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131 pages : illustrations (some color), plans ; 23 cm
Gloucester, Mass. : Rockport Publishers ; Cincinnati, Ohio : Distributed by North Light Books, ©1998.
Central office of architecture / foreword by Michael Rotondi ; introduction by David Leclerc ; concept and design by Lucas H. Guerra and Oscar Riera Ojeda.
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131 pages : illustrations (some color), plans ; 23 cm
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Gloucester, Mass. : Rockport Publishers ; Cincinnati, Ohio : Distributed by North Light Books, ©1998.
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$32.95
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This ambitious collection treating the Italian Fascists’ appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini’s Italy. With contributions by art historians and classicists, literary and intellectual historians, "Donatello among the Blackshirts" demonstrates that the Fascist(...)
Théorie de l’architecture
septembre 2004, Ithaca
Donatello and the Blackshirts : history and modernity in the visual culture of fascist Italy
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This ambitious collection treating the Italian Fascists’ appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini’s Italy. With contributions by art historians and classicists, literary and intellectual historians, "Donatello among the Blackshirts" demonstrates that the Fascist regime appropriated not only Italy’s ancient Roman past but also the medieval, Renaissance, and even baroque eras, as well as its own recent history, in constructing a new myth of the nation. Every aspect of visual culture—from monumental architecture, sculpture, painting, and gardens to exhibitions, spectacles, films, medals, household items, and stamps—helped to link the past with modernity. As a result, Italy’s artistic traditions became familiar to all social classes throughout the peninsula. While this richly illustrated book concerns Fascist Italy, at the same time it also shows how Italy’s premodern artistic traditions have been passed down to the present through the filter of the Fascist era.
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septembre 2004, Ithaca
Théorie de l’architecture
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xv, 236 pages, 16 unnumbered pages of plates : illustrations (some color), maps (some color) ; 25 cm.
Ithaca ; London : Cornell University Press, 2010.
Imperial Japan at its zenith : the wartime celebration of the empire's 2,600th anniversary / Kenneth J. Ruoff.
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xv, 236 pages, 16 unnumbered pages of plates : illustrations (some color), maps (some color) ; 25 cm.
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Ithaca ; London : Cornell University Press, 2010.
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303 pages : illustrations ; 21 cm
Ostfildern, Germany : Hatje Cantz, ©2009.
Bauhaus conflicts, 1919-2009 : controversies and counterparts / [editor, Philipp Oswalt (Stiftung Bauhaus Dessau) ; translations, Melissa Thoroson and others].
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303 pages : illustrations ; 21 cm
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Ostfildern, Germany : Hatje Cantz, ©2009.
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216 pages : illustrations (some color), plans (some color) ; 26 cm
New York, NY ; Barcelona, Spain : Actar D, Inc., 2023., [©2023]
Geospaces / Alper Derinboğaz ; with essay by Graham Harman ; & foreword by Luca Molinari ; edited by Emmy Bacharach ; [translation of Italian text, Anja Visini].
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216 pages : illustrations (some color), plans (some color) ; 26 cm
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New York, NY ; Barcelona, Spain : Actar D, Inc., 2023., [©2023]
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xiii, 119 pages : illustrations ; 22 cm
[Ann Arbor, Michigan] : UMI Dissertation Services, [2011].
Vehicular vernacular : the mid-Century Airstream as a case study in preservation, nostalgia and subculture formation / by Melina Carla Bezirdjian.
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xiii, 119 pages : illustrations ; 22 cm
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[Ann Arbor, Michigan] : UMI Dissertation Services, [2011].
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xvii, 227 pages, 6 unnumbered pages of plates : illustrations ; 23 cm.
Urbana : University of Illinois Press, ©2012.
The deepest sense : a cultural history of touch / Constance Classen.
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xvii, 227 pages, 6 unnumbered pages of plates : illustrations ; 23 cm.
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Urbana : University of Illinois Press, ©2012.
$84.00
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Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such(...)
Praha, Paris, Barcelona: photographic modernity from 1918 to 1948
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$84.00
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Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such movements as Constructivism and Surrealism led photography to new frontiers, developing techniques and styles that explored the medium strictly on its own terms.
$34.95
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Everyday Technology is a pioneering account of how small machines and consumer goods that originated in Europe and North America became objects of everyday use in India in the late nineteenth and early twentieth centuries. Rather than investigate “big” technologies such as railways and irrigation projects, Arnold examines the assimilation and appropriation of bicycles,(...)
Everyday technology: machines and the making of India's modernity
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Everyday Technology is a pioneering account of how small machines and consumer goods that originated in Europe and North America became objects of everyday use in India in the late nineteenth and early twentieth centuries. Rather than investigate “big” technologies such as railways and irrigation projects, Arnold examines the assimilation and appropriation of bicycles, rice mills, sewing machines, and typewriters in India, and follows their impact on the ways in which people worked and traveled, the clothes they wore, and the kind of food they ate.
Arch Moyen-Orient
$24.95
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The book provides a systematic and close reading of Benjamin’s critical and provocative writings on the intersection between media - from print to electronic - and modern experience, with reference to the information industry, the urban spectacle, and the aesthetic politics. Bringing Benjamin’s thought into a critical constellation with contemporary media theorists such(...)
Walter Benjamin and the media: the spectacle of modernity
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The book provides a systematic and close reading of Benjamin’s critical and provocative writings on the intersection between media - from print to electronic - and modern experience, with reference to the information industry, the urban spectacle, and the aesthetic politics. Bringing Benjamin’s thought into a critical constellation with contemporary media theorists such as Marshall McLuhan and Jean Baudrillard, the book helps students understand the implications of Benjamin’s work for media studies today and how they can apply his distinctive ideas to contemporary media culture.
Théorie/ philosophie