316 Résultats
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In our present exhibition about urban China we focus on the new cultural landscape represented by various disciplines like fashion, music, graphic design and of course architecture.
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In our present exhibition about urban China we focus on the new cultural landscape represented by various disciplines like fashion, music, graphic design and of course architecture.
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octobre 2007, Berlin
octobre 2007, Berlin
Titre:
Interdisciplinary Creative Arts from China
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In our present exhibition about urban China we focus on the new cultural landscape represented by various disciplines like fashion, music, graphic design and of course architecture.
Interdisciplinary Creative Arts from China
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In our present exhibition about urban China we focus on the new cultural landscape represented by various disciplines like fashion, music, graphic design and of course architecture.
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octobre 2007, Berlin
octobre 2007, Berlin
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petits formats
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon(...)
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon(...)
Titre:
Spacepieces : Valentin Bearth & Andrea Deplazes / de aedibus 1
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon which each specific architectural task is based.
Spacepieces : Valentin Bearth & Andrea Deplazes / de aedibus 1
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon which each specific architectural task is based.
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livres
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janvier 1900, Luzern
janvier 1900, Luzern
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal(...)
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal(...)
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petits formats
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janvier 1900, Luzern
janvier 1900, Luzern
Titre:
Old-new : Miroslav Šik / de aedibus 2
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal and over-ambitious architecture. His interest and attention is focused on the people who live in the buildings and populate the cites, and he is concerned with the necessary rather than the superfluous. The book introduces three recent works by the Zurich architect and professor at the ETH Zurich in subtle photographs by Christian Kerez and Walter Mayr, accompanied by plans. The high-quality texts draw attention to architectural cross-references and plumb the depths of the attributes of a powerful new whole that has emerged from a building complex. Selected texts by Miroslav Šik document the foundations of his rich theoretical basis.
Old-new : Miroslav Šik / de aedibus 2
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal and over-ambitious architecture. His interest and attention is focused on the people who live in the buildings and populate the cites, and he is concerned with the necessary rather than the superfluous. The book introduces three recent works by the Zurich architect and professor at the ETH Zurich in subtle photographs by Christian Kerez and Walter Mayr, accompanied by plans. The high-quality texts draw attention to architectural cross-references and plumb the depths of the attributes of a powerful new whole that has emerged from a building complex. Selected texts by Miroslav Šik document the foundations of his rich theoretical basis.
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livres
livres
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
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petits formats
petits formats
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
Titre:
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
Das Märkische Viertel : idee - wirklichkeit - vision
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Résumé:
Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
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livres
livres
Publication:
juillet 2004, Berlin
juillet 2004, Berlin
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petits formats
petits formats
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livres
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable(...)
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Résumé:
The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable(...)
Titre:
Figures : Andrea Bassi / de aedibus 6
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Résumé:
The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable characteristics, whereby he derives his powerful reduced forms from the site of the building. Martin Steinmann, a well-known architectural critic and teacher at the EPF Lausanne, analyses some of the aspect in Andrea Bassi's architecture. Five buildings and projects are presented in short texts, plans and photographs.
Figures : Andrea Bassi / de aedibus 6
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable characteristics, whereby he derives his powerful reduced forms from the site of the building. Martin Steinmann, a well-known architectural critic and teacher at the EPF Lausanne, analyses some of the aspect in Andrea Bassi's architecture. Five buildings and projects are presented in short texts, plans and photographs.
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livres
livres
Publication:
janvier 2004, Luzern
janvier 2004, Luzern
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petits formats
petits formats
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livres
livres
Titre:
SOM journal 3
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
Titre:
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
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livres
livres
Publication:
août 2004, Ostfildern-Ruit, Germany
août 2004, Ostfildern-Ruit, Germany
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petits formats
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Atelier Kempe Thill is a Rotterdam based firm for architecture and urban planning. The office was founded in 2000 by André Kempe and Oliver Thill.
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Atelier Kempe Thill is a Rotterdam based firm for architecture and urban planning. The office was founded in 2000 by André Kempe and Oliver Thill.
Titre:
Atelier Kempe Thill : specific neutrality
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Atelier Kempe Thill is a Rotterdam based firm for architecture and urban planning. The office was founded in 2000 by André Kempe and Oliver Thill.
Atelier Kempe Thill : specific neutrality
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Atelier Kempe Thill is a Rotterdam based firm for architecture and urban planning. The office was founded in 2000 by André Kempe and Oliver Thill.
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livres
livres
Publication:
avril 2004, Berlin
avril 2004, Berlin
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petits formats
petits formats
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livres
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$21.95
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Vivre dans une maison de verre, entièrement lumineuse, dans une architecture de cristal est un vieux rêve que les architectes expérimentèrent d'abord au XIXe siècle dans des serres et des gares, puis au XXe siècle dans des usines, des grands magasins, des immeubles de bureaux et enfin, grâce aux avancées technologiques, dans des immeubles d'habitation. Une des plus(...)
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Vivre dans une maison de verre, entièrement lumineuse, dans une architecture de cristal est un vieux rêve que les architectes expérimentèrent d'abord au XIXe siècle dans des serres et des gares, puis au XXe siècle dans des usines, des grands magasins, des immeubles de bureaux et enfin, grâce aux avancées technologiques, dans des immeubles d'habitation. Une des plus(...)
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La maison de verre: Paul-Amaury Michel, Bruxelles
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Vivre dans une maison de verre, entièrement lumineuse, dans une architecture de cristal est un vieux rêve que les architectes expérimentèrent d'abord au XIXe siècle dans des serres et des gares, puis au XXe siècle dans des usines, des grands magasins, des immeubles de bureaux et enfin, grâce aux avancées technologiques, dans des immeubles d'habitation. Une des plus célèbres maisons de verre est celle édifiée par les architectes Pierre Chareau et Bernard Bijvoet rue Saint-Guillaume à Paris de 1927 à 1931. En 1935 le jeune architecte Paul-Amaury Michel, au retour d'une visite chez Le Corbusier, édifie à son tour à Bruxelles une maison de verre qui constitue une adroite synthèse du concept de machine à habiter et de la maison de Chareau. Classée monument en 1998, la maison de verre a fait l'objet d'une restauration scrupuleuse en 2002.
La maison de verre: Paul-Amaury Michel, Bruxelles
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Vivre dans une maison de verre, entièrement lumineuse, dans une architecture de cristal est un vieux rêve que les architectes expérimentèrent d'abord au XIXe siècle dans des serres et des gares, puis au XXe siècle dans des usines, des grands magasins, des immeubles de bureaux et enfin, grâce aux avancées technologiques, dans des immeubles d'habitation. Une des plus célèbres maisons de verre est celle édifiée par les architectes Pierre Chareau et Bernard Bijvoet rue Saint-Guillaume à Paris de 1927 à 1931. En 1935 le jeune architecte Paul-Amaury Michel, au retour d'une visite chez Le Corbusier, édifie à son tour à Bruxelles une maison de verre qui constitue une adroite synthèse du concept de machine à habiter et de la maison de Chareau. Classée monument en 1998, la maison de verre a fait l'objet d'une restauration scrupuleuse en 2002.
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livres
livres
Publication:
juin 2004
juin 2004
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petits formats
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livres
livres
Titre:
Paris nord-est
Paris nord-est
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Depuis la porte de la Chapelle jusqu'à la porte de la Villette, 200 hectares des XVIIIe et XIXe arrondissements sont observés et projetés par les architectes urbanistes Dusapin & Leclerq et les paysagistes de l'Agence TER. L'ouvrage présente leur projet, lauréat du concours de l'étude de définition pour le réaménagement du secteur Paris Nord-Est en janvier 2003. Du(...)
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Depuis la porte de la Chapelle jusqu'à la porte de la Villette, 200 hectares des XVIIIe et XIXe arrondissements sont observés et projetés par les architectes urbanistes Dusapin & Leclerq et les paysagistes de l'Agence TER. L'ouvrage présente leur projet, lauréat du concours de l'étude de définition pour le réaménagement du secteur Paris Nord-Est en janvier 2003. Du(...)
Titre:
Paris nord-est
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Depuis la porte de la Chapelle jusqu'à la porte de la Villette, 200 hectares des XVIIIe et XIXe arrondissements sont observés et projetés par les architectes urbanistes Dusapin & Leclerq et les paysagistes de l'Agence TER. L'ouvrage présente leur projet, lauréat du concours de l'étude de définition pour le réaménagement du secteur Paris Nord-Est en janvier 2003. Du premier schéma d'intentions aux nouvelles perspectives imaginées pour le piéton qui circulera entre Paris et la banlieue, cet espace urbain se dessine comme une nouvelle centralité, en relation avec les communes de Saint-Denis, Aubervilliers et Pantin.
Paris nord-est
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Depuis la porte de la Chapelle jusqu'à la porte de la Villette, 200 hectares des XVIIIe et XIXe arrondissements sont observés et projetés par les architectes urbanistes Dusapin & Leclerq et les paysagistes de l'Agence TER. L'ouvrage présente leur projet, lauréat du concours de l'étude de définition pour le réaménagement du secteur Paris Nord-Est en janvier 2003. Du premier schéma d'intentions aux nouvelles perspectives imaginées pour le piéton qui circulera entre Paris et la banlieue, cet espace urbain se dessine comme une nouvelle centralité, en relation avec les communes de Saint-Denis, Aubervilliers et Pantin.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
petits formats
petits formats
Classification:
livres
livres
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$14.95
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La conception de projets urbains ne se réduit pas à une analyse clinique de situations et de programmes. Chaque ville traversée, le temps d’un concours, d’une étude, est presque comme un amour de passage. Angers, Paris, Lille, Rennes, Boulogne-Billancourt, Arcueil, Toulon… Les architectes urbanistes Dusapin & Leclercq se sont laissés envahir par ces « villes affectives »,(...)
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Résumé:
La conception de projets urbains ne se réduit pas à une analyse clinique de situations et de programmes. Chaque ville traversée, le temps d’un concours, d’une étude, est presque comme un amour de passage. Angers, Paris, Lille, Rennes, Boulogne-Billancourt, Arcueil, Toulon… Les architectes urbanistes Dusapin & Leclercq se sont laissés envahir par ces « villes affectives »,(...)
Titre:
Villes affectives, villes effectives
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La conception de projets urbains ne se réduit pas à une analyse clinique de situations et de programmes. Chaque ville traversée, le temps d’un concours, d’une étude, est presque comme un amour de passage. Angers, Paris, Lille, Rennes, Boulogne-Billancourt, Arcueil, Toulon… Les architectes urbanistes Dusapin & Leclercq se sont laissés envahir par ces « villes affectives », ont réinventé des parcours. Certains projets sont restés des esquisses lorsqu’ils ne se sont pas transformés en travaux de grande envergure. L’ouvrage présente leurs histoires particulières, entre incertitudes et désirs communs.
Villes affectives, villes effectives
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La conception de projets urbains ne se réduit pas à une analyse clinique de situations et de programmes. Chaque ville traversée, le temps d’un concours, d’une étude, est presque comme un amour de passage. Angers, Paris, Lille, Rennes, Boulogne-Billancourt, Arcueil, Toulon… Les architectes urbanistes Dusapin & Leclercq se sont laissés envahir par ces « villes affectives », ont réinventé des parcours. Certains projets sont restés des esquisses lorsqu’ils ne se sont pas transformés en travaux de grande envergure. L’ouvrage présente leurs histoires particulières, entre incertitudes et désirs communs.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
petits formats
petits formats
