Ghada Amer
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With subjects as delicate and personal as pleasure and love, Ghada Amer shows that it is possible to resist a conventional representation of women in art. Referencing pornography and other popular vehicles directed at a heterosexual male audience, Amer's embroidery-based work contrasts traditional female handicraft with mainstream popular culture. Going even further,(...)
Ghada Amer
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With subjects as delicate and personal as pleasure and love, Ghada Amer shows that it is possible to resist a conventional representation of women in art. Referencing pornography and other popular vehicles directed at a heterosexual male audience, Amer's embroidery-based work contrasts traditional female handicraft with mainstream popular culture. Going even further, several pictorial works refer to well-known artists such as Ingres and Picasso. Taking works from the canon as her starting point, the artist observes the idealizing narrative construction of Western art history, indulging in a conventional presentation of an image of women that satisfies a voyeuristic gaze.
Memo for Nemo
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''Memo for Nemo'' is an account of the human inhabitation of the undersea, in fact and fiction. It takes as its starting point Jules Verne’s novel Twenty Thousand Leagues Under the Sea, with the Nautilus submarine and its captain Nemo – inventor, explorer, oceanologist, gastronome, musician and terrorist. The undersea is examined as a zone created both by exploration and(...)
Memo for Nemo
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''Memo for Nemo'' is an account of the human inhabitation of the undersea, in fact and fiction. It takes as its starting point Jules Verne’s novel Twenty Thousand Leagues Under the Sea, with the Nautilus submarine and its captain Nemo – inventor, explorer, oceanologist, gastronome, musician and terrorist. The undersea is examined as a zone created both by exploration and invention, from the earliest attempts to photograph and descend into the depths with deep-sea devices, through the 1960s experiments and actual inhabitation, such as the US Sealab and Cousteau’s Conshelf, to contemporary surveillance of the rapidly changing oceans.
Théorie de l’architecture
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Science of the secondary 5: door
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
Revues
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Science of the secondary 6: pipe
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
Revues
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This publication documents Helmut Jahn's oeuvre, starting in Chicago and the United States in the 1980s and expanding initially to South Africa, then to Europe, with the focus on Germany, and from there via the Middle East to China, Singapore, Japan and Korea. The photos are combined with a comprehensive collection of Helmut Jahn's design sketches. They provide insights(...)
Helmut Jahn: process - progress
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This publication documents Helmut Jahn's oeuvre, starting in Chicago and the United States in the 1980s and expanding initially to South Africa, then to Europe, with the focus on Germany, and from there via the Middle East to China, Singapore, Japan and Korea. The photos are combined with a comprehensive collection of Helmut Jahn's design sketches. They provide insights into the development of the buildings and the underlying design process. An essay by architecture historian Franz Schultz explains the meaning of Jahn's oeuvre within the contemporary architecture. A text by Helmut Jahn himself comments on the philosophy behind his buildings.
Architecture, monographies
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If reality were solely based on Linkedin announcements, design biennials, and conferences, you’d think design and architecture are nearing perfection in terms of complete sustainable design. In contrast, the actual practice of circular building is messy, complicated, stacked with dilemmas, and still far from achieving its goals. This guide helps readers and designers(...)
Volume 63: The not-so-easy guide to circular interior design
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If reality were solely based on Linkedin announcements, design biennials, and conferences, you’d think design and architecture are nearing perfection in terms of complete sustainable design. In contrast, the actual practice of circular building is messy, complicated, stacked with dilemmas, and still far from achieving its goals. This guide helps readers and designers untangle the intricate web of interlocking issues that keep us from realizing most of our ambitions. It takes an inside-out approach to architecture, starting from the interior. This is particularly important as interiors are characterized by high turnover rates, driven by trends, and consist of highly customized components made from a variety of materials, making implementing circular principles even more challenging. Organized into three levels of expertise – beginner, intermediate, and expert – this guide will help you navigate circular design based on your own practice and experience.
Revues
livres
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This book bridges design theory and anthropology to offer a new and challenging way of understanding the changing meanings of contemporary human-object relations. The act of consumption is only the starting point of object's 'lives'. Thereafter they are transformed and invested with new meanings and associations that reflect and assert who we are. Defining designed things(...)
Wild things: the material culture of everyday life
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This book bridges design theory and anthropology to offer a new and challenging way of understanding the changing meanings of contemporary human-object relations. The act of consumption is only the starting point of object's 'lives'. Thereafter they are transformed and invested with new meanings and associations that reflect and assert who we are. Defining designed things as 'things with attitude' differentiates the highly visible fashionable object from ordinary aretefacts that are too easily taken for granted. Through case studies ranging from reproduction furniture to fashion and textiles to 'clutter', the author traces the connection between objects and authenticity, ephemerality and self-identity. Beyond this, she shows the materiality of the everyday in terms of space, time and the body and suggests a transition with the passing of time from embodiment to disembodiment.
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septembre 2020
Expositions en cours
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for(...)
août 2008, Antwerp
Santhal family: positions around an indian sculpture
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for ground level reality. Depicting a family group from the Santhal tribe carrying their possessions with them to a new place of work, it is a portrait of labour that presents the complexity of its subject without heroism or pathos. Published on the occasion of the exhibition of the same name that has been produced by the MuHKA, Antwerp, February to May 2008, and which is currently travelling through India.
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''Toward a Living Architecture?'' is the first book-length critique of the emerging field of generative architecture and its nexus with computation, biology, and complexity. Starting from the assertion that we should take generative architects' rhetoric of biology and sustainability seriously, Christina Cogdell examines their claims from the standpoints of the sciences(...)
Toward a living architecture? Complexism and biology in generative design
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''Toward a Living Architecture?'' is the first book-length critique of the emerging field of generative architecture and its nexus with computation, biology, and complexity. Starting from the assertion that we should take generative architects' rhetoric of biology and sustainability seriously, Christina Cogdell examines their claims from the standpoints of the sciences they draw on—complex systems theory, evolutionary theory, genetics and epigenetics, and synthetic biology. She reveals significant disconnects while also pointing to approaches and projects with significant potential for further development. Arguing that architectural design today often only masquerades as sustainable, Cogdell demonstrates how the language of some cutting-edge practitioners and educators can mislead students and clients into thinking they are getting something biological when they are not.
Théorie de l’architecture
livres
The information bomb
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"Civilization or the militarization of science?" With this typically hyperbolic and provocative question as a starting point, Paul Virilio explores the dominion of techno-science, cyberwar and the new information technologies over our lives . . . and deaths. After the era of the atomic bomb, Virilio(...)
The information bomb
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"Civilization or the militarization of science?" With this typically hyperbolic and provocative question as a starting point, Paul Virilio explores the dominion of techno-science, cyberwar and the new information technologies over our lives . . . and deaths. After the era of the atomic bomb, Virilio posits an era of genetic and information bombs which replace the apocalyptic bang of nuclear death with the whimper of a subliminally reinforced eugenics. We are entering the age of euthanasia. These exhilarating bulletins from the information war extend the range of Virilio's work. "The Information Bomb" spans everything from Fukuyama to Larry Flynt, the Sensation exhibition of New British Art to space travel, all seen through the optic of Virilio's trenchant and committed theoretical position.
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janvier 1900, London
Théorie de l’architecture