6506 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Cache fonds
Bernard Cache fonds
Numéro de référence:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Personnes et institutions:
Date:
1992-2011
1992-2011
Titre:
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1992-2011
1992-2011
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH259793
Description:
Contient des diapositives et négatifs de voyages, projets architecturaux d'Ernest Cormier, peintures, sculptures, religion, vitraux, et du jardin du 1418, Avenue des Pins Ouest.
ARCH259793
Description:
Contient des diapositives et négatifs de voyages, projets architecturaux d'Ernest Cormier, peintures, sculptures, religion, vitraux, et du jardin du 1418, Avenue des Pins Ouest.
Personnes et institutions:
Titre:
Photographies de voyages, projets architecturaux et oeuvres d'Ernest Cormier
Actions:
ARCH259793
Description:
Contient des diapositives et négatifs de voyages, projets architecturaux d'Ernest Cormier, peintures, sculptures, religion, vitraux, et du jardin du 1418, Avenue des Pins Ouest.
Photographies de voyages, projets architecturaux et oeuvres d'Ernest Cormier
Actions:
ARCH259793
Description:
Contient des diapositives et négatifs de voyages, projets architecturaux d'Ernest Cormier, peintures, sculptures, religion, vitraux, et du jardin du 1418, Avenue des Pins Ouest.
Classification:
photographies
photographies
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Rohault de Fleury
Collection Rohault de Fleury
Numéro de référence:
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Personnes et institutions:
Date:
1717-[1884]
1717-[1884]
Titre:
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Classification:
archives
Niveau de description archivistique:
Collection 1
archives
Niveau de description archivistique:
Collection 1
Date:
1717-[1884]
1717-[1884]
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
printed 1774
printed 1774
Titre:
Etching of Posi's design for the "prima macchina" of 1774
Actions:
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
Etching of Posi's design for the "prima macchina" of 1774
Actions:
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1774
printed 1774
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258883
Description:
Offres de services et estimés de prix, incluant échantillons et catalogues commerciaux, relatifs au monte-charge, aux meubles, au béton, aux fenêtres, aux sculptures religieuses par Émile Brunet.
ARCH258883
Description:
Offres de services et estimés de prix, incluant échantillons et catalogues commerciaux, relatifs au monte-charge, aux meubles, au béton, aux fenêtres, aux sculptures religieuses par Émile Brunet.
Personnes et institutions:
Date:
1953-1960
1953-1960
Titre:
Offres de services, estimés et catalogues commerciaux
Actions:
ARCH258883
Description:
Offres de services et estimés de prix, incluant échantillons et catalogues commerciaux, relatifs au monte-charge, aux meubles, au béton, aux fenêtres, aux sculptures religieuses par Émile Brunet.
Offres de services, estimés et catalogues commerciaux
Actions:
ARCH258883
Description:
Offres de services et estimés de prix, incluant échantillons et catalogues commerciaux, relatifs au monte-charge, aux meubles, au béton, aux fenêtres, aux sculptures religieuses par Émile Brunet.
Classification:
documents textuels
documents textuels
Date:
1953-1960
1953-1960
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH270042
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presenting Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
ARCH270042
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presenting Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
Personnes et institutions:
Date:
1995
1995
Titre:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne
Actions:
ARCH270042
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presenting Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne
Actions:
ARCH270042
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presenting Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
Classification:
dessins
dessins
Date:
1995
1995
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH270043
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presentation Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
ARCH270043
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presentation Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
Personnes et institutions:
Date:
1995
1995
Titre:
Poster of an exhibition of Le Corbusier's work of arts in Payerne, Switzerland
Actions:
ARCH270043
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presentation Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
Poster of an exhibition of Le Corbusier's work of arts in Payerne, Switzerland
Actions:
ARCH270043
Description:
Poster of the exhibition "Le Corbusier" at the Musée de Payerne et abbatiale in Payerne, Switzerland, presentation Le Corbusier's work of arts, including his paintings, lithographies, drawings, sculptures and furniture.
Classification:
graphique
graphique
Date:
1995
1995
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Localisation:
Salles principales
Salles principales
Date:
23 octobre 2002 au 6 avril 2003
23 octobre 2002 au 6 avril 2003
Titre:
Herzog & de Meuron : archéologie de l'imaginaire
Actions:
Description:
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Herzog & de Meuron : archéologie de l'imaginaire
Actions:
Description:
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Classification:
expositions
expositions
Date:
23 octobre 2002 au
6 avril 2003
23 octobre 2002 au
6 avril 2003
Localisation:
Salles principales
Salles principales
Classification:
documents textuels
documents textuels
Titre:
Postcards
Postcards
Numéro de référence:
AP197.S4.003
Description:
This box contains postcards that Frampton collected over the years. Postcards depict various images such as buildings, cityscapes, sculptures, skylines, interiors, nature, paintings, people, architecture drawings, maps and more.
AP197.S4.003
Description:
This box contains postcards that Frampton collected over the years. Postcards depict various images such as buildings, cityscapes, sculptures, skylines, interiors, nature, paintings, people, architecture drawings, maps and more.
Personnes et institutions:
Date:
circa 1965-2015
circa 1965-2015
Titre:
Postcards
Actions:
AP197.S4.003
Description:
This box contains postcards that Frampton collected over the years. Postcards depict various images such as buildings, cityscapes, sculptures, skylines, interiors, nature, paintings, people, architecture drawings, maps and more.
Postcards
Actions:
AP197.S4.003
Description:
This box contains postcards that Frampton collected over the years. Postcards depict various images such as buildings, cityscapes, sculptures, skylines, interiors, nature, paintings, people, architecture drawings, maps and more.
Classification:
documents textuels
documents textuels
Date:
circa 1965-2015
circa 1965-2015
Personnes et institutions:
