1136 Résultats
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308 pages : illustrations, plans ; 26 cm
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308 pages : illustrations, plans ; 26 cm
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Minneapolis, MN : University of Minnesota Press, [2018], ©2018
Minneapolis, MN : University of Minnesota Press, [2018], ©2018
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Modernism as memory : building identity in the Federal Republic of Germany / Kathleen James-Chakraborty.
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308 pages : illustrations, plans ; 26 cm
Modernism as memory : building identity in the Federal Republic of Germany / Kathleen James-Chakraborty.
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308 pages : illustrations, plans ; 26 cm
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livres
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Minneapolis, MN : University of Minnesota Press, [2018], ©2018
Minneapolis, MN : University of Minnesota Press, [2018], ©2018
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Description:
208 pages : illustrations (some colour) ; 24 cm
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208 pages : illustrations (some colour) ; 24 cm
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London : Thames & Hudson, 2013., ©2013
London : Thames & Hudson, 2013., ©2013
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Architecture on the carpet : the curious tale of construction toys and the genesis of modern buildings / Brenda and Robert Vale ; with 111 illustrations, 97 in colour.
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208 pages : illustrations (some colour) ; 24 cm
Architecture on the carpet : the curious tale of construction toys and the genesis of modern buildings / Brenda and Robert Vale ; with 111 illustrations, 97 in colour.
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Description:
208 pages : illustrations (some colour) ; 24 cm
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livres
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London : Thames & Hudson, 2013., ©2013
London : Thames & Hudson, 2013., ©2013
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$44.95
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"Art Theory: An Historical Introduction" is a unique survey of Western thought about art from ancient times to the present. It provides a lucid and lively narrative geared to the needs of the general reader and beginning student, Covering the major periods of Western art history: Antiquity and the Middle Ages, the early modern period (Renaissance and Baroque), the(...)
$44.95
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"Art Theory: An Historical Introduction" is a unique survey of Western thought about art from ancient times to the present. It provides a lucid and lively narrative geared to the needs of the general reader and beginning student, Covering the major periods of Western art history: Antiquity and the Middle Ages, the early modern period (Renaissance and Baroque), the(...)
Titre:
Art theory : an historical introduction
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$44.95
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"Art Theory: An Historical Introduction" is a unique survey of Western thought about art from ancient times to the present. It provides a lucid and lively narrative geared to the needs of the general reader and beginning student, Covering the major periods of Western art history: Antiquity and the Middle Ages, the early modern period (Renaissance and Baroque), the Enlightenment, the nineteenth century, early twentieth-century modernism, and postmodernism. It relates theory to the practice as well as to the intellectual- and cultural-historical currents of each period, thus demonstrating the value of an historical approach to theoretical issues, and includes an extensive bibliography that provides a useful and up-to-date guide to the primary sources and secondary literature.
Art theory : an historical introduction
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"Art Theory: An Historical Introduction" is a unique survey of Western thought about art from ancient times to the present. It provides a lucid and lively narrative geared to the needs of the general reader and beginning student, Covering the major periods of Western art history: Antiquity and the Middle Ages, the early modern period (Renaissance and Baroque), the Enlightenment, the nineteenth century, early twentieth-century modernism, and postmodernism. It relates theory to the practice as well as to the intellectual- and cultural-historical currents of each period, thus demonstrating the value of an historical approach to theoretical issues, and includes an extensive bibliography that provides a useful and up-to-date guide to the primary sources and secondary literature.
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livres
livres
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décembre 2003, Oxford
décembre 2003, Oxford
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Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$29.95
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded(...)
$29.95
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded(...)
Titre:
Appropriation: Documents of contemporary art
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures.
Appropriation: Documents of contemporary art
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$29.95
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Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures.
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livres
livres
Publication:
avril 2009, Cambridge (MA), London
avril 2009, Cambridge (MA), London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$47.50
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism.(...)
$47.50
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism.(...)
Publication:
septembre 2019
septembre 2019
Titre:
Moscow: a guide to Soviet modernist architecture 1955-1991
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$47.50
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
Moscow: a guide to Soviet modernist architecture 1955-1991
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$47.50
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
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livres
livres
Publication:
septembre 2019
septembre 2019
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livres
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$34.00
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
$34.00
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
Titre:
Memphis again: Triennale Milano
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$34.00
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
Memphis again: Triennale Milano
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$34.00
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
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livres
livres
Publication:
décembre 2022
décembre 2022
Sujet:
Design industriel
Design industriel
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livres
livres
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$35.00
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
Titre:
Parachute : the anthology, vol. III
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$35.00
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Parachute : the anthology, vol. III
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$35.00
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$35.00
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
$35.00
(disponible sur commande)
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
Titre:
Parachute: the anthology, vol 4
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$35.00
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Parachute: the anthology, vol 4
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$35.00
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
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livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Théorie de l’art
Théorie de l’art
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Description:
224 pages : color illustrations ; 31 cm
Description:
224 pages : color illustrations ; 31 cm
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New York : H.N. Abrams, 1994.
New York : H.N. Abrams, 1994.
Titre:
Water and architecture / text by Charles W. Moore ; photographs by Jane Lidz.
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Description:
224 pages : color illustrations ; 31 cm
Water and architecture / text by Charles W. Moore ; photographs by Jane Lidz.
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Description:
224 pages : color illustrations ; 31 cm
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livres
livres
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New York : H.N. Abrams, 1994.
New York : H.N. Abrams, 1994.
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Description:
354 pages : illustrations (some color) ; 26 cm
Description:
354 pages : illustrations (some color) ; 26 cm
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Los Angeles, Calif. : Getty Research Institute, ©2013.
Los Angeles, Calif. : Getty Research Institute, ©2013.
Titre:
Las Vegas in the rearview mirror : the city in theory, photography, and film / Martino Stierli ; translation by Elizabeth Tucker.
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Description:
354 pages : illustrations (some color) ; 26 cm
Las Vegas in the rearview mirror : the city in theory, photography, and film / Martino Stierli ; translation by Elizabeth Tucker.
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354 pages : illustrations (some color) ; 26 cm
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livres
livres
Publication:
Los Angeles, Calif. : Getty Research Institute, ©2013.
Los Angeles, Calif. : Getty Research Institute, ©2013.
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