266 Résultats
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"The (un)common place" is the result of the research project "Trans : it. moving culture through Europe", a journey through creative practices between art, architecture and urban research that are redefining the concept of public space in Europe. A "common place", a shared vision, from Norway to Turkey, from Spain to Bulgaria, from Cyprus to Romania, emerged from the(...)
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"The (un)common place" is the result of the research project "Trans : it. moving culture through Europe", a journey through creative practices between art, architecture and urban research that are redefining the concept of public space in Europe. A "common place", a shared vision, from Norway to Turkey, from Spain to Bulgaria, from Cyprus to Romania, emerged from the(...)
Titre:
The (un) common place : art, public space and urban aesthetics in Europe
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"The (un)common place" is the result of the research project "Trans : it. moving culture through Europe", a journey through creative practices between art, architecture and urban research that are redefining the concept of public space in Europe. A "common place", a shared vision, from Norway to Turkey, from Spain to Bulgaria, from Cyprus to Romania, emerged from the more than fifty artists and projects documented in this book. Artists, institutions and society are searching for new relations to experiment unforeseen forms of cohabitation, mutual understanding and visions of the urban landscape. The book, organised in five thematic chapters, presents a European interpretation of public space resulting from complexity and difference, translation and memory.
The (un) common place : art, public space and urban aesthetics in Europe
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"The (un)common place" is the result of the research project "Trans : it. moving culture through Europe", a journey through creative practices between art, architecture and urban research that are redefining the concept of public space in Europe. A "common place", a shared vision, from Norway to Turkey, from Spain to Bulgaria, from Cyprus to Romania, emerged from the more than fifty artists and projects documented in this book. Artists, institutions and society are searching for new relations to experiment unforeseen forms of cohabitation, mutual understanding and visions of the urban landscape. The book, organised in five thematic chapters, presents a European interpretation of public space resulting from complexity and difference, translation and memory.
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Publication:
juin 2005, Barcelona
juin 2005, Barcelona
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Since the early 1990s, German photographer Michael Wesely has been inventing and refining techniques for using extremely long camera exposures to take uniquely compelling photographs. Through the use of filters and a very small aperture, yet one that is standard in a professional camera lens, he is able to diminish the amount of light hitting the negative to the point(...)
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Since the early 1990s, German photographer Michael Wesely has been inventing and refining techniques for using extremely long camera exposures to take uniquely compelling photographs. Through the use of filters and a very small aperture, yet one that is standard in a professional camera lens, he is able to diminish the amount of light hitting the negative to the point(...)
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Publication:
novembre 2004, New York
novembre 2004, New York
Titre:
Michael Wesely : open shutter : the museum of modern art
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Since the early 1990s, German photographer Michael Wesely has been inventing and refining techniques for using extremely long camera exposures to take uniquely compelling photographs. Through the use of filters and a very small aperture, yet one that is standard in a professional camera lens, he is able to diminish the amount of light hitting the negative to the point where he can extend the exposure many thousands of times longer than we would ordinarily expect. Some of Wesely’s pictures of the rebuilding of Berlin’s Potsdamer Platz, for example, in a series completed in 1999, were continuously exposed over a period of 26 months. The results of Wesely’s explorations are as surprising as they are beautiful. In 2001, as The Museum of Modern Art began to prepare for its ambitious construction and renovation project, a turning point in its history, it recognized in Wesely’s work an unequalled opportunity to artistically document that project. In August of that year, then, Wesely set specially designed cameras in long-term installations in and around the museum, choosing his locations for the construction views they provided. Nearly three years later, the images are complete, and their pentimento-like strata of transparencies and overlays render the construction project’s evolution in time as a dense and delicate network of forms and colors in space. "Open shutter" accompanies an exhibition organized by Sarah Hermanson Meister, Associate curator of the museum’s Department of photography. Included in the book are several images of the construction of the new Museum of Modern Art.
Michael Wesely : open shutter : the museum of modern art
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Since the early 1990s, German photographer Michael Wesely has been inventing and refining techniques for using extremely long camera exposures to take uniquely compelling photographs. Through the use of filters and a very small aperture, yet one that is standard in a professional camera lens, he is able to diminish the amount of light hitting the negative to the point where he can extend the exposure many thousands of times longer than we would ordinarily expect. Some of Wesely’s pictures of the rebuilding of Berlin’s Potsdamer Platz, for example, in a series completed in 1999, were continuously exposed over a period of 26 months. The results of Wesely’s explorations are as surprising as they are beautiful. In 2001, as The Museum of Modern Art began to prepare for its ambitious construction and renovation project, a turning point in its history, it recognized in Wesely’s work an unequalled opportunity to artistically document that project. In August of that year, then, Wesely set specially designed cameras in long-term installations in and around the museum, choosing his locations for the construction views they provided. Nearly three years later, the images are complete, and their pentimento-like strata of transparencies and overlays render the construction project’s evolution in time as a dense and delicate network of forms and colors in space. "Open shutter" accompanies an exhibition organized by Sarah Hermanson Meister, Associate curator of the museum’s Department of photography. Included in the book are several images of the construction of the new Museum of Modern Art.
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
Titre:
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
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Publication:
juillet 2006, Berkeley, Los Angeles, London
juillet 2006, Berkeley, Los Angeles, London
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Classification:
périodiques
périodiques
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
Titre:
Livraison No. 10: soundtracks for the blind
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
Livraison No. 10: soundtracks for the blind
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
Classification:
périodiques
périodiques
Publication:
février 2009, Montréal / Strasbourg
février 2009, Montréal / Strasbourg
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
Publication:
janvier 2009, Houston
janvier 2009, Houston
Titre:
On the banks of Bayou city: the center for land use interpretation in Houston
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
On the banks of Bayou city: the center for land use interpretation in Houston
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
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livres
livres
Publication:
janvier 2009, Houston
janvier 2009, Houston
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livres
livres
Titre:
I.M. Pei : complete works
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations,(...)
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations,(...)
Publication:
janvier 1900, New York
janvier 1900, New York
Titre:
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing.
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing.
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livres
Publication:
janvier 1900, New York
janvier 1900, New York
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that(...)
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that(...)
Titre:
How New York became american 1890-1924
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban -- a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit.
How New York became american 1890-1924
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban -- a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit.
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livres
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Publication:
avril 2009
avril 2009
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world,(...)
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Résumé:
In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world,(...)
Publication:
mai 2009, New Haven, London
mai 2009, New Haven, London
Titre:
Defining urban design : CIAM architects and the formation of a discipline, 1937-69
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world, but its roots in the urbanism of CIAM are not well understood.
Defining urban design : CIAM architects and the formation of a discipline, 1937-69
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Résumé:
In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world, but its roots in the urbanism of CIAM are not well understood.
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livres
livres
Publication:
mai 2009, New Haven, London
mai 2009, New Haven, London
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livres
livres
Titre:
Aldo Rossi drawings
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s(...)
$24.95
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s(...)
Publication:
janvier 1900, Milano
janvier 1900, Milano
Titre:
Aldo Rossi drawings
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$24.95
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s works, an index of exhibitions, and a bibliography.
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s works, an index of exhibitions, and a bibliography.
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livres
livres
Publication:
janvier 1900, Milano
janvier 1900, Milano
Classification:
livres
livres
Prix:
$10.00
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Résumé:
Une trentaine d'entretiens entre les auteurs et des acteurs majeurs de la vie politique française contemporaine sont rassemblés dans ce livre. Confrontés à la vision des historiens, ces textes sont enrichis et nuancés par l'opinion de plusieurs hauts fonctionnaires et architectes. L'ensemble contribue à expliquer les pratiques des hommes politiques et à(...)
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Résumé:
Une trentaine d'entretiens entre les auteurs et des acteurs majeurs de la vie politique française contemporaine sont rassemblés dans ce livre. Confrontés à la vision des historiens, ces textes sont enrichis et nuancés par l'opinion de plusieurs hauts fonctionnaires et architectes. L'ensemble contribue à expliquer les pratiques des hommes politiques et à(...)
Titre:
Pratiques architecturales et enjeux politiques : France, 1945-1995
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Une trentaine d'entretiens entre les auteurs et des acteurs majeurs de la vie politique française contemporaine sont rassemblés dans ce livre. Confrontés à la vision des historiens, ces textes sont enrichis et nuancés par l'opinion de plusieurs hauts fonctionnaires et architectes. L'ensemble contribue à expliquer les pratiques des hommes politiques et à éclairer les mécanismes d'évolution de l'architecture et de l'urbanisme au cours des cinquante dernières années en France.
Pratiques architecturales et enjeux politiques : France, 1945-1995
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Une trentaine d'entretiens entre les auteurs et des acteurs majeurs de la vie politique française contemporaine sont rassemblés dans ce livre. Confrontés à la vision des historiens, ces textes sont enrichis et nuancés par l'opinion de plusieurs hauts fonctionnaires et architectes. L'ensemble contribue à expliquer les pratiques des hommes politiques et à éclairer les mécanismes d'évolution de l'architecture et de l'urbanisme au cours des cinquante dernières années en France.
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livres
livres
Publication:
mai 1998, Paris
mai 1998, Paris
Sujet:
livres soldés
livres soldés
