1268 Résultats
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artéfacts
artéfacts
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2 pencils : wood, rubber, metal, fabric ; 27 cm, 1 pen : plastic ; 19 cm, 1 key : plastic ; 6 cm, 2 keychains : metal ; 10 cm, 2 lapel pins : metal ; 4 cm (diam.), 1 lapel...
Description:
2 pencils : wood, rubber, metal, fabric ; 27 cm, 1 pen : plastic ; 19 cm, 1 key : plastic ; 6 cm, 2 keychains : metal ; 10 cm, 2 lapel pins : metal ; 4 cm (diam.), 1 lapel...
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[1963-1969] ([various places : various manufacturers])
[1963-1969] ([various places : various manufacturers])
Titre:
Expo 67 and Terre des hommes : collectibles.
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2 pencils : wood, rubber, metal, fabric ; 27 cm, 1 pen : plastic ; 19 cm, 1 key : plastic ; 6 cm, 2 keychains : metal ; 10 cm, 2 lapel pins : metal ; 4 cm (diam.), 1 lapel...
Expo 67 and Terre des hommes : collectibles.
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2 pencils : wood, rubber, metal, fabric ; 27 cm, 1 pen : plastic ; 19 cm, 1 key : plastic ; 6 cm, 2 keychains : metal ; 10 cm, 2 lapel pins : metal ; 4 cm (diam.), 1 lapel...
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artéfacts
artéfacts
Publication:
[1963-1969] ([various places : various manufacturers])
[1963-1969] ([various places : various manufacturers])
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Classification:
archives
archives
Description:
still image
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Publication:
[1889?]
[1889?]
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archives
archives
Publication:
[1889?]
[1889?]
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livres
livres
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Description:
1 unnumbered leaf of plate, xii, 331 pages illustrations 33 cm
Description:
1 unnumbered leaf of plate, xii, 331 pages illustrations 33 cm
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Publication:
London, New York, Virtue and Co. [1868]
London, New York, Virtue and Co. [1868]
Titre:
The illustrated catalogue of the Universal Exhibition, published with the Art journal.
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1 unnumbered leaf of plate, xii, 331 pages illustrations 33 cm
The illustrated catalogue of the Universal Exhibition, published with the Art journal.
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Description:
1 unnumbered leaf of plate, xii, 331 pages illustrations 33 cm
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livres
livres
Publication:
London, New York, Virtue and Co. [1868]
London, New York, Virtue and Co. [1868]
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livres
livres
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$45.00
(disponible sur commande)
Résumé:
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
$45.00
(disponible sur commande)
Résumé:
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
Publication:
août 2007, Minneapolis, London
août 2007, Minneapolis, London
Titre:
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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$45.00
(disponible sur commande)
Résumé:
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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$45.00
(disponible sur commande)
Résumé:
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
Classification:
livres
livres
Publication:
août 2007, Minneapolis, London
août 2007, Minneapolis, London
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livres
livres
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1 volume (unpaged) : illustrations ; 22 x 28 cm
Description:
1 volume (unpaged) : illustrations ; 22 x 28 cm
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[Place of publication not identified] : Union News Company, [1926]
[Place of publication not identified] : Union News Company, [1926]
Titre:
Sesqui-Centennial International Exposition Philadelphia, Pa. : 1776-1926.
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1 volume (unpaged) : illustrations ; 22 x 28 cm
Sesqui-Centennial International Exposition Philadelphia, Pa. : 1776-1926.
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1 volume (unpaged) : illustrations ; 22 x 28 cm
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livres
livres
Publication:
[Place of publication not identified] : Union News Company, [1926]
[Place of publication not identified] : Union News Company, [1926]
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livres
livres
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Description:
15 pages : illustrations ; 26 cm
Description:
15 pages : illustrations ; 26 cm
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Longueuil (Québec) : Plein sud, centre d'exposition en art actuel à Longueuil, [2012]
Longueuil (Québec) : Plein sud, centre d'exposition en art actuel à Longueuil, [2012]
Titre:
Le studio et l'anti-studio de Joseph Beuys et Buckminster Fuller : un essai photographique de Robert Duchesnay / [coordination, Hélène Poirier ; texte, Céline Mayrand ; photographies, Robert Duchesnay].
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15 pages : illustrations ; 26 cm
Le studio et l'anti-studio de Joseph Beuys et Buckminster Fuller : un essai photographique de Robert Duchesnay / [coordination, Hélène Poirier ; texte, Céline Mayrand ; photographies, Robert Duchesnay].
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15 pages : illustrations ; 26 cm
Classification:
livres
livres
Publication:
Longueuil (Québec) : Plein sud, centre d'exposition en art actuel à Longueuil, [2012]
Longueuil (Québec) : Plein sud, centre d'exposition en art actuel à Longueuil, [2012]
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livres
livres
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1 portfolio ([8] pages, 32 leaves of plates) : color illustrations ; 32 cm
Description:
1 portfolio ([8] pages, 32 leaves of plates) : color illustrations ; 32 cm
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Publication:
Paris : Ch. Moreau, 1925.
Paris : Ch. Moreau, 1925.
Titre:
Kiosques & pavillons urbains destinés à l'exposition internationale des arts décoratifs modernes, Paris, 1925 / J. Mayor.
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1 portfolio ([8] pages, 32 leaves of plates) : color illustrations ; 32 cm
Kiosques & pavillons urbains destinés à l'exposition internationale des arts décoratifs modernes, Paris, 1925 / J. Mayor.
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1 portfolio ([8] pages, 32 leaves of plates) : color illustrations ; 32 cm
Classification:
livres
livres
Publication:
Paris : Ch. Moreau, 1925.
Paris : Ch. Moreau, 1925.
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livres
livres
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$60.00
(disponible sur commande)
Résumé:
In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the(...)
$60.00
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Résumé:
In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the(...)
Titre:
Skidegate House Models: From Haida Gwaii to the Chicago World's Fair and Beyond
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$60.00
(disponible sur commande)
Résumé:
In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the village it portrayed. Based on over twenty years of collaborative research with the Skidegate Haida community, the book features vital cultural context. Robin K. Wright explores how Haida people represented their culture to the outside world at a time when they were suffering from devastating population loss due to introduced diseases and from ongoing attempts by the settler government to suppress their culture by making the potlatch illegal. While promoters of the Chicago World’s Fair used the village to celebrate the perceived “progress” of the dominant society, for Skidegate residents it provided a means to preserve their history and culture. After the exposition, many models were dispersed to the Field Museum of Natural History and other collections, but fourteen of the model houses have not yet been located. The book provides extensive archival information and photographs that contextualize the model village and might help locate the missing houses. Wright’s community-engaged research offers valuable insights into Northwest Coast art history.
Skidegate House Models: From Haida Gwaii to the Chicago World's Fair and Beyond
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Prix:
$60.00
(disponible sur commande)
Résumé:
In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the village it portrayed. Based on over twenty years of collaborative research with the Skidegate Haida community, the book features vital cultural context. Robin K. Wright explores how Haida people represented their culture to the outside world at a time when they were suffering from devastating population loss due to introduced diseases and from ongoing attempts by the settler government to suppress their culture by making the potlatch illegal. While promoters of the Chicago World’s Fair used the village to celebrate the perceived “progress” of the dominant society, for Skidegate residents it provided a means to preserve their history and culture. After the exposition, many models were dispersed to the Field Museum of Natural History and other collections, but fourteen of the model houses have not yet been located. The book provides extensive archival information and photographs that contextualize the model village and might help locate the missing houses. Wright’s community-engaged research offers valuable insights into Northwest Coast art history.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Architecture autochtone
Architecture autochtone
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livres
livres
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Description:
510 pages : illustrations (some color) ; 24 cm
Description:
510 pages : illustrations (some color) ; 24 cm
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Paris : Institut français d'architecture : Paris-Musées, ©1987.
Paris : Institut français d'architecture : Paris-Musées, ©1987.
Titre:
Paris 1937 : cinquantenaire de l'Exposition internationale des arts et des techniques dans la vie moderne / [catalogue réalisé sous la direction de Bertrand Lemoine ; assisté de Philippe Rivoirard].
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510 pages : illustrations (some color) ; 24 cm
Paris 1937 : cinquantenaire de l'Exposition internationale des arts et des techniques dans la vie moderne / [catalogue réalisé sous la direction de Bertrand Lemoine ; assisté de Philippe Rivoirard].
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510 pages : illustrations (some color) ; 24 cm
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livres
livres
Publication:
Paris : Institut français d'architecture : Paris-Musées, ©1987.
Paris : Institut français d'architecture : Paris-Musées, ©1987.
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livres
livres
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Description:
127 p. : ill., ports. ; 30 cm.
Description:
127 p. : ill., ports. ; 30 cm.
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Metz : École des Beaux-Arts, 1994.
Metz : École des Beaux-Arts, 1994.
Titre:
Hugo P. Herdeg, photographe = Hugo P. Herdeg, photographer = Hugo P. Herdeg, Photograph, 1909-1953 / sous la direction de Joseph Abram.
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127 p. : ill., ports. ; 30 cm.
Hugo P. Herdeg, photographe = Hugo P. Herdeg, photographer = Hugo P. Herdeg, Photograph, 1909-1953 / sous la direction de Joseph Abram.
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127 p. : ill., ports. ; 30 cm.
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livres
livres
Publication:
Metz : École des Beaux-Arts, 1994.
Metz : École des Beaux-Arts, 1994.
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