110 Résultats
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livres
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$225.95
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The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures,(...)
$225.95
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The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures,(...)
Titre:
Exteriorless architecture: Form, space, and urbanities of neoliberalism
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The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures, despite their formal and typological heterogeneity, belong to a common paradigm: the exteriorless. How can an architecture of the exteriorless be defined? How does it differentiate from examples and manifestations of the past? How do notions of legibility, form versus function, typological articulation come into play? In situating the spatialities of contemporary capitalism within the larger debate on Anthropocene, Post-Anthropocene, and Capitalocene, the book attempts to answer those questions by delineating three main characteristics for an architecture of the exteriorless: its physical and symbolic role as interface; its ambiguous condition of being at the same time local and global, isolated and connected, compressed and expanded; and, lastly, its contribution to new forms of urbanity in absence of the traditional city.
Exteriorless architecture: Form, space, and urbanities of neoliberalism
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$225.95
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The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures, despite their formal and typological heterogeneity, belong to a common paradigm: the exteriorless. How can an architecture of the exteriorless be defined? How does it differentiate from examples and manifestations of the past? How do notions of legibility, form versus function, typological articulation come into play? In situating the spatialities of contemporary capitalism within the larger debate on Anthropocene, Post-Anthropocene, and Capitalocene, the book attempts to answer those questions by delineating three main characteristics for an architecture of the exteriorless: its physical and symbolic role as interface; its ambiguous condition of being at the same time local and global, isolated and connected, compressed and expanded; and, lastly, its contribution to new forms of urbanity in absence of the traditional city.
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livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$74.95
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents:(...)
$74.95
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents:(...)
Titre:
Type at work : the use of type in editorial design
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$74.95
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents: ‘Conceptual and Visible Thinking’, in which typography is deliberately used to support the expression of a certain concept or idea; ‘Xplicit Typography’, in which the selected projects use type as image; and "unctional Knowledge" gathering projects whose main criteria are clarity and legibility. "Type at Work" is packed with visual inspiration and provides profound insight into the use of type. The book includes work by today’s best typographic designers around the world, including Cahan & Associates, Peter Bil'ak, Martin Venezky, EumoGràphic, Frost Design, Plazm, Tau Diseño, Max Kisman, Moniteurs, Typerware, Jon Barnbrook, Orange Juice and Mieke Gerritzen. Author Andreu Balius is co-founder of the Typerware studio in Barcelona and has received numerous international design awards.
Type at work : the use of type in editorial design
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$74.95
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents: ‘Conceptual and Visible Thinking’, in which typography is deliberately used to support the expression of a certain concept or idea; ‘Xplicit Typography’, in which the selected projects use type as image; and "unctional Knowledge" gathering projects whose main criteria are clarity and legibility. "Type at Work" is packed with visual inspiration and provides profound insight into the use of type. The book includes work by today’s best typographic designers around the world, including Cahan & Associates, Peter Bil'ak, Martin Venezky, EumoGràphic, Frost Design, Plazm, Tau Diseño, Max Kisman, Moniteurs, Typerware, Jon Barnbrook, Orange Juice and Mieke Gerritzen. Author Andreu Balius is co-founder of the Typerware studio in Barcelona and has received numerous international design awards.
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livres
livres
Publication:
mars 2003, Amsterdam
mars 2003, Amsterdam
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livres
livres
Titre:
Palimpsests : buildings, sites, time / edited by Nadja Aksamija, Clark Maines, Phillip Wagoner.
Palimpsests : buildings, sites, time / edited by Nadja Aksamija, Clark Maines, Phillip Wagoner.
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247 pages : illustrations (chiefly color), maps, plans ; 28 cm.
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247 pages : illustrations (chiefly color), maps, plans ; 28 cm.
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Turnhout, Belgium : Brepols, [2017], ©2017
Turnhout, Belgium : Brepols, [2017], ©2017
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Palimpsests : buildings, sites, time / edited by Nadja Aksamija, Clark Maines, Phillip Wagoner.
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247 pages : illustrations (chiefly color), maps, plans ; 28 cm.
Palimpsests : buildings, sites, time / edited by Nadja Aksamija, Clark Maines, Phillip Wagoner.
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247 pages : illustrations (chiefly color), maps, plans ; 28 cm.
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Turnhout, Belgium : Brepols, [2017], ©2017
Turnhout, Belgium : Brepols, [2017], ©2017
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$43.50
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This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles. Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped.(...)
$43.50
(disponible sur commande)
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This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles. Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped.(...)
Titre:
Thinking with type. 3rd edition
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$43.50
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This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles. Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. Historical and contemporary examples of graphic design show how to learn the rules and how to break them. Critical essays, eye-opening diagrams, helpful exercises, and dozens of examples and illustrations show readers how to be inventive within systems that inform and communicate.Featuring 32 pages of new content, the third edition is revised and refined from cover to cover: More fonts, old fonts, new fonts, weird fonts, libre fonts, Google fonts, Adobe fonts, fonts from independent foundries, and fonts and lettering by women and BIPOC designers; Introductions to diverse writing systems, contributed by expert typographers from around the world; Demonstrations of basic design principles, such as visual balance, Gestalt grouping, and responsive layout; Current approaches to typeface design, including variable fonts and optical sizes; Tips for readability, legibility, and accessibility.
Thinking with type. 3rd edition
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$43.50
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This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles. Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. Historical and contemporary examples of graphic design show how to learn the rules and how to break them. Critical essays, eye-opening diagrams, helpful exercises, and dozens of examples and illustrations show readers how to be inventive within systems that inform and communicate.Featuring 32 pages of new content, the third edition is revised and refined from cover to cover: More fonts, old fonts, new fonts, weird fonts, libre fonts, Google fonts, Adobe fonts, fonts from independent foundries, and fonts and lettering by women and BIPOC designers; Introductions to diverse writing systems, contributed by expert typographers from around the world; Demonstrations of basic design principles, such as visual balance, Gestalt grouping, and responsive layout; Current approaches to typeface design, including variable fonts and optical sizes; Tips for readability, legibility, and accessibility.
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livres
livres
Publication:
mars 2024
mars 2024
Classification:
livres
livres
Titre:
Inhuman resources
Inhuman resources
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$34.95
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What gets stranded outside the borders of the political? ''Inhuman Resources'' develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identi?cation on which representative politics rely. Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the(...)
$34.95
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What gets stranded outside the borders of the political? ''Inhuman Resources'' develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identi?cation on which representative politics rely. Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the(...)
Titre:
Inhuman resources
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$34.95
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What gets stranded outside the borders of the political? ''Inhuman Resources'' develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identi?cation on which representative politics rely. Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the tropes of paralysis and sabotage, which leave behind notions of public citizenship to reveal an “inhuman” agency that hinges on the unexpected friction between humans, materials, machinery, and other non-human life. Yet to detect this and move away from fantasies of clarity and visibility, we need to take cues from political and artistic practices that evade such legibility, and are attuned to what happens off-screen and without recognition. Spanning an ambitious range of subjects—from prison architecture to digital animation, legal history to self-help books, and electrical blackouts to silkworms saturated with toxic dye— ''Inhuman Resources'' gathers materials for thinking differently about insurgent activity. This is a theory that does not privilege exodus, pride, or autonomy but instead takes shape inside the very processes, architectures, appearances, and systems it seeks to ruin.
Inhuman resources
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$34.95
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What gets stranded outside the borders of the political? ''Inhuman Resources'' develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountability and identi?cation on which representative politics rely. Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the tropes of paralysis and sabotage, which leave behind notions of public citizenship to reveal an “inhuman” agency that hinges on the unexpected friction between humans, materials, machinery, and other non-human life. Yet to detect this and move away from fantasies of clarity and visibility, we need to take cues from political and artistic practices that evade such legibility, and are attuned to what happens off-screen and without recognition. Spanning an ambitious range of subjects—from prison architecture to digital animation, legal history to self-help books, and electrical blackouts to silkworms saturated with toxic dye— ''Inhuman Resources'' gathers materials for thinking differently about insurgent activity. This is a theory that does not privilege exodus, pride, or autonomy but instead takes shape inside the very processes, architectures, appearances, and systems it seeks to ruin.
Classification:
livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$85.00
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Résumé:
Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to(...)
$85.00
(disponible sur commande)
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Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to(...)
Publication:
avril 2008, Berlin
avril 2008, Berlin
Titre:
Fully booked: cover art & design for books
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$85.00
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Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to complex visual and textual content or appreciate its value. Some content isn t even apparent until it takes the form of a real object the printed book. Fully Booked is devoted to current cover and book design. It presents material from printed publications that succeed in striking a crucial balance between the market s demands for availability, legibility and durability on the one hand and sophisticated visual and content design on the other. By featuring projects in this experimental field that combine enormous creativity with skilled craftsmanship, Fully Booked also reveals trends in today s graphic design. In addition, Fully Booked presents a choice selection of artist books. Created by hand and printed in limited editions, these publications push the boundaries of conventional book design. Its range of inspiring examples not only makes Fully Booked a must-have for graphic designers, book creators and publishers, but also for every book lover.
Fully booked: cover art & design for books
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$85.00
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Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to complex visual and textual content or appreciate its value. Some content isn t even apparent until it takes the form of a real object the printed book. Fully Booked is devoted to current cover and book design. It presents material from printed publications that succeed in striking a crucial balance between the market s demands for availability, legibility and durability on the one hand and sophisticated visual and content design on the other. By featuring projects in this experimental field that combine enormous creativity with skilled craftsmanship, Fully Booked also reveals trends in today s graphic design. In addition, Fully Booked presents a choice selection of artist books. Created by hand and printed in limited editions, these publications push the boundaries of conventional book design. Its range of inspiring examples not only makes Fully Booked a must-have for graphic designers, book creators and publishers, but also for every book lover.
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livres
livres
Publication:
avril 2008, Berlin
avril 2008, Berlin
Classification:
audio
audio
Titre:
Plaster Cramp.
Plaster Cramp.
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1 online resource.
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[Place of publication not identified] : Bureau, 2019.
[Place of publication not identified] : Bureau, 2019.
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audio
audio
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[Place of publication not identified] : Bureau, 2019.
[Place of publication not identified] : Bureau, 2019.
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xiv, 301 pages : illustrations (some color), maps (some color) ; 27 cm.
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xiv, 301 pages : illustrations (some color), maps (some color) ; 27 cm.
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Honolulu : University of Hawaiʻi Press, [2013], ©2013
Honolulu : University of Hawaiʻi Press, [2013], ©2013
Titre:
Architecturalized Asia : mapping a continent through history / edited by Vimalin Rujivacharakul, H. Hazel Hahn, Ken Tadashi Oshima, and Peter Christensen.
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xiv, 301 pages : illustrations (some color), maps (some color) ; 27 cm.
Architecturalized Asia : mapping a continent through history / edited by Vimalin Rujivacharakul, H. Hazel Hahn, Ken Tadashi Oshima, and Peter Christensen.
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xiv, 301 pages : illustrations (some color), maps (some color) ; 27 cm.
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livres
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Honolulu : University of Hawaiʻi Press, [2013], ©2013
Honolulu : University of Hawaiʻi Press, [2013], ©2013
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livres
livres
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e-flux journal : reader 2009
e-flux journal : reader 2009
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$18.95
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed(...)
$18.95
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed(...)
Titre:
e-flux journal : reader 2009
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$18.95
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed themselves onto artistic production proper, and are now considered to be of equal importance to artist, curator, institution, and engaged audience member alike. This climate of disciplinary reconfiguration and geographic dispersal has made the art world a highly complex place — the objective position that once defined the role of a critic has been effectively replaced by a need to understand just how large and varied the whole thing has become. The urgent task has now become to engage the new intellectual territories in a way that can revitalize the critical vocabulary of contemporary art. Perhaps the most productive way of doing this is through a fresh approach to the function of an art journal as something that situates the multitude of what is currently available, and makes that available back to the multitude. The selection of essays included in this book seeks to highlight an ongoing topical thread that ran throughout the first eight issues of e-flux journal — a sequence of overlapping concerns passed on from one contribution to the next.
e-flux journal : reader 2009
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$18.95
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed themselves onto artistic production proper, and are now considered to be of equal importance to artist, curator, institution, and engaged audience member alike. This climate of disciplinary reconfiguration and geographic dispersal has made the art world a highly complex place — the objective position that once defined the role of a critic has been effectively replaced by a need to understand just how large and varied the whole thing has become. The urgent task has now become to engage the new intellectual territories in a way that can revitalize the critical vocabulary of contemporary art. Perhaps the most productive way of doing this is through a fresh approach to the function of an art journal as something that situates the multitude of what is currently available, and makes that available back to the multitude. The selection of essays included in this book seeks to highlight an ongoing topical thread that ran throughout the first eight issues of e-flux journal — a sequence of overlapping concerns passed on from one contribution to the next.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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371 pages : illustrations (chiefly color) ; 24 cm.
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371 pages : illustrations (chiefly color) ; 24 cm.
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New York, NY : Columbia Books on Architecture and the City ; Zurich, Switzerland : Lars Müller Publishers, [2016], ©2016
New York, NY : Columbia Books on Architecture and the City ; Zurich, Switzerland : Lars Müller Publishers, [2016], ©2016
Titre:
Climates : architecture and the planetary imaginary / James Graham, editor ; Caitlin Blanchfield, managing editor.
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371 pages : illustrations (chiefly color) ; 24 cm.
Climates : architecture and the planetary imaginary / James Graham, editor ; Caitlin Blanchfield, managing editor.
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371 pages : illustrations (chiefly color) ; 24 cm.
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livres
livres
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New York, NY : Columbia Books on Architecture and the City ; Zurich, Switzerland : Lars Müller Publishers, [2016], ©2016
New York, NY : Columbia Books on Architecture and the City ; Zurich, Switzerland : Lars Müller Publishers, [2016], ©2016
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