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607 pages : illustrations (some color), maps ; 31 cm
New York, NY : Actar Publishers, [2017]
Milan, capital of the modern / edited by Lorenzo Degli Esposti.
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607 pages : illustrations (some color), maps ; 31 cm
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New York, NY : Actar Publishers, [2017]
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161 pages : illustrations ; 23 cm.
Bielefeld : Transcript Verlag, ©2010.
Urgeschichte der Moderne : zur Theorie der Geschichte der Architektur / Jörg H. Gleiter.
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161 pages : illustrations ; 23 cm.
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Bielefeld : Transcript Verlag, ©2010.
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xiii, 146 pages ; 24 cm
London ; New York : Routledge, 2000.
Philosophy in cultural theory / Peter Osborne.
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xiii, 146 pages ; 24 cm
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London ; New York : Routledge, 2000.
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Minor Compositions 2025
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Minor Compositions 2025
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81 pages ; 25 cm.
Bloomington : Indiana University Press, 1994.
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Bloomington : Indiana University Press, 1994.
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Mariana de Matos.
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1 online resource.
[Place of publication not identified] : The Funambulist, 2020.
audio
[Place of publication not identified] : The Funambulist, 2020.
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183 pages : color illustrations ; 24 cm
Bolzano : Bozen--Bolzano University Press, ©2012.
Ornament today : digital material structural / edited by Jörg H. Gleiter.
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183 pages : color illustrations ; 24 cm
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Bolzano : Bozen--Bolzano University Press, ©2012.
$83.95
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Résumé:
Taking a radical position counter to many previous histories and theories of the interior, domesticity and the home, "The emergence of the interior" considers how the concept and experience of the domestic interior have been formed from the beginning of the nineteenth century. It considers the interior's emergence in relation to the thinking of Walter Benjamin and Sigmund(...)
The emergence of the interior : architecture, modernity, domesticity
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Taking a radical position counter to many previous histories and theories of the interior, domesticity and the home, "The emergence of the interior" considers how the concept and experience of the domestic interior have been formed from the beginning of the nineteenth century. It considers the interior's emergence in relation to the thinking of Walter Benjamin and Sigmund Freud, and, through case studies, in architecture's trajectories toward modernism. The book argues that the interior emerged with a sense of 'doubleness', being understood and experienced as both a spatial and an image-based condition. Incorporating perspectives from architecture, critical history and theory, and psychoanalysis, "The emergence of the interior" will be of interest to academics and students of the history and theory of architecture and design, social history, and cultural studies.
Théorie de l’architecture
$74.95
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop(...)
Architectural positions: architecture, modernity and the public sphere
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop and share a public meaning? This illustrated anthology brings together an impressive collection of writings by 36 leading architects, who have over the last fifty years presented different positions in relation to the debate over the idea and limits of what the public is, or should be. Contributors include: Aldo Rossi, Rem Koolhaas, Matthias Ungers, Daniel Libeskind, Peter Zumthor, Alison and Peter Smithson, Rob Krier, Ben van Berkel and Caroline Bos and Jean Nouvel.
Théorie de l’architecture
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This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and(...)
Secret Modernity: Selected writings and interviews 1981-2009
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This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and film history, which examine the work of, among others, Richard Foreman, Robert Wilson, or Glauber Rocha; as well as comments and reflections on his own projects. Alongside these are essays delving deep into the past, exploring mainly colonial history and its paradoxical traces in the present: narratives about Haiti, South Africa, and Italy’s repressed colonial rule in Africa.
Théorie de l’art