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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition(...)
La Tendenza : architectures italiennes, 1965-1985
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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition "Architettura razionale", à la Triennale de Milan, formalise ce retour vers l'histoire qui, loin de l'abstraction du modernisme et de toute idée d'avant-garde, s'imposera comme une simple tendance, la Tendenza. Première publication sur ce courant spécifiquement italien, le catalogue illustre l'intense recherche graphique d'architectes (Carlo Aymonino, Aldo Rossi, Paolo Portoghesi, Franco Purini, Gianni Braghieri, le GRAU, Dario Passi, entre autres) cherchant à redéfinir la logique du projet architectural. Dirigé par Frédéric Migayrou et enrichi des recherches d'une nouvelle génération d'historiens, cet ouvrage s'interroge sur l'historicisation d'un mouvement dont l'apogée, marqué par la réalisation du Teatro del Monda (1979) par Aldo Rossi puis l'exposition "La Strada Novissima" (1980) organisée à Venise, contribua à la fortune critique mondiale d'un nouveau concept, le postmodernisme.
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607 pages : illustrations (some color), maps ; 31 cm
New York, NY : Actar Publishers, [2017]
Milan, capital of the modern / edited by Lorenzo Degli Esposti.
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607 pages : illustrations (some color), maps ; 31 cm
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New York, NY : Actar Publishers, [2017]
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215 pages : illustrations (chiefly color) ; 28 x 28 cm
Milano : Electa, [2016]
City after the city : landscape urbanism, urban orchard, expanded housing, people in motion, street art, meeting bookroom / coordinamento generale, Pierluigi Nicolin ; catalogo a cura di Nina Bassoli, Gaia Piccarolo.
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215 pages : illustrations (chiefly color) ; 28 x 28 cm
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Milano : Electa, [2016]
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159 pages : illustrations (chieflycolor) ; 25 cm
Siracusa : LetteraVentidue, 2020.
The American journey / Bruno Morasutti e Frank Lloyd Wright ; a cura di Angelo Maggi.
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159 pages : illustrations (chieflycolor) ; 25 cm
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Siracusa : LetteraVentidue, 2020.
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222 pages : illustrations (some color) ; 31 cm.
Roma : Gangemi editore SpA international, [2017]
Tommaso Mattei, 1652-1726 : l'opera di un architetto romano tra '600 e '700 / Dimitri Ticconi ; saggio introduttivo di Sandro Benedetti.
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222 pages : illustrations (some color) ; 31 cm.
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Roma : Gangemi editore SpA international, [2017]
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143 pages : illustrations (some color), plans, portraits ; 27 cm
Venezia : IUAV : Marsilio, 2012.
The clinic of dissection of art / a cura di Antonella Gallo.
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143 pages : illustrations (some color), plans, portraits ; 27 cm
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Venezia : IUAV : Marsilio, 2012.
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576 pages : illustrations (some color) ; 27 cm
Karlsruhe, Germany : ZKM/Center for Art and Media ; Cambridge, MA : MIT Press, ©2011.
A little known story about a movement, a magazine and the computer's arrival in art : New Tendencies and Bit international, 1961-1973 / edited by Margit Rosen in collaboration with Peter Weibel, Darko Fritz, and Marija Gattin.
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576 pages : illustrations (some color) ; 27 cm
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Karlsruhe, Germany : ZKM/Center for Art and Media ; Cambridge, MA : MIT Press, ©2011.
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In the mid 1960s Aldo Rossi launched what in retrospect appears a heroic endeavour: a redefinition of architecture founded in the knowledge of the rules and forms that constitute "the European city". Understanding this type of city as a collective artefact, Rossi sought to lead architecture out of the impasse created by a technocratic interpretation of functionalism after(...)
OASE 62 : architecture and the project of the city
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In the mid 1960s Aldo Rossi launched what in retrospect appears a heroic endeavour: a redefinition of architecture founded in the knowledge of the rules and forms that constitute "the European city". Understanding this type of city as a collective artefact, Rossi sought to lead architecture out of the impasse created by a technocratic interpretation of functionalism after World War II. Tendenza, with Aldo Rossi and Giorgio Grassi as its main protagonists, proposed the study of existing cities as architectural phenomena, intending to identify enduring formal patterns that could be reworked into elements of a new design. In this issue of "OASE" these ideas and their bearings on architectural practice are traced through the work of Carel Weeber, arguably the most controversial and successful architect to adopt the Italian ideas and transform them in the Dutch context. This issue will examine the relevance of the experience of Tendenza now, against the background of the almost complete erosion of the urban nature of much of suburbanized Europe. Is the reference to "the European city" still tenable? The transformation of these ideas and design solutions in Holland allows us to gauge their effect on the architectural discipline and their contribution to rethinking existing cities.
Revues, anciens numéros
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The architecture of the city
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Résumé:
Aldo Rossi, a practicing architect and leader of the Italian architectural movement La Tendenza, is also one of the most influential theorists writing today. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its(...)
The architecture of the city
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Aldo Rossi, a practicing architect and leader of the Italian architectural movement La Tendenza, is also one of the most influential theorists writing today. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.
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janvier 1986, Cambridge
Théorie de l’urbanisme