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479 pages : illustrations (some color) ; 25 cm
London : Tate Pub. : in association with Afterall ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2007.
Art and social change : a critical reader / edited by Will Bradley and Charles Esche.
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479 pages : illustrations (some color) ; 25 cm
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London : Tate Pub. : in association with Afterall ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2007.
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63 pages : illustrations (some color) ; 26 cm
Washington : National Gallery of Art, 1982.
Eighteenth-century drawings from the collection of Mrs. Gertrude Laughlin Chanler / Margaret Morgan Grasselli.
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63 pages : illustrations (some color) ; 26 cm
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Washington : National Gallery of Art, 1982.
$37.95
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This first comprehensive architectural guide on Dessau-Roßlau and Wörlitz, compiled by the Stiftung Bauhaus Dessau and the Kulturstiftung DessauWörlitz, presents an expert overview of more than 120 buildings and rural expanses with great care and attention given to detail. A multifaceted overall picture arises of a region which not only draws on its rich cultural and(...)
Dessau / Wörlitz architectural guide
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This first comprehensive architectural guide on Dessau-Roßlau and Wörlitz, compiled by the Stiftung Bauhaus Dessau and the Kulturstiftung DessauWörlitz, presents an expert overview of more than 120 buildings and rural expanses with great care and attention given to detail. A multifaceted overall picture arises of a region which not only draws on its rich cultural and historic heritage, but also plans for the future and ventures out into new terrain. In the shape of the Gartenreich Dessau-Wörlitz and the Bauhaus ensemble, the city of Dessau-Roßlau and its environs encompass two UNESCO World Heritage sites. These encompass architectural subjects and expanses, both urban and rural, which invite much attention beyond the region itself and have had a lasting impact on the international stage. Beyond this, however, there are a whole host of notable historic and contemporary buildings in Dessau and its surroundings. As the residence of the princes and dukes of Anhalt in the age of Enlightenment and a centre of intellectual and cultural expansion at European level, the city developed into a significant industrial location as of the second half of the nineteenth century. Today, Dessau’s architectural profile is marked by contrasts: alongside restored historic buildings and standard socialist dwellings, there are also experimental refurbishment projects and ambitious new developments to be found.
Guides des villes
$56.00
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look(...)
Bauhaus at the newsstand: Die Neue Linie 1929-1943
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$56.00
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look of the magazine, whose contents combined fashion, literature, graphic design and art. Unembellished fonts, dynamic diagonals and dramatic use of photomontage were key to the journal's striking appearance. Its authors included Walter Gropius, Aldous Huxley, Gottfried Benn and Thomas Mann. The Bauhaus at the Newsstand illustrates the turbulent times in which the magazine appeared, reproducing spreads, statements, articles, a visual checklist of every issue and analyses of the magazine's delicate balancing act between modernism and conformity.
Modernisme
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139 pages, 1 unnumbered leaf of plates (1 folded) : illustrations (some color) ; 27 cm
[Stanford, Calif.] : Stanford University Museum of Art, Stanford University, 1986.
Museum builders in the West : the Stanfords as collectors and patrons of art, 1870-1906 / by Carol M. Osborne ; with essays by Paul Venable Turner and Anita Ventura Mozley ; and a note by Mary Lou Zimmerman Munn.
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139 pages, 1 unnumbered leaf of plates (1 folded) : illustrations (some color) ; 27 cm
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[Stanford, Calif.] : Stanford University Museum of Art, Stanford University, 1986.
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50 pages : illustrations (chiefly color) ; 18 cm
London : The Everyday Press, 2019., ©2019
On colour ... / Ian Whittlesea.
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50 pages : illustrations (chiefly color) ; 18 cm
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London : The Everyday Press, 2019., ©2019
livres
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vii, 122 pages : illustrations (some color) ; 26 x 29 cm.
Austin : University of Texas Press, 2012.
Frank Lloyd Wright, art collector : Secessionist prints from the turn of the century / Anthony Alofsin.
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vii, 122 pages : illustrations (some color) ; 26 x 29 cm.
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Austin : University of Texas Press, 2012.
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NN Contemporary Art 2023
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NN Contemporary Art 2023
$22.00
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À partir de 1933, de nombreux intellectuels allemands débarquent aux États-Unis. Créateur du Bauhaus (qu'il dirige jusqu'en 1928), Walter Gropius émigre en 1937, rejoint l'année suivante par Mies van der Rohe, lui aussi directeur de l'école jusqu'à sa dissolution (1930-1933). Le premier arrive à la Graduate School of Design à Harvard, le second à l'Armour Institute of(...)
Un camouflage New Bauhaus: György Kepes et la militarisation de l'image
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À partir de 1933, de nombreux intellectuels allemands débarquent aux États-Unis. Créateur du Bauhaus (qu'il dirige jusqu'en 1928), Walter Gropius émigre en 1937, rejoint l'année suivante par Mies van der Rohe, lui aussi directeur de l'école jusqu'à sa dissolution (1930-1933). Le premier arrive à la Graduate School of Design à Harvard, le second à l'Armour Institute of Technology de Chicago. Débarqué dans cette ville en 1937, leur ancien professeur László Moholy Nagy y prend, sur proposition de Gropius, la direction du New Bauhaus... qui ferme brièvement l'année suivante ! Face à d'importantes difficultés, l'établissement n'aura alors de cesse, aux lendemains de Pearl Harbor, d'offrir à György Kepes l'opportunité de former des « camoufleurs industriels »...
petits formats
$69.50
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on(...)
Form and light: from Bauhaus to Tel Aviv
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on architecture, Gawze highlights the encounter between a building style originating in Europe and the glare of the Mediterranean. His images culminate in a portrait of place, revealing the poetic essence of the White City's architecture and the role light takes in shaping it.
Modernisme