique d’habitat en plastique produit en série. Il associe de manière exemplaire recherche d’avant-garde, ingénierie et collaboration avec la grande industrie. Les prototypes conçus par l’architecte ainsi que les documents destinés à la commercialisation de la Bulle sont les parfaites expressions de l’esthétique des « années pop ». Le village de vacances de Gripp, qui regroupe une vingtaine de Bulles et qui fut en service jusqu’en 1998, est ainsi le témoignage d’un ensemble unique au monde.
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janvier 2004, Paris
janvier 2004, Paris
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical(...)
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical(...)
Titre:
Juul & Frost Architects, Copenhagen : Signatur
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical and theoretical approach to architecture. There is a focus on the architectonic idea, which is consistently pursued and tested throughout the entire course of the project. The origin of their work was established through the editorial responsibilities for the Danish journal of architecture, SKALA, and the running of an architectural gallery, also known as SKALA, at the end of the nineteen-eighties. In the nineteen-nineties, Juul & Frost continued working as curators of large scale urban exhibitions, symposia and workshops known as SKAZKI Architecture Forum.Comprehensively unified planning and the contextual angle stand as indispensable points of reference for Juul & Frost, regardless of the assignment's scale.
Juul & Frost Architects, Copenhagen : Signatur
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical and theoretical approach to architecture. There is a focus on the architectonic idea, which is consistently pursued and tested throughout the entire course of the project. The origin of their work was established through the editorial responsibilities for the Danish journal of architecture, SKALA, and the running of an architectural gallery, also known as SKALA, at the end of the nineteen-eighties. In the nineteen-nineties, Juul & Frost continued working as curators of large scale urban exhibitions, symposia and workshops known as SKAZKI Architecture Forum.Comprehensively unified planning and the contextual angle stand as indispensable points of reference for Juul & Frost, regardless of the assignment's scale.
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décembre 2003, Berlin
décembre 2003, Berlin
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of(...)
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of(...)
Titre:
Dominique Perrault : New Mariinsky Theater
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of Kryukov canal, with additional 2000 seats. It will fully meet present day performance and technical demands. In order to underline the importance of this project for the Russian Federation, an international invited competition was launched in which the French architect Dominique Perrault, already an established figure among the world's architectural elite due to the Bibliothèque Nationale in Paris, emerged as the winner.
Dominique Perrault : New Mariinsky Theater
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of Kryukov canal, with additional 2000 seats. It will fully meet present day performance and technical demands. In order to underline the importance of this project for the Russian Federation, an international invited competition was launched in which the French architect Dominique Perrault, already an established figure among the world's architectural elite due to the Bibliothèque Nationale in Paris, emerged as the winner.
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livres
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décembre 2003, Berlin
décembre 2003, Berlin
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
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Intégral Ruedi Baur et Associés Expo 2 : la signalétique
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
Intégral Ruedi Baur et Associés Expo 2 : la signalétique
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
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janvier 1900, Paris
janvier 1900, Paris
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Titre:
Roy : architecture of risk
Roy : architecture of risk
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
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Roy : architecture of risk
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
Roy : architecture of risk
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
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juillet 2004, Ann Arbor
juillet 2004, Ann Arbor
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work,(...)
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work,(...)
Titre:
Toshiko Mori : materials, fabrication + performance
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work, sometimes in collaboration with artists, and she is an active participant in and organizer of symposia and competition programs. She is an advisor to the Montreal Museum for Decorative Arts and the Greenwich Village Society for Historic Preservation. This book was published on the occasion of a lecture given at the School of Architecture and Planning at SUNY Buffalo.
Toshiko Mori : materials, fabrication + performance
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work, sometimes in collaboration with artists, and she is an active participant in and organizer of symposia and competition programs. She is an advisor to the Montreal Museum for Decorative Arts and the Greenwich Village Society for Historic Preservation. This book was published on the occasion of a lecture given at the School of Architecture and Planning at SUNY Buffalo.
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Publication:
octobre 2003, Buffalo
octobre 2003, Buffalo
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the(...)
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the(...)
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Publication:
octobre 2003, Berlin
octobre 2003, Berlin
Titre:
Tadao Ando : Langen Foundation
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the basis for this new art house, which Japanese architect Tadao Ando was contracted to design. It will be completed in the spring of 2004. The first exhibition will be dedicated to a selection of the Langen collection of modern and Japanese art. The Langen Foundation aims in future to stimulate unusual meetings between art and its surrounding architecture. Tadao Ando’s architecture, a built space as an independent sculpture, and the presentation of the art inside it create the possibility of interactive experiences.
Tadao Ando : Langen Foundation
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the basis for this new art house, which Japanese architect Tadao Ando was contracted to design. It will be completed in the spring of 2004. The first exhibition will be dedicated to a selection of the Langen collection of modern and Japanese art. The Langen Foundation aims in future to stimulate unusual meetings between art and its surrounding architecture. Tadao Ando’s architecture, a built space as an independent sculpture, and the presentation of the art inside it create the possibility of interactive experiences.
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livres
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octobre 2003, Berlin
octobre 2003, Berlin
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Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of(...)
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Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of(...)
Titre:
Pamphlet architecture #26 : 13 projects for the Sheridan Expressway a.k.a. jump, slump, hump, bump : guide specifications for a post-Fordist infrastructure
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Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of proposals that reaffirm the role of architecture in urban planning. The thirteen projects take as their subject a site of contested transportation infrastructure — the Sheridan Expressway. By proposing new typologies for this site, these studies seek to mediate the spaces in the city where local and regional meet. Referencing the introduction of the modern parkway into the Bronx, the grading of the Central Park transverse roads, and other works that have redefined the relationship between parks and roads, author Jonathan Solomon suggests a system by which large projects might again be built in American cities.
Pamphlet architecture #26 : 13 projects for the Sheridan Expressway a.k.a. jump, slump, hump, bump : guide specifications for a post-Fordist infrastructure
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Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of proposals that reaffirm the role of architecture in urban planning. The thirteen projects take as their subject a site of contested transportation infrastructure — the Sheridan Expressway. By proposing new typologies for this site, these studies seek to mediate the spaces in the city where local and regional meet. Referencing the introduction of the modern parkway into the Bronx, the grading of the Central Park transverse roads, and other works that have redefined the relationship between parks and roads, author Jonathan Solomon suggests a system by which large projects might again be built in American cities.
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livres
livres
Publication:
mai 2004, New York
mai 2004, New York
Sujet:
petits formats
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