6506 Résultats
Classification:
photographies
photographies
Numéro de référence:
PH1998:0031:001-109
Description:
- Album PH1998:0031:001-109 comprises 86 views of Italy, 19 views of France, and 4 views of Windsor Castle, New Windsor, England. The 86 views of Italy include: 10 views of Rome and 25 photographs of sculptures in two collections in Rome, 17 in the Vatican Museum and 8 in the Capitolano Museum; 11 views of Pisa and 3 photographs of paintings located in Pisa; 10 views of Naples and 2 photographs of sculptures located in Naples; 10 views of Genoa; 6 views of Italy; 4 views of Florence; 1 view of San Remo; one photograph of an unidentified architectural plan; one photograph of a drawing; and two photographs of frescoes. -- The 19 views of France include 2 views of Nice.
PH1998:0031:001-109
Description:
- Album PH1998:0031:001-109 comprises 86 views of Italy, 19 views of France, and 4 views of Windsor Castle, New Windsor, England. The 86 views of Italy include: 10 views of Rome and 25 photographs of sculptures in two collections in Rome, 17 in the Vatican Museum and 8 in the Capitolano Museum; 11 views of Pisa and 3 photographs of paintings located in Pisa; 10 views of Naples and 2 photographs of sculptures located in Naples; 10 views of Genoa; 6 views of Italy; 4 views of Florence; 1 view of San Remo; one photograph of an unidentified architectural plan; one photograph of a drawing; and two photographs of frescoes. -- The 19 views of France include 2 views of Nice.
Personnes et institutions:
Sujet:
architecture, peinture, portrait, sculpture
architecture, peinture, portrait, sculpture
Date:
1870s-1880s
1870s-1880s
Titre:
Album of photographic views of Italy, France and England
Actions:
PH1998:0031:001-109
Description:
- Album PH1998:0031:001-109 comprises 86 views of Italy, 19 views of France, and 4 views of Windsor Castle, New Windsor, England. The 86 views of Italy include: 10 views of Rome and 25 photographs of sculptures in two collections in Rome, 17 in the Vatican Museum and 8 in the Capitolano Museum; 11 views of Pisa and 3 photographs of paintings located in Pisa; 10 views of Naples and 2 photographs of sculptures located in Naples; 10 views of Genoa; 6 views of Italy; 4 views of Florence; 1 view of San Remo; one photograph of an unidentified architectural plan; one photograph of a drawing; and two photographs of frescoes. -- The 19 views of France include 2 views of Nice.
Album of photographic views of Italy, France and England
Actions:
PH1998:0031:001-109
Description:
- Album PH1998:0031:001-109 comprises 86 views of Italy, 19 views of France, and 4 views of Windsor Castle, New Windsor, England. The 86 views of Italy include: 10 views of Rome and 25 photographs of sculptures in two collections in Rome, 17 in the Vatican Museum and 8 in the Capitolano Museum; 11 views of Pisa and 3 photographs of paintings located in Pisa; 10 views of Naples and 2 photographs of sculptures located in Naples; 10 views of Genoa; 6 views of Italy; 4 views of Florence; 1 view of San Remo; one photograph of an unidentified architectural plan; one photograph of a drawing; and two photographs of frescoes. -- The 19 views of France include 2 views of Nice.
Classification:
photographies
photographies
Date:
1870s-1880s
1870s-1880s
Personnes et institutions:
Sujet:
architecture, peinture, portrait, sculpture
architecture, peinture, portrait, sculpture
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Personnes et institutions:
Date:
May 1997
May 1997
Titre:
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Actions:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Actions:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Classification:
dessins
dessins
Date:
May 1997
May 1997
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
Personnes et institutions:
Date:
between 1958 and 1967
between 1958 and 1967
Titre:
Photographs of Chandigarh, India
Actions:
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
Photographs of Chandigarh, India
Actions:
ARCH274437
Description:
Group consists of negatives (706 negatives), photographs (41 photographs) and contact sheets (20 contact sheets) of Chandigarh, India, including photographs of government housing, the Capitol Complex's buildings, the Gandhi Bhawan, the Fine Arts Museum and photographs of the everyday life and construction work. The group also includes photographs of India, other than Chandigarh, including photographs of sculptures.
Classification:
photographies
photographies
Date:
between 1958 and 1967
between 1958 and 1967
Personnes et institutions:
Numéro de référence:
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Date:
1920-1925
1920-1925
Titre:
Fontaines - Monuments - Tombeaux - Vases - 1920-1925
Actions:
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
Fontaines - Monuments - Tombeaux - Vases - 1920-1925
Actions:
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
Date:
1920-1925
1920-1925
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Classification:
photographies
photographies
Numéro de référence:
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
Personnes et institutions:
Date:
1967
1967
Titre:
View of the Pavilion of Burma, Expo 67, Montréal, Québec
Actions:
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
View of the Pavilion of Burma, Expo 67, Montréal, Québec
Actions:
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
second half of the 19th century
second half of the 19th century
Titre:
Five sketches for a building honouring Alberto I, and two prints
Actions:
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
Five sketches for a building honouring Alberto I, and two prints
Actions:
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
second half of the 19th century
second half of the 19th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1979:0162.04:001
Description:
This unbound album comprises 42 plates and title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Sculpture ornementale Le Nouvel Opéra de Paris. Sculpture ornementale. Chapiteaux, tympans, panneaux, médaillons, masques, cartouches, pilastres, couronnements, clefs, frises, consoles, motifs divers d'ornementation par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie, Éditeurs, 51, rue des Écoles, 51, 1875. Table des Planches 1. - Médaillons - Tympans des arcades du rez-de-chaussée (façade principale). 2. - Cartouche couronnant les pilastres du grand vestibule. 3. - Cartouche servant d'applique sur les piliers du vestibule circulaire. 4. - Tables saillantes. - Galeries latérales du grand escalier. 5. - Table saillante. Pavillon de la descente à couvert. 6. - Table saillante. Vestibules octogones. 7. - Motifs de décoration sur les piliers du vestibule circulaire. 8. - Couronnement des grandes fenêtres. - Façade principale. 9. - Couronnement des portes du grand foyer. 10. - Couronnement desportes à l'extrémité des galeries latérales. 11. - Clef de la grande fenêtre. - Façade postérieure de la scène. 12. - Clef et tympan de la base du vestibule du contrôle. 13. - Clef des arcs dans la coupole du grand escalier. 14. - Clef de la porte. - Pavillon du chef de l'État. 15. - Consoles de chaque côté des oeils-de-boeuf au-dessus des baies de la loggia. 16. - Bas-relief de la partie supérieure de la voûte - vestibule octogone. 17. - Bas-reliefs de l'Attique. - Façade principale. 18. - Pilastres du grand foyer. - Arabesques et chapiteau. 19. - Colonnes du grand foyer. - Base et fut. (sic) 20. - Colonnes de la salle. - Base et fût. 21. - Colonnes des escaliers secondaires. - Fût et chapiteau. 22. - Chapiteau des pilastres du grand escalier. 23. - Chapiteau des colonnes du vestibule. - Pavillon du chef de l'État. 24. - Chapiteau des colonnes du vestibule circulaire. 25. - Chapiteau des colonnes du grand escalier. 26. - Chapiteau des colonnes supportant la 1re volée du grand escalier. 27. - Chapiteau des colonnes des baies de la loggia. - Façade principale. 28. - Chapiteau des colonnes du grand foyer. 29. - Chapiteau des pilastres intérieurs de la loggia. 30. - Chapiteau des colonnes et des pilastres de la salle. 31. - Amortissement des frontons des pavillons. - Façade principale. 32. - Chéneau de la grande coupole de la salle. 33. - Chéneau des façades latérales. 34. - Chéneau de la lanterne de la salle. 35. - Masques du vestibule circulaire. 36. - Masques du vestibule circulaire. 37. - Masques des consoles. - Baies de la loggia (façade principale). 38. - Masques du vestibule du contrôle. 39. - Masques des cheminées des bâtiments de l'administration. 40. - Frise et corniche de la scène. 41. - Frise de l'entablement. - Façade principale. 42. - Clef de voûte. - Galeries latérales. 43. - Clef de voûte. - Descente à couvert. 44. - Clef de voûte. - Galeries latérales. 45. - Clef de voûte. - Galeries latérales.
PH1979:0162.04:001
Description:
This unbound album comprises 42 plates and title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Sculpture ornementale Le Nouvel Opéra de Paris. Sculpture ornementale. Chapiteaux, tympans, panneaux, médaillons, masques, cartouches, pilastres, couronnements, clefs, frises, consoles, motifs divers d'ornementation par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie, Éditeurs, 51, rue des Écoles, 51, 1875. Table des Planches 1. - Médaillons - Tympans des arcades du rez-de-chaussée (façade principale). 2. - Cartouche couronnant les pilastres du grand vestibule. 3. - Cartouche servant d'applique sur les piliers du vestibule circulaire. 4. - Tables saillantes. - Galeries latérales du grand escalier. 5. - Table saillante. Pavillon de la descente à couvert. 6. - Table saillante. Vestibules octogones. 7. - Motifs de décoration sur les piliers du vestibule circulaire. 8. - Couronnement des grandes fenêtres. - Façade principale. 9. - Couronnement des portes du grand foyer. 10. - Couronnement desportes à l'extrémité des galeries latérales. 11. - Clef de la grande fenêtre. - Façade postérieure de la scène. 12. - Clef et tympan de la base du vestibule du contrôle. 13. - Clef des arcs dans la coupole du grand escalier. 14. - Clef de la porte. - Pavillon du chef de l'État. 15. - Consoles de chaque côté des oeils-de-boeuf au-dessus des baies de la loggia. 16. - Bas-relief de la partie supérieure de la voûte - vestibule octogone. 17. - Bas-reliefs de l'Attique. - Façade principale. 18. - Pilastres du grand foyer. - Arabesques et chapiteau. 19. - Colonnes du grand foyer. - Base et fut. (sic) 20. - Colonnes de la salle. - Base et fût. 21. - Colonnes des escaliers secondaires. - Fût et chapiteau. 22. - Chapiteau des pilastres du grand escalier. 23. - Chapiteau des colonnes du vestibule. - Pavillon du chef de l'État. 24. - Chapiteau des colonnes du vestibule circulaire. 25. - Chapiteau des colonnes du grand escalier. 26. - Chapiteau des colonnes supportant la 1re volée du grand escalier. 27. - Chapiteau des colonnes des baies de la loggia. - Façade principale. 28. - Chapiteau des colonnes du grand foyer. 29. - Chapiteau des pilastres intérieurs de la loggia. 30. - Chapiteau des colonnes et des pilastres de la salle. 31. - Amortissement des frontons des pavillons. - Façade principale. 32. - Chéneau de la grande coupole de la salle. 33. - Chéneau des façades latérales. 34. - Chéneau de la lanterne de la salle. 35. - Masques du vestibule circulaire. 36. - Masques du vestibule circulaire. 37. - Masques des consoles. - Baies de la loggia (façade principale). 38. - Masques du vestibule du contrôle. 39. - Masques des cheminées des bâtiments de l'administration. 40. - Frise et corniche de la scène. 41. - Frise de l'entablement. - Façade principale. 42. - Clef de voûte. - Galeries latérales. 43. - Clef de voûte. - Descente à couvert. 44. - Clef de voûte. - Galeries latérales. 45. - Clef de voûte. - Galeries latérales.
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
1875 or before
1875 or before
Titre:
Médaillons. - Tympans des arcades du rez-de-chaussée (façade principale)
Actions:
PH1979:0162.04:001
Description:
This unbound album comprises 42 plates and title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Sculpture ornementale Le Nouvel Opéra de Paris. Sculpture ornementale. Chapiteaux, tympans, panneaux, médaillons, masques, cartouches, pilastres, couronnements, clefs, frises, consoles, motifs divers d'ornementation par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie, Éditeurs, 51, rue des Écoles, 51, 1875. Table des Planches 1. - Médaillons - Tympans des arcades du rez-de-chaussée (façade principale). 2. - Cartouche couronnant les pilastres du grand vestibule. 3. - Cartouche servant d'applique sur les piliers du vestibule circulaire. 4. - Tables saillantes. - Galeries latérales du grand escalier. 5. - Table saillante. Pavillon de la descente à couvert. 6. - Table saillante. Vestibules octogones. 7. - Motifs de décoration sur les piliers du vestibule circulaire. 8. - Couronnement des grandes fenêtres. - Façade principale. 9. - Couronnement des portes du grand foyer. 10. - Couronnement desportes à l'extrémité des galeries latérales. 11. - Clef de la grande fenêtre. - Façade postérieure de la scène. 12. - Clef et tympan de la base du vestibule du contrôle. 13. - Clef des arcs dans la coupole du grand escalier. 14. - Clef de la porte. - Pavillon du chef de l'État. 15. - Consoles de chaque côté des oeils-de-boeuf au-dessus des baies de la loggia. 16. - Bas-relief de la partie supérieure de la voûte - vestibule octogone. 17. - Bas-reliefs de l'Attique. - Façade principale. 18. - Pilastres du grand foyer. - Arabesques et chapiteau. 19. - Colonnes du grand foyer. - Base et fut. (sic) 20. - Colonnes de la salle. - Base et fût. 21. - Colonnes des escaliers secondaires. - Fût et chapiteau. 22. - Chapiteau des pilastres du grand escalier. 23. - Chapiteau des colonnes du vestibule. - Pavillon du chef de l'État. 24. - Chapiteau des colonnes du vestibule circulaire. 25. - Chapiteau des colonnes du grand escalier. 26. - Chapiteau des colonnes supportant la 1re volée du grand escalier. 27. - Chapiteau des colonnes des baies de la loggia. - Façade principale. 28. - Chapiteau des colonnes du grand foyer. 29. - Chapiteau des pilastres intérieurs de la loggia. 30. - Chapiteau des colonnes et des pilastres de la salle. 31. - Amortissement des frontons des pavillons. - Façade principale. 32. - Chéneau de la grande coupole de la salle. 33. - Chéneau des façades latérales. 34. - Chéneau de la lanterne de la salle. 35. - Masques du vestibule circulaire. 36. - Masques du vestibule circulaire. 37. - Masques des consoles. - Baies de la loggia (façade principale). 38. - Masques du vestibule du contrôle. 39. - Masques des cheminées des bâtiments de l'administration. 40. - Frise et corniche de la scène. 41. - Frise de l'entablement. - Façade principale. 42. - Clef de voûte. - Galeries latérales. 43. - Clef de voûte. - Descente à couvert. 44. - Clef de voûte. - Galeries latérales. 45. - Clef de voûte. - Galeries latérales.
Médaillons. - Tympans des arcades du rez-de-chaussée (façade principale)
Actions:
PH1979:0162.04:001
Description:
This unbound album comprises 42 plates and title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Sculpture ornementale Le Nouvel Opéra de Paris. Sculpture ornementale. Chapiteaux, tympans, panneaux, médaillons, masques, cartouches, pilastres, couronnements, clefs, frises, consoles, motifs divers d'ornementation par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie, Éditeurs, 51, rue des Écoles, 51, 1875. Table des Planches 1. - Médaillons - Tympans des arcades du rez-de-chaussée (façade principale). 2. - Cartouche couronnant les pilastres du grand vestibule. 3. - Cartouche servant d'applique sur les piliers du vestibule circulaire. 4. - Tables saillantes. - Galeries latérales du grand escalier. 5. - Table saillante. Pavillon de la descente à couvert. 6. - Table saillante. Vestibules octogones. 7. - Motifs de décoration sur les piliers du vestibule circulaire. 8. - Couronnement des grandes fenêtres. - Façade principale. 9. - Couronnement des portes du grand foyer. 10. - Couronnement desportes à l'extrémité des galeries latérales. 11. - Clef de la grande fenêtre. - Façade postérieure de la scène. 12. - Clef et tympan de la base du vestibule du contrôle. 13. - Clef des arcs dans la coupole du grand escalier. 14. - Clef de la porte. - Pavillon du chef de l'État. 15. - Consoles de chaque côté des oeils-de-boeuf au-dessus des baies de la loggia. 16. - Bas-relief de la partie supérieure de la voûte - vestibule octogone. 17. - Bas-reliefs de l'Attique. - Façade principale. 18. - Pilastres du grand foyer. - Arabesques et chapiteau. 19. - Colonnes du grand foyer. - Base et fut. (sic) 20. - Colonnes de la salle. - Base et fût. 21. - Colonnes des escaliers secondaires. - Fût et chapiteau. 22. - Chapiteau des pilastres du grand escalier. 23. - Chapiteau des colonnes du vestibule. - Pavillon du chef de l'État. 24. - Chapiteau des colonnes du vestibule circulaire. 25. - Chapiteau des colonnes du grand escalier. 26. - Chapiteau des colonnes supportant la 1re volée du grand escalier. 27. - Chapiteau des colonnes des baies de la loggia. - Façade principale. 28. - Chapiteau des colonnes du grand foyer. 29. - Chapiteau des pilastres intérieurs de la loggia. 30. - Chapiteau des colonnes et des pilastres de la salle. 31. - Amortissement des frontons des pavillons. - Façade principale. 32. - Chéneau de la grande coupole de la salle. 33. - Chéneau des façades latérales. 34. - Chéneau de la lanterne de la salle. 35. - Masques du vestibule circulaire. 36. - Masques du vestibule circulaire. 37. - Masques des consoles. - Baies de la loggia (façade principale). 38. - Masques du vestibule du contrôle. 39. - Masques des cheminées des bâtiments de l'administration. 40. - Frise et corniche de la scène. 41. - Frise de l'entablement. - Façade principale. 42. - Clef de voûte. - Galeries latérales. 43. - Clef de voûte. - Descente à couvert. 44. - Clef de voûte. - Galeries latérales. 45. - Clef de voûte. - Galeries latérales.
Classification:
photographies
photographies
Date:
1875 or before
1875 or before
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Elevation of a palace façade
Elevation of a palace façade
Actions:
Numéro de référence:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Personnes et institutions:
Date:
first quarter of the 16th century
first quarter of the 16th century
Titre:
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Classification:
dessins
dessins
Date:
first quarter of the 16th century
first quarter of the 16th century
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Personnes et institutions:
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Titre:
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Classification:
graphique
graphique
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Personnes et institutions:
