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The question "Are we human?" is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multi-layered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multi-dimensional exploration from the very ?rst tools and ornaments to the constant buzz of social media. The average day involves the experience of(...)
Are we human?: notes on an archaeology of design
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The question "Are we human?" is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multi-layered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multi-dimensional exploration from the very ?rst tools and ornaments to the constant buzz of social media. The average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. There is no longer an outside to the world of design. Colomina’s and Wigley’s field notes offer an archaeology of the way design has gone viral and is now bigger than the world. They range across the last few hundred thousand years and the last few seconds to scrutinize the uniquely plastic relation between brain and artifact. A vivid portrait emerges. Design is what makes the human. It becomes the way humans ask questions and thereby continuously redesign themselves.
Théorie du design
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance,(...)
The speed handbook: velocity, pleasure, modernism
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how people were incited to abhor slowness and desire speed. He examines how they were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed's political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed.
Théorie/ philosophie
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Edited by Professor Maia Engeli and with a contribution by Professor Gerhard Schmitt, both of the Swiss Federal Institute of Technology (ETH Zürich), this book presents 33 exciting new(...)
Bits and spaces : architecture and computing for physical, virtual, hybrid realms
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Edited by Professor Maia Engeli and with a contribution by Professor Gerhard Schmitt, both of the Swiss Federal Institute of Technology (ETH Zürich), this book presents 33 exciting new projects which demonstrate the growing significance of CAAD for today's architects. Divided into 5 main chapters: Design in Space and Time; Learning and Creative Collaboration; Virtual Environments; IT and Practice; and Blurring Boundaries, the projects illustrate how computers can be used innovatively and creatively in designing physical, virtual and hybrid architecture. Particular emphasis is placed on the interaction between man and computer, and also on the aesthetic aspects. The book is accompanied by a CD-Rom which documents the design processes through animation sequences, demonstrating the dynamic features of the projects. Whilst these tools, installations and multi-media projects have arisen out of the field of architecture, they exceed the narrow confines of this discipline to touch upon areas such as interior design, graphic design and information technology. The designs presented are colourful and complex, seeking to fire the imagination in creating a fitting environment for today's society.
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mars 2001, Basel
Théorie de l’architecture
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explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to(...)
Modern architecture and climate: design before air conditioning
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explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Théorie de l’architecture
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization(...)
Echo's chambers: architecture and the idea of acoustic space
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Théorie de l’architecture
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white(...)
The image of whiteness: Contemporary photography and racialization
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white race' is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? ''The image of whiteness'' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image.
Théorie de la photographie
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political(...)
Théorie de la photographie
septembre 2023
Citizens of photography: The camera and the political imagination
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography’s performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography’s open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality.
Théorie de la photographie
Closeups from afar
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Sally Stein has long investigated the role of photography in relation to broader questions of culture and society. This first collection of her selected essays, ''Close-ups from Afar'', brings together essential writings from over five decades, cumulatively demonstrating Stein’s distinctive critical approach to the history and proliferation of photography and its role(...)
Closeups from afar
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Sally Stein has long investigated the role of photography in relation to broader questions of culture and society. This first collection of her selected essays, ''Close-ups from Afar'', brings together essential writings from over five decades, cumulatively demonstrating Stein’s distinctive critical approach to the history and proliferation of photography and its role within mass media and contemporary culture. In this richly illustrated volume, Stein turns her astute eye to diverse topics including the rise of colour photography, the place of California in the history of the medium’s development, and women and photography between feminism’s ‘'waves'’, as well as insightful considerations of a host of photographers from Jacob Riis to Helmut Newton, Ansel Adams to Dorothea Lange, Susan Meiselas to Dawoud Bey. She has consistently sought to challenge readers to think afresh about the social uses of photography and their broader contexts and far-reaching effects.
Théorie de la photographie
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For too long, representations of climate action in the mainstream media have been white-washed, green-washed and diluted to be made compatible with capitalism. In ''It’s Not That Radical'', Loach addresses head-on the issues at the root of the climate crisis. As Loach shows, we are living in an economic system which pursues profit above all else; harmful, oppressive(...)
It's not that radical: Climate action to transform our world
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For too long, representations of climate action in the mainstream media have been white-washed, green-washed and diluted to be made compatible with capitalism. In ''It’s Not That Radical'', Loach addresses head-on the issues at the root of the climate crisis. As Loach shows, we are living in an economic system which pursues profit above all else; harmful, oppressive systems that heavily contribute to the climate crisis, and environmental consequences that have been toned down to the masses. Tackling the climate crisis requires us to visit the roots of poverty, capitalist exploitation, police brutality, and legal injustice. Climate justice offers the real possibility of huge leaps towards racial equality and collective liberation as it aims to dismantle the very foundations of these issues.
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all(...)
Around & About: Stock Orchard Street
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all the material records of the project, this book responds to that debate by presenting multi-faceted narratives from a wide range of writers that have been invited to reflect both positively and negatively on what the buildings represent and how they have performed. Using the buildings as the central case study, it situates them in a broader cultural context, revealing the breadth of conversations and issues engaged by architecture. Highly illustrated with original material, including the authors’ own drawings and with specially-commissioned photographs, this book discusses theory, practice, ethics, material culture, the media, narrative, feminism, sustainability and construction, offering illuminating and sometimes surprising conclusions relevant to lay, professional and academic readers. While offering a wide ranging set of approaches and critiques of its subject, this book provides a unique insight into a building’s conception, construction and reception, and in turn facilitates the engagement with the issues facing architectural practice today.
Architecture, monographies