1124 Résultats
Classification:
livres
livres
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Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become(...)
$38.95
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Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
août 2004, New York
août 2004, New York
Titre:
Beyond form : architecture and art in the space of media
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Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become inverted and is now literally seen as modifying and transforming our relation to that world through media's ability to not only create the means of representation, its subject and content, but also organize author and audience alike. Beyond Form is both a celebration of our situation and a critical survival manual. The contributors to this volume, including artists Jennifer Steinkamp and Maureen Connor, respond to the mediating space of technology, aware that the forms of the future lie within the indeterminate content of cultural production and consumption itself, and not within the ideal of the technological sublime of modernism that had in the past reduced this issue, both performatively and iconographically, to a question of form, function and style. Essays by Neil Leach, Jeffrey Kipnis, Omer Fast, Andrew Benjamin, Donald Kunze, et al.
Beyond form : architecture and art in the space of media
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Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become inverted and is now literally seen as modifying and transforming our relation to that world through media's ability to not only create the means of representation, its subject and content, but also organize author and audience alike. Beyond Form is both a celebration of our situation and a critical survival manual. The contributors to this volume, including artists Jennifer Steinkamp and Maureen Connor, respond to the mediating space of technology, aware that the forms of the future lie within the indeterminate content of cultural production and consumption itself, and not within the ideal of the technological sublime of modernism that had in the past reduced this issue, both performatively and iconographically, to a question of form, function and style. Essays by Neil Leach, Jeffrey Kipnis, Omer Fast, Andrew Benjamin, Donald Kunze, et al.
Classification:
livres
livres
Publication:
août 2004, New York
août 2004, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Clouds and bombs
Clouds and bombs
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
Titre:
Clouds and bombs
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$62.50
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Clouds and bombs
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$62.50
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Résumé:
Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Radio territories
Radio territories
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$30.00
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The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
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The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
Sujet:
Acoustique
Acoustique
Publication:
novembre 2006, Los Angeles, Copenhagen, New York
novembre 2006, Los Angeles, Copenhagen, New York
Titre:
Radio territories
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$30.00
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The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Radio territories
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The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Classification:
livres
livres
Publication:
novembre 2006, Los Angeles, Copenhagen, New York
novembre 2006, Los Angeles, Copenhagen, New York
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$24.95
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Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
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Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
Titre:
I read where I am : exploring new information cultures
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When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
I read where I am : exploring new information cultures
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$24.95
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Résumé:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Épistémologie et réseau
Épistémologie et réseau
Classification:
périodiques
périodiques
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$58.00
(disponible en magasin)
Résumé:
The use of mass timber (also called engineered wood) in architecture involves prefabricated modular parts, making construction quicker and cheaper, and applying digital technology to design and fabrication. Both glue-laminated timber (glulam) and cross-laminated timber (CLT) are load-bearing materials that offer buildings not only a positive carbon footprint but also(...)
$58.00
(disponible en magasin)
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The use of mass timber (also called engineered wood) in architecture involves prefabricated modular parts, making construction quicker and cheaper, and applying digital technology to design and fabrication. Both glue-laminated timber (glulam) and cross-laminated timber (CLT) are load-bearing materials that offer buildings not only a positive carbon footprint but also(...)
Titre:
C3 432: The Revolution will be laminated
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$58.00
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Résumé:
The use of mass timber (also called engineered wood) in architecture involves prefabricated modular parts, making construction quicker and cheaper, and applying digital technology to design and fabrication. Both glue-laminated timber (glulam) and cross-laminated timber (CLT) are load-bearing materials that offer buildings not only a positive carbon footprint but also flame-retardant qualities. A special feature on mass timber includes exemplary projects such as the ''World of Volvo'' by Henning Larsen and the ''Rehmannia Root Crafts Exhibition Hall'' by LUO studio. In addition, the magazine features a special profile on new Basque topography through the eyes of Ele Arkitektura.
C3 432: The Revolution will be laminated
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Prix:
$58.00
(disponible en magasin)
Résumé:
The use of mass timber (also called engineered wood) in architecture involves prefabricated modular parts, making construction quicker and cheaper, and applying digital technology to design and fabrication. Both glue-laminated timber (glulam) and cross-laminated timber (CLT) are load-bearing materials that offer buildings not only a positive carbon footprint but also flame-retardant qualities. A special feature on mass timber includes exemplary projects such as the ''World of Volvo'' by Henning Larsen and the ''Rehmannia Root Crafts Exhibition Hall'' by LUO studio. In addition, the magazine features a special profile on new Basque topography through the eyes of Ele Arkitektura.
Classification:
périodiques
périodiques
Publication:
mars 2025
mars 2025
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$40.00
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Résumé:
Buildings and cities grow, are transformed and dissolve. How can this evolution be generated, controlled, enhanced or imagined? Is our environment programmable? How does the fusion of natural and artificial materials produce new architectural organisms, new environments, new natures? How does technology animate space and how do users and programs animate matter? Because(...)
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Buildings and cities grow, are transformed and dissolve. How can this evolution be generated, controlled, enhanced or imagined? Is our environment programmable? How does the fusion of natural and artificial materials produce new architectural organisms, new environments, new natures? How does technology animate space and how do users and programs animate matter? Because(...)
Titre:
Verb : Natures -architecture boogazine
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Buildings and cities grow, are transformed and dissolve. How can this evolution be generated, controlled, enhanced or imagined? Is our environment programmable? How does the fusion of natural and artificial materials produce new architectural organisms, new environments, new natures? How does technology animate space and how do users and programs animate matter? Because everything grows, especially cities, the fifth volume of Actarís Verb series looks for a new definition of the organic through architecture, graphics, and photography as well as visual and digital art. Verb Natures follows Verb 1, Verb Matters, Verb Connection and Verb Conditioning.
Verb : Natures -architecture boogazine
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Résumé:
Buildings and cities grow, are transformed and dissolve. How can this evolution be generated, controlled, enhanced or imagined? Is our environment programmable? How does the fusion of natural and artificial materials produce new architectural organisms, new environments, new natures? How does technology animate space and how do users and programs animate matter? Because everything grows, especially cities, the fifth volume of Actarís Verb series looks for a new definition of the organic through architecture, graphics, and photography as well as visual and digital art. Verb Natures follows Verb 1, Verb Matters, Verb Connection and Verb Conditioning.
Classification:
périodiques
périodiques
Publication:
février 2006, Barcelona
février 2006, Barcelona
Sujet:
Revues
Revues
Classification:
livres
livres
Prix:
$38.99
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Résumé:
Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought(...)
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Résumé:
Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought(...)
Titre:
The filing cabinet: a vertical history of information
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Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.
The filing cabinet: a vertical history of information
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$38.99
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Résumé:
Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
Titre:
The printed picture
The printed picture
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$69.00
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Résumé:
The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how(...)
$69.00
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Résumé:
The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how(...)
Titre:
The printed picture
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$69.00
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fresh conclusions about what pictures can mean. Presented as a series of one-page essays opposite the pictures they examine, the book retains the engaging, informal style of Benson's celebrated seminars at Yale University.
The printed picture
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$69.00
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fresh conclusions about what pictures can mean. Presented as a series of one-page essays opposite the pictures they examine, the book retains the engaging, informal style of Benson's celebrated seminars at Yale University.
Classification:
livres
livres
Publication:
octobre 2008, New York
octobre 2008, New York
Sujet:
Arts graphiques imprimés
Arts graphiques imprimés
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livres
livres
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$40.00
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Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text,(...)
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Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text,(...)
Titre:
it was always there, it's just grown stronger
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$40.00
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Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text, between seeing and knowing. Using a pinhole camera and modern technology without the intervention of digital manipulation, he deals with the “necessary nonsense,” with unifying opposites, with actual and supposed paradoxes, defining some things through exploration and allowing others to remain undefined.
it was always there, it's just grown stronger
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$40.00
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Résumé:
Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text, between seeing and knowing. Using a pinhole camera and modern technology without the intervention of digital manipulation, he deals with the “necessary nonsense,” with unifying opposites, with actual and supposed paradoxes, defining some things through exploration and allowing others to remain undefined.
Classification:
livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$42.95
(disponible sur commande)
Résumé:
The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’(...)
$42.95
(disponible sur commande)
Résumé:
The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’(...)
Titre:
Sharing cities: case for truly smart and sustainable cities
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$42.95
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The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’ highly networked physical space with new digital technologies and new mediated forms of sharing offers cities the opportunity to connect smart technology to justice, solidarity, and sustainability. McLaren and Agyeman explore the opportunities and risks for sustainability, solidarity, and justice in the changing nature of sharing.
Sharing cities: case for truly smart and sustainable cities
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Prix:
$42.95
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Résumé:
The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’ highly networked physical space with new digital technologies and new mediated forms of sharing offers cities the opportunity to connect smart technology to justice, solidarity, and sustainability. McLaren and Agyeman explore the opportunities and risks for sustainability, solidarity, and justice in the changing nature of sharing.
Classification:
livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
