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Shelter
Shelter
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This volume presents the 2000 Raoul Wallenberg lecture given at the University of Michigan.
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Résumé:
This volume presents the 2000 Raoul Wallenberg lecture given at the University of Michigan.
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Shelter
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Résumé:
This volume presents the 2000 Raoul Wallenberg lecture given at the University of Michigan.
Shelter
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Résumé:
This volume presents the 2000 Raoul Wallenberg lecture given at the University of Michigan.
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livres
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janvier 2000, Ann Arbor
janvier 2000, Ann Arbor
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$41.50
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Can architects design without nature? The ramifications of designing for, against, or with nature in the new millenium are the basis of the projects envisioned by six of America's most exciting young architectural talents, and presented here in Second Nature, the second in the Young Architects series, co-published with the Architectural League of New York.
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Can architects design without nature? The ramifications of designing for, against, or with nature in the new millenium are the basis of the projects envisioned by six of America's most exciting young architectural talents, and presented here in Second Nature, the second in the Young Architects series, co-published with the Architectural League of New York.
Titre:
Young Architects : second nature
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Can architects design without nature? The ramifications of designing for, against, or with nature in the new millenium are the basis of the projects envisioned by six of America's most exciting young architectural talents, and presented here in Second Nature, the second in the Young Architects series, co-published with the Architectural League of New York.
Young Architects : second nature
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Can architects design without nature? The ramifications of designing for, against, or with nature in the new millenium are the basis of the projects envisioned by six of America's most exciting young architectural talents, and presented here in Second Nature, the second in the Young Architects series, co-published with the Architectural League of New York.
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avril 2001, New York
avril 2001, New York
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$21.95
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Part of "The Information Technology Revolution in Architecture" series, this volume explores serialsm as a means of integrating comtemporary human knowledge and nature in art. Markus Bandur postulates that there is no true repetition in the world and that all individual parts are related through measure and proportion.
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Part of "The Information Technology Revolution in Architecture" series, this volume explores serialsm as a means of integrating comtemporary human knowledge and nature in art. Markus Bandur postulates that there is no true repetition in the world and that all individual parts are related through measure and proportion.
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Aesthetics of total serialism : contemporary search from the music of architecture
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Part of "The Information Technology Revolution in Architecture" series, this volume explores serialsm as a means of integrating comtemporary human knowledge and nature in art. Markus Bandur postulates that there is no true repetition in the world and that all individual parts are related through measure and proportion.
Aesthetics of total serialism : contemporary search from the music of architecture
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Part of "The Information Technology Revolution in Architecture" series, this volume explores serialsm as a means of integrating comtemporary human knowledge and nature in art. Markus Bandur postulates that there is no true repetition in the world and that all individual parts are related through measure and proportion.
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juin 2001, Basel
juin 2001, Basel
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
Titre:
The architecture of intelligence
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
The architecture of intelligence
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
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juin 2001, Basel
juin 2001, Basel
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$20.95
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
Titre:
Advanced technologies : building in the computer age
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
Advanced technologies : building in the computer age
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
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livres
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juin 2001, Basel
juin 2001, Basel
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$18.95
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables(...)
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables(...)
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New wombs : electronic bodies and architectural disorders
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables us to go beyond these physical dimensions into a virtual world, and this poses a challenge to architecture as we usually perceive it. Interactive, flexible and intelligent models are being called for. Whilst technology is taking us into the realms of virtual reality, architecture on the other hand, is becoming more corporeal. "Postorganic" is the term being used to express this merging of the body and architecture brought about by electronic media. A radical change in perspective is blurring the distinction between the organic and mechanic, and the artificial logic of the computer and the natural logic of man are fusing together.
New wombs : electronic bodies and architectural disorders
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables us to go beyond these physical dimensions into a virtual world, and this poses a challenge to architecture as we usually perceive it. Interactive, flexible and intelligent models are being called for. Whilst technology is taking us into the realms of virtual reality, architecture on the other hand, is becoming more corporeal. "Postorganic" is the term being used to express this merging of the body and architecture brought about by electronic media. A radical change in perspective is blurring the distinction between the organic and mechanic, and the artificial logic of the computer and the natural logic of man are fusing together.
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janvier 1900, Basel
janvier 1900, Basel
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
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juillet 2000, London
juillet 2000, London
Titre:
4 city visionaries : Alsop & Störmer, David Chipperfield Architects, Nigel Coates & Doug Branson, Zaha Hadid
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
4 city visionaries : Alsop & Störmer, David Chipperfield Architects, Nigel Coates & Doug Branson, Zaha Hadid
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
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juillet 2000, London
juillet 2000, London
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as(...)
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as(...)
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juillet 2003, Ann Arbor
juillet 2003, Ann Arbor
Titre:
The freedom of the architect : Rafael Moneo
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo’s reflections on his own work include: The City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo’s work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in "Oppositions" and "Lotus". He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally.
The freedom of the architect : Rafael Moneo
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo’s reflections on his own work include: The City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo’s work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in "Oppositions" and "Lotus". He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally.
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livres
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juillet 2003, Ann Arbor
juillet 2003, Ann Arbor
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petits formats
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livres
livres
![Gr[o]und : workshop 2002](/img-bookstore/ER8rHi3W6hh0gG1ZY0E7rhTahW4=/700x821/MIG-05271.jpg)
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Gr[o]und : workshop 2002
Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The(...)
$29.95
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Résumé:
The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The(...)
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Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The installation of these new elements in lower Manhattan on a hot, busy day in mid-August is documented and anaylzed.
Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The installation of these new elements in lower Manhattan on a hot, busy day in mid-August is documented and anaylzed.
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Publication:
janvier 2004, Vienna
janvier 2004, Vienna
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$22.95
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
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petits formats
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Publication:
octobre 2003, New York
octobre 2003, New York
Titre:
Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
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livres
livres
Publication:
octobre 2003, New York
octobre 2003, New York
Sujet:
petits formats
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