livres
Description:
1 online resource
[Place of publication not identified] : Furtherfield, 2020., [Place of publication not identified] : The New Design Congress, 2020.
livres
[Place of publication not identified] : Furtherfield, 2020., [Place of publication not identified] : The New Design Congress, 2020.
livres
Description:
1 kit (76 pieces) : illustrations (some color) ; in box, 31 x 23 x 2 cm
Delft : Utopia, 1976.
Architekt Jujol 1879-1949 [toy] : Utopia-special.
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1 kit (76 pieces) : illustrations (some color) ; in box, 31 x 23 x 2 cm
livres
Delft : Utopia, 1976.
$39.95
(disponible sur commande)
Résumé:
Illustration Play explores new trends in handcrafted illustration, each of which lends a welcome departure from digitally generated graphics. In a bold departure from the pixel based aesthetic, Illustration Play focuses rather on the return to experimental and unique techniques such as paper cutting, stitching, knitting, needlework, origami, patchwork and more. Thirty(...)
Illustration play: craving for the extraordinary
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$39.95
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Illustration Play explores new trends in handcrafted illustration, each of which lends a welcome departure from digitally generated graphics. In a bold departure from the pixel based aesthetic, Illustration Play focuses rather on the return to experimental and unique techniques such as paper cutting, stitching, knitting, needlework, origami, patchwork and more. Thirty artists from around the globe present their distinct yet diverse perspectives on their signature styles, and the myriad skills they bring to each project, and share their resounding successes. Contributors include Catalina Estrada, Genevieve Dionne, Melvin Galapon, Caroline Hwang, Steven Harrington, Johanna Lundberg, Miles Donovan, Stephanie Dotson, Peter Callesen, AJ Fosik, Richard Saja, Ian Wright and many more. Through interviews and photos of the studios where they find their inspiration, the artists and designers takes you on a voyeuristic journey through their personal realms and share their work from vision and imagination to creation.
Illustration
livres
The Bristlemouth Connector.
Description:
1 online resource.
[Place of publication not identified] : Ethereum Foundation, 2023.
livres
[Place of publication not identified] : Ethereum Foundation, 2023.
vidéo
Description:
1 streaming video file (1 hr., 11 min., 8 sec.) : sound, colour
[Montréal] : Centre canadien d'architecture, [2018]
What is history for... Jan de Vylder?.
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1 streaming video file (1 hr., 11 min., 8 sec.) : sound, colour
vidéo
[Montréal] : Centre canadien d'architecture, [2018]
$24.95
(disponible sur commande)
Résumé:
In Punctuation: Art, Politics, and Play, Jennifer DeVere Brody places punctuation at center stage. She illuminates the performative aspects of dots, ellipses, hyphens, quotation marks, semicolons, colons, and exclamation points by considering them in relation to aesthetics and experimental art. Through her readings of texts and symbols ranging from style guides to digital(...)
Punctuation: Art, Politics, and Play
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$24.95
(disponible sur commande)
Résumé:
In Punctuation: Art, Politics, and Play, Jennifer DeVere Brody places punctuation at center stage. She illuminates the performative aspects of dots, ellipses, hyphens, quotation marks, semicolons, colons, and exclamation points by considering them in relation to aesthetics and experimental art. Through her readings of texts and symbols ranging from style guides to digital art, from emoticons to dance pieces, Brody suggests that instead of always clarifying meaning, punctuation can sometimes open up space for interpretation, enabling writers and visual artists to interrogate and reformulate notions of life, death, art, and identity politics.
Muséologie
livres
Description:
x, 349 pages : illustrations ; 24 cm
London ; New York : Arnold ; New York : John Wiley & Sons, 1997.
Undoing place? : a geographical reader / edited by Linda McDowell.
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x, 349 pages : illustrations ; 24 cm
livres
London ; New York : Arnold ; New York : John Wiley & Sons, 1997.
audio
Description:
1 online resource.
[Place of publication not identified] : Seeing Is Forgetting, 2017.
audio
[Place of publication not identified] : Seeing Is Forgetting, 2017.
$69.95
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Résumé:
Reading like a who’s who of the world’s most important players in contemporary art, "Press play" makes a fascinating stand-alone introduction to the current art scene and those associated with it. Comprising 50 personal encounters with the world’s most significant contemporary artists, interviewed by 50 of today’s key art thinkers, it is a survey of contemporary art in(...)
Press play : contemporary artists in conversation
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$69.95
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Reading like a who’s who of the world’s most important players in contemporary art, "Press play" makes a fascinating stand-alone introduction to the current art scene and those associated with it. Comprising 50 personal encounters with the world’s most significant contemporary artists, interviewed by 50 of today’s key art thinkers, it is a survey of contemporary art in the artists’ own words. It includes established artists like Louise Bourgeois and Alex Katz, midcareer masters Richard Prince and Raymond Pettibon and the most exciting artists of the current generation.
Not to play with dead things
$42.00
(disponible en magasin)
Résumé:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
mars 2010
Not to play with dead things
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$42.00
(disponible en magasin)
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From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?