1128 Résultats
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livres
livres
Titre:
The accident of art
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982(...)
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mai 2003, Cambridge, Mass.
mai 2003, Cambridge, Mass.
Titre:
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.
Classification:
livres
livres
Publication:
mai 2003, Cambridge, Mass.
mai 2003, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$28.95
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior(...)
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior(...)
Titre:
Out of site : fictional architectural sites
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior and exterior, natural and artificial, local and global. The artists in "Out of Site" have responded to these developments by re-organizing and re-articulating space using a wide range of media. The "fictional" spaces in the work in "Out of Site" point to new ways of experiencing and navigating space, both physically in our homes, workplaces, and neighborhoods as well as on the Internet, and are informed by the history of utopian proposals, science fiction, and major shifts in architectural discourse and building in recent years.
Out of site : fictional architectural sites
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior and exterior, natural and artificial, local and global. The artists in "Out of Site" have responded to these developments by re-organizing and re-articulating space using a wide range of media. The "fictional" spaces in the work in "Out of Site" point to new ways of experiencing and navigating space, both physically in our homes, workplaces, and neighborhoods as well as on the Internet, and are informed by the history of utopian proposals, science fiction, and major shifts in architectural discourse and building in recent years.
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livres
livres
Publication:
août 2002, New York
août 2002, New York
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livres
livres
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$48.95
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These sharp and insightful texts, whether addressing the impact of digital technology, the design of an effective hotel, the emergence of the Los Angeles vanguard, or the proper execution of a thesis project, combine frontline reportage, archival scholarship, trenchant prose, and impressive critical acumen to cut through the cacophony of recent architectural discourse(...)
$48.95
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These sharp and insightful texts, whether addressing the impact of digital technology, the design of an effective hotel, the emergence of the Los Angeles vanguard, or the proper execution of a thesis project, combine frontline reportage, archival scholarship, trenchant prose, and impressive critical acumen to cut through the cacophony of recent architectural discourse(...)
Titre:
Figments of the architectural imagination
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These sharp and insightful texts, whether addressing the impact of digital technology, the design of an effective hotel, the emergence of the Los Angeles vanguard, or the proper execution of a thesis project, combine frontline reportage, archival scholarship, trenchant prose, and impressive critical acumen to cut through the cacophony of recent architectural discourse with uncommon clarity, intelligence, rigor, and wit. Taken together, these essays provide essential orientation for practitioners, academics, students, and afficionados hoping to understand how contemporary architecture came to be where it is and to speculate on where it might go next.
Figments of the architectural imagination
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$48.95
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These sharp and insightful texts, whether addressing the impact of digital technology, the design of an effective hotel, the emergence of the Los Angeles vanguard, or the proper execution of a thesis project, combine frontline reportage, archival scholarship, trenchant prose, and impressive critical acumen to cut through the cacophony of recent architectural discourse with uncommon clarity, intelligence, rigor, and wit. Taken together, these essays provide essential orientation for practitioners, academics, students, and afficionados hoping to understand how contemporary architecture came to be where it is and to speculate on where it might go next.
Classification:
livres
livres
Publication:
octobre 2022
octobre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
2G #95: Baukunst
2G #95: Baukunst
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Brussels-based architectural firm Baukunst, founded in 2012, has both art and technology built into its name ("bau" for building and "kunst" for art). Maintaining a high level of abstraction, its fluid practice positions all projects as theoretical propositions, to be returned to repeatedly over time. The selection of works featured in this issue of 2G is not an archive(...)
$79.95
(disponible en magasin)
Résumé:
Brussels-based architectural firm Baukunst, founded in 2012, has both art and technology built into its name ("bau" for building and "kunst" for art). Maintaining a high level of abstraction, its fluid practice positions all projects as theoretical propositions, to be returned to repeatedly over time. The selection of works featured in this issue of 2G is not an archive(...)
Titre:
2G #95: Baukunst
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Brussels-based architectural firm Baukunst, founded in 2012, has both art and technology built into its name ("bau" for building and "kunst" for art). Maintaining a high level of abstraction, its fluid practice positions all projects as theoretical propositions, to be returned to repeatedly over time. The selection of works featured in this issue of 2G is not an archive of its work, but rather a research atlas in which the montage of architectural drawings, site photographs, models and digital images speaks of the latent ideas germinated and tested across its projects.
2G #95: Baukunst
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Brussels-based architectural firm Baukunst, founded in 2012, has both art and technology built into its name ("bau" for building and "kunst" for art). Maintaining a high level of abstraction, its fluid practice positions all projects as theoretical propositions, to be returned to repeatedly over time. The selection of works featured in this issue of 2G is not an archive of its work, but rather a research atlas in which the montage of architectural drawings, site photographs, models and digital images speaks of the latent ideas germinated and tested across its projects.
Classification:
livres
livres
Publication:
mai 2026
mai 2026
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Prix:
$38.95
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Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become(...)
$38.95
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Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
août 2004, New York
août 2004, New York
Titre:
Beyond form : architecture and art in the space of media
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Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become inverted and is now literally seen as modifying and transforming our relation to that world through media's ability to not only create the means of representation, its subject and content, but also organize author and audience alike. Beyond Form is both a celebration of our situation and a critical survival manual. The contributors to this volume, including artists Jennifer Steinkamp and Maureen Connor, respond to the mediating space of technology, aware that the forms of the future lie within the indeterminate content of cultural production and consumption itself, and not within the ideal of the technological sublime of modernism that had in the past reduced this issue, both performatively and iconographically, to a question of form, function and style. Essays by Neil Leach, Jeffrey Kipnis, Omer Fast, Andrew Benjamin, Donald Kunze, et al.
Beyond form : architecture and art in the space of media
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$38.95
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Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become inverted and is now literally seen as modifying and transforming our relation to that world through media's ability to not only create the means of representation, its subject and content, but also organize author and audience alike. Beyond Form is both a celebration of our situation and a critical survival manual. The contributors to this volume, including artists Jennifer Steinkamp and Maureen Connor, respond to the mediating space of technology, aware that the forms of the future lie within the indeterminate content of cultural production and consumption itself, and not within the ideal of the technological sublime of modernism that had in the past reduced this issue, both performatively and iconographically, to a question of form, function and style. Essays by Neil Leach, Jeffrey Kipnis, Omer Fast, Andrew Benjamin, Donald Kunze, et al.
Classification:
livres
livres
Publication:
août 2004, New York
août 2004, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Clouds and bombs
Clouds and bombs
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Résumé:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
$62.50
(disponible en magasin)
Résumé:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
Titre:
Clouds and bombs
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$62.50
(disponible en magasin)
Résumé:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Clouds and bombs
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$62.50
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Résumé:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$24.95
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Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
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When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
Titre:
I read where I am : exploring new information cultures
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When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
I read where I am : exploring new information cultures
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$24.95
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Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Épistémologie et réseau
Épistémologie et réseau
Classification:
livres
livres
Titre:
Radio territories
Radio territories
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$30.00
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Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
$30.00
(disponible sur commande)
Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
Sujet:
Acoustique
Acoustique
Publication:
novembre 2006, Los Angeles, Copenhagen, New York
novembre 2006, Los Angeles, Copenhagen, New York
Titre:
Radio territories
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$30.00
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Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Radio territories
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$30.00
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Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Classification:
livres
livres
Publication:
novembre 2006, Los Angeles, Copenhagen, New York
novembre 2006, Los Angeles, Copenhagen, New York
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$42.95
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Résumé:
The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’(...)
$42.95
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Résumé:
The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’(...)
Titre:
Sharing cities: case for truly smart and sustainable cities
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$42.95
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The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’ highly networked physical space with new digital technologies and new mediated forms of sharing offers cities the opportunity to connect smart technology to justice, solidarity, and sustainability. McLaren and Agyeman explore the opportunities and risks for sustainability, solidarity, and justice in the changing nature of sharing.
Sharing cities: case for truly smart and sustainable cities
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$42.95
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Résumé:
The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’ highly networked physical space with new digital technologies and new mediated forms of sharing offers cities the opportunity to connect smart technology to justice, solidarity, and sustainability. McLaren and Agyeman explore the opportunities and risks for sustainability, solidarity, and justice in the changing nature of sharing.
Classification:
livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
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$40.00
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Résumé:
Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text,(...)
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Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text,(...)
Titre:
it was always there, it's just grown stronger
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$40.00
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Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text, between seeing and knowing. Using a pinhole camera and modern technology without the intervention of digital manipulation, he deals with the “necessary nonsense,” with unifying opposites, with actual and supposed paradoxes, defining some things through exploration and allowing others to remain undefined.
it was always there, it's just grown stronger
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Prix:
$40.00
(disponible sur commande)
Résumé:
Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text, between seeing and knowing. Using a pinhole camera and modern technology without the intervention of digital manipulation, he deals with the “necessary nonsense,” with unifying opposites, with actual and supposed paradoxes, defining some things through exploration and allowing others to remain undefined.
Classification:
livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
