316 Résultats
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of(...)
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of(...)
Titre:
Game zone : playgrounds between virtual scenarios and reality
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of the 1960's and 1970's to the commercial and experimental examples of contemporary amusement arcades. Also considered are the virtual worlds of video games which are growing increasingly complex. The book reveals in a critical way how important the element of “play” has become in today’s digital architectonic designs.
Game zone : playgrounds between virtual scenarios and reality
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of the 1960's and 1970's to the commercial and experimental examples of contemporary amusement arcades. Also considered are the virtual worlds of video games which are growing increasingly complex. The book reveals in a critical way how important the element of “play” has become in today’s digital architectonic designs.
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livres
livres
Publication:
décembre 2003, Basel
décembre 2003, Basel
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$34.00
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The experimental and partly realized work of Sotirius Kotoulas, an architect living in New York City, has often attracted attention in the USA, being written about and awarded prizes. He is, however, less well known in Eurpoe. He is presently working on a design for a house in Seriphos, Greece. Lebbeus Woods on Kotoulas’ work: “… This is not an inhabitable site-specific(...)
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The experimental and partly realized work of Sotirius Kotoulas, an architect living in New York City, has often attracted attention in the USA, being written about and awarded prizes. He is, however, less well known in Eurpoe. He is presently working on a design for a house in Seriphos, Greece. Lebbeus Woods on Kotoulas’ work: “… This is not an inhabitable site-specific(...)
Titre:
Space out : Sotirios Kotoulas
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The experimental and partly realized work of Sotirius Kotoulas, an architect living in New York City, has often attracted attention in the USA, being written about and awarded prizes. He is, however, less well known in Eurpoe. He is presently working on a design for a house in Seriphos, Greece. Lebbeus Woods on Kotoulas’ work: “… This is not an inhabitable site-specific architecture but one that is translatable, a numerical transference outside the material realm of building as an architecture about architecture.”
Space out : Sotirios Kotoulas
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The experimental and partly realized work of Sotirius Kotoulas, an architect living in New York City, has often attracted attention in the USA, being written about and awarded prizes. He is, however, less well known in Eurpoe. He is presently working on a design for a house in Seriphos, Greece. Lebbeus Woods on Kotoulas’ work: “… This is not an inhabitable site-specific architecture but one that is translatable, a numerical transference outside the material realm of building as an architecture about architecture.”
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livres
livres
Publication:
novembre 2005, Wien / New Yorl
novembre 2005, Wien / New Yorl
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In "Tooling", the technologically progressive young firm Aranda/Lasch illustrates how advanced computational methods and algorithmic codes can be used to foster architectural design."Tooling" explores patterns generated by computer codes that in turn create an organizational template assembling projects. By openly sharing these codes, the authors seek to foster further(...)
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In "Tooling", the technologically progressive young firm Aranda/Lasch illustrates how advanced computational methods and algorithmic codes can be used to foster architectural design."Tooling" explores patterns generated by computer codes that in turn create an organizational template assembling projects. By openly sharing these codes, the authors seek to foster further(...)
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petits formats
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Publication:
novembre 2005, New York
novembre 2005, New York
Titre:
Pamphlet architecture 27 : tooling : Aranda / Lasch
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In "Tooling", the technologically progressive young firm Aranda/Lasch illustrates how advanced computational methods and algorithmic codes can be used to foster architectural design."Tooling" explores patterns generated by computer codes that in turn create an organizational template assembling projects. By openly sharing these codes, the authors seek to foster further investigation into their methods, allowing other architects to model and evolve more critical and insightful geometries and patterns.
Pamphlet architecture 27 : tooling : Aranda / Lasch
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In "Tooling", the technologically progressive young firm Aranda/Lasch illustrates how advanced computational methods and algorithmic codes can be used to foster architectural design."Tooling" explores patterns generated by computer codes that in turn create an organizational template assembling projects. By openly sharing these codes, the authors seek to foster further investigation into their methods, allowing other architects to model and evolve more critical and insightful geometries and patterns.
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livres
livres
Publication:
novembre 2005, New York
novembre 2005, New York
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livres
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$11.95
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Monographie présentant le projet architectural du Centre chorégraphique national de Montpellier par les architectes Lipsky + Rollet et Intégral - réunissant différents ateliers et partenaires couvrant l'ensemble du champ de design : Ruedi Baur, Philippe Délis, Laurent Malone, Lars Müller, Gulio et Valério Vinaccia. Photagraphies architectures de Guy Depollier,(...)
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Monographie présentant le projet architectural du Centre chorégraphique national de Montpellier par les architectes Lipsky + Rollet et Intégral - réunissant différents ateliers et partenaires couvrant l'ensemble du champ de design : Ruedi Baur, Philippe Délis, Laurent Malone, Lars Müller, Gulio et Valério Vinaccia. Photagraphies architectures de Guy Depollier,(...)
Titre:
Habiter, danser, penser : Centre chorégraphique national de Montpellier, Languedoc Roussillon, Intégral, Lipsky + Rollet architectes
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Monographie présentant le projet architectural du Centre chorégraphique national de Montpellier par les architectes Lipsky + Rollet et Intégral - réunissant différents ateliers et partenaires couvrant l'ensemble du champ de design : Ruedi Baur, Philippe Délis, Laurent Malone, Lars Müller, Gulio et Valério Vinaccia. Photagraphies architectures de Guy Depollier, photographies spectacle de Marc Coudrais.
Habiter, danser, penser : Centre chorégraphique national de Montpellier, Languedoc Roussillon, Intégral, Lipsky + Rollet architectes
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Monographie présentant le projet architectural du Centre chorégraphique national de Montpellier par les architectes Lipsky + Rollet et Intégral - réunissant différents ateliers et partenaires couvrant l'ensemble du champ de design : Ruedi Baur, Philippe Délis, Laurent Malone, Lars Müller, Gulio et Valério Vinaccia. Photagraphies architectures de Guy Depollier, photographies spectacle de Marc Coudrais.
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livres
livres
Publication:
juin 2005, Paris
juin 2005, Paris
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petits formats
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livres
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$24.95
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of(...)
$24.95
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of(...)
Titre:
Folding architecture : spatial, structural and organizational diagrams
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$24.95
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of the TU in Delft. The technique of folding in contemporary architecture is vividly illustrated with a survey of much-discussed concepts, projects and buildings in which this technique was applied. Now back in print.
Folding architecture : spatial, structural and organizational diagrams
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of the TU in Delft. The technique of folding in contemporary architecture is vividly illustrated with a survey of much-discussed concepts, projects and buildings in which this technique was applied. Now back in print.
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livres
livres
Publication:
juillet 2006, Amsterdam
juillet 2006, Amsterdam
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petits formats
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livres
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$49.95
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon(...)
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon(...)
Titre:
Spacepieces : Valentin Bearth & Andrea Deplazes / de aedibus 1
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon which each specific architectural task is based.
Spacepieces : Valentin Bearth & Andrea Deplazes / de aedibus 1
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon which each specific architectural task is based.
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livres
livres
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal(...)
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal(...)
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petits formats
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Publication:
janvier 1900, Luzern
janvier 1900, Luzern
Titre:
Old-new : Miroslav Šik / de aedibus 2
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal and over-ambitious architecture. His interest and attention is focused on the people who live in the buildings and populate the cites, and he is concerned with the necessary rather than the superfluous. The book introduces three recent works by the Zurich architect and professor at the ETH Zurich in subtle photographs by Christian Kerez and Walter Mayr, accompanied by plans. The high-quality texts draw attention to architectural cross-references and plumb the depths of the attributes of a powerful new whole that has emerged from a building complex. Selected texts by Miroslav Šik document the foundations of his rich theoretical basis.
Old-new : Miroslav Šik / de aedibus 2
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal and over-ambitious architecture. His interest and attention is focused on the people who live in the buildings and populate the cites, and he is concerned with the necessary rather than the superfluous. The book introduces three recent works by the Zurich architect and professor at the ETH Zurich in subtle photographs by Christian Kerez and Walter Mayr, accompanied by plans. The high-quality texts draw attention to architectural cross-references and plumb the depths of the attributes of a powerful new whole that has emerged from a building complex. Selected texts by Miroslav Šik document the foundations of his rich theoretical basis.
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livres
livres
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
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petits formats
petits formats
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livres
livres
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$22.95
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Résumé:
Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
Titre:
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
Das Märkische Viertel : idee - wirklichkeit - vision
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Résumé:
Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
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livres
livres
Publication:
juillet 2004, Berlin
juillet 2004, Berlin
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petits formats
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livres
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable(...)
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable(...)
Titre:
Figures : Andrea Bassi / de aedibus 6
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable characteristics, whereby he derives his powerful reduced forms from the site of the building. Martin Steinmann, a well-known architectural critic and teacher at the EPF Lausanne, analyses some of the aspect in Andrea Bassi's architecture. Five buildings and projects are presented in short texts, plans and photographs.
Figures : Andrea Bassi / de aedibus 6
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable characteristics, whereby he derives his powerful reduced forms from the site of the building. Martin Steinmann, a well-known architectural critic and teacher at the EPF Lausanne, analyses some of the aspect in Andrea Bassi's architecture. Five buildings and projects are presented in short texts, plans and photographs.
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livres
livres
Publication:
janvier 2004, Luzern
janvier 2004, Luzern
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petits formats
petits formats
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livres
Titre:
SOM journal 3
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
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SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
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livres
livres
Publication:
août 2004, Ostfildern-Ruit, Germany
août 2004, Ostfildern-Ruit, Germany
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petits formats
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