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Titre:
Everlasting plastics

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$42.00
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Résumé:
Exploring the infinite ways in which plastics permeate our bodies and our world, ''Everlasting Plastics'' offers intimate and political accounts of our fraught yet enmeshed kinship with these materials. Rather than making a case for or against the material, the writings and artworks collected in this volume attempt to register our ongoing toxic dependencies on plastic, its impact on other material cultures and behaviors, and the harm and possibilities it entangles for our collective futures. ''Everlasting Plastics'' records and expands upon the exhibition of the US Pavilion at the 2023 Venice Biennale, which excavated the ways synthetics both shape and erode contemporary ecologies, economies, and the built environment.

Titre:
The architecture of patterns

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$31.00
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Résumé:
This book tracks the definitions and applications of patterns in a number of fields, and suggests how contemporary patterns might be used in design. Drawing on historical material and recent case studies, it gives shape to patterns’ emerging potential. The Architecture of Patterns provides an updated definition of patterns that is at once precise and expansive—one that allows their sensory, ephemeral, and iterative traits to be taken as seriously as their functional, everlasting, and essential ones.

Titre:
Fashion spaces: a theoretical view

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$29.95
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Résumé:
When architecture and fashion meet in the creation of ephemeral spaces for the immediate presentation of new collections, for example, these temporary but real spaces are brought into the realm of the everlasting digital space as they are shared and re-shared on platforms like Instagram. Fashion spaces can best be defined, then, as co-created, ever changing and prevailing metaspaces where the dialogue amongst designers, consumers and industry leaders continues well after the real space has vanished. Can these fashion spaces have a bigger impact on consumers than real-time experience of space? How may the dialogues developing within and as result of fashion spaces influence physical retail design? Can designers use fashion spaces as sites for new cultural production?

Titre:
Darkness : the dynamics of darkness in the North

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$30.00
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Résumé:
Defining darkness can be an impossible exercise to explain absence, nothingness, and the absolute all at once. Darkness falls within a system of symbolic values where colours are ascribed to meanings that are related to one another. The relationship between darkness and the North is as ancient as that between the North and whiteness. The circumpolar day-night cycle, alternating between summer and winter, introduces the idea of a duality, between blinding brightness and everlasting night. The ten chapters of this book explore the dynamics of darkness in social science, humanities and art, and attest to the diverse range of contributions by the various authors and their disciplinary and cultural perspectives. Together, they shed light on the meaning and use of darkness, its position and role in the worldview of cultures, the scientific struggle with darkness, and not least the effects of this interplay on people's lives and their understanding of self and other.

Titre:
Japan-ness in architecture

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$35.95
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Résumé:
Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.