48 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0048.01:014
PH1980:0048.01:014
Personnes et institutions:
Sujet:
architecture, militaire
architecture, militaire
Date:
1859-1860
1859-1860
Titre:
Distant view of Tripoli showing the Citadel (Crusader Castle of Saint Gilles) on the left, Ottoman Empire (now in Lebanon)
Actions:
PH1980:0048.01:014
Distant view of Tripoli showing the Citadel (Crusader Castle of Saint Gilles) on the left, Ottoman Empire (now in Lebanon)
Actions:
PH1980:0048.01:014
Classification:
photographies
photographies
Date:
1859-1860
1859-1860
Personnes et institutions:
Sujet:
architecture, militaire
architecture, militaire
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0048.01:013 A/B
PH1980:0048.01:013 A/B
Personnes et institutions:
Sujet:
architecture, militaire
architecture, militaire
Date:
1859-1860
1859-1860
Classification:
photographies
photographies
Date:
1859-1860
1859-1860
Personnes et institutions:
Sujet:
architecture, militaire
architecture, militaire
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0048.01:016
Description:
- Suzanne K. Williamson identifies the mosque in the background as the Madrasah-Mosque of al-Burtasi (Oct. 1986). Further research should include verification of this information and identification of the source(s) from which it was obtained.
PH1980:0048.01:016
Description:
- Suzanne K. Williamson identifies the mosque in the background as the Madrasah-Mosque of al-Burtasi (Oct. 1986). Further research should include verification of this information and identification of the source(s) from which it was obtained.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1859-1860
1859-1860
Titre:
View of Tripoli from the new Djisr-el-Djed Bridge with the Madrasah-Mosque of al-Burtasi in the background, Ottoman Empire (now in Lebanon)
Actions:
PH1980:0048.01:016
Description:
- Suzanne K. Williamson identifies the mosque in the background as the Madrasah-Mosque of al-Burtasi (Oct. 1986). Further research should include verification of this information and identification of the source(s) from which it was obtained.
View of Tripoli from the new Djisr-el-Djed Bridge with the Madrasah-Mosque of al-Burtasi in the background, Ottoman Empire (now in Lebanon)
Actions:
PH1980:0048.01:016
Description:
- Suzanne K. Williamson identifies the mosque in the background as the Madrasah-Mosque of al-Burtasi (Oct. 1986). Further research should include verification of this information and identification of the source(s) from which it was obtained.
Classification:
photographies
photographies
Date:
1859-1860
1859-1860
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
films
films
Titre:
L’inertie du vide
L’inertie du vide
Actions:
Description:
Joyce Joumaa explore les forces politiques et culturelles qui se sont exercées sur le site abandonné d’une foire internationale conçue par Oscar Niemeyer dans la ville de Tripoli, au Liban.
Joyce Joumaa explore les forces politiques et culturelles qui se sont exercées sur le site abandonné d’une foire internationale conçue par Oscar Niemeyer dans la ville de Tripoli, au Liban.
Date:
février 2023
février 2023
Titre:
L’inertie du vide
Actions:
Description:
Joyce Joumaa explore les forces politiques et culturelles qui se sont exercées sur le site abandonné d’une foire internationale conçue par Oscar Niemeyer dans la ville de Tripoli, au Liban.
L’inertie du vide
Actions:
Description:
Joyce Joumaa explore les forces politiques et culturelles qui se sont exercées sur le site abandonné d’une foire internationale conçue par Oscar Niemeyer dans la ville de Tripoli, au Liban.
Classification:
films
films
Date:
février 2023
février 2023
Classification:
articles
articles
Titre:
Combler les lacunes
Combler les lacunes
Actions:
George Arbid interviewé par Joyce Joumaa sur le projet d’Oscar Niemeyer pour la Foire internationale Rachid Karameh de Tripoli
Mot(s)-clé(s):
George Arbid, Joyce Joumaa, Oscar Niemeyer, Tripoli, Liban, Foire internationale Rashid Karameh, l'inertie du vide, crise
George Arbid, Joyce Joumaa, Oscar Niemeyer, Tripoli, Liban, Foire internationale Rashid Karameh, l'inertie du vide, crise
Publié:
6 février 2023
6 février 2023
Titre:
Combler les lacunes
George Arbid interviewé par Joyce Joumaa sur le projet d’Oscar Niemeyer pour la Foire internationale Rachid Karameh de Tripoli
Actions:
Combler les lacunes
George Arbid interviewé par Joyce Joumaa sur le projet d’Oscar Niemeyer pour la Foire internationale Rachid Karameh de Tripoli
Actions:
Classification:
articles
articles
Titre:
Bureaucratie défaillante
Bureaucratie défaillante
Actions:
Mousbah Rajab interviewé par Joyce Joumaa sur la Foire internationale Rachid Karameh à Tripoli et les lacunes de la gestion et de la planification de la ville
Mot(s)-clé(s):
Mousbah Rajab, Joyce Joumaa, Oscar Niemeyer, Tripoli, Liban, Foire internationale Rashid Karameh, l'inertie du vide, crise
Mousbah Rajab, Joyce Joumaa, Oscar Niemeyer, Tripoli, Liban, Foire internationale Rashid Karameh, l'inertie du vide, crise
Publié:
27 février 2023
27 février 2023
Titre:
Bureaucratie défaillante
Mousbah Rajab interviewé par Joyce Joumaa sur la Foire internationale Rachid Karameh à Tripoli et les lacunes de la gestion et de la planification de la ville
Actions:
Bureaucratie défaillante
Mousbah Rajab interviewé par Joyce Joumaa sur la Foire internationale Rachid Karameh à Tripoli et les lacunes de la gestion et de la planification de la ville
Actions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hermann Finsterlin
Hermann Finsterlin
Numéro de référence:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Personnes et institutions:
Date:
1919-1923
1919-1923
Titre:
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Niveau de description archivistique:
series
series
Date:
1919-1923
1919-1923
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire, sculpture
architecture, ingénierie, militaire, sculpture
Date:
published 1859-1860
published 1859-1860
Titre:
Album of views of cities and towns showing public, religious and domestic architecture, Ottoman Empire (now in Lebanon, Syria, Turkey and Israel)
Actions:
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
Album of views of cities and towns showing public, religious and domestic architecture, Ottoman Empire (now in Lebanon, Syria, Turkey and Israel)
Actions:
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
Classification:
photographies
photographies
Date:
published 1859-1860
published 1859-1860
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire, sculpture
architecture, ingénierie, militaire, sculpture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Personnes et institutions:
Date:
1979-1983
1979-1983
Titre:
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1979-1983
1979-1983
Personnes et institutions:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
39 leaves, 12 unnumbered leaves : illustration (folded), plans (folded) ; 30 cm
Description:
39 leaves, 12 unnumbered leaves : illustration (folded), plans (folded) ; 30 cm
Auteur:
Sujet:
Publication:
[place of publication not identified] : [publisher not identified] , [approximately 1966].
[place of publication not identified] : [publisher not identified] , [approximately 1966].
Titre:
Midwifery school and hospital Tripoli/Libya / Dr. Ing. Georg Lippsmeier.
Actions:
Exemplaires:
Description:
39 leaves, 12 unnumbered leaves : illustration (folded), plans (folded) ; 30 cm
Midwifery school and hospital Tripoli/Libya / Dr. Ing. Georg Lippsmeier.
Actions:
Exemplaires:
Description:
39 leaves, 12 unnumbered leaves : illustration (folded), plans (folded) ; 30 cm
Classification:
livres
livres
Publication:
[place of publication not identified] : [publisher not identified] , [approximately 1966].
[place of publication not identified] : [publisher not identified] , [approximately 1966].
Auteur:
Sujet:
