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This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts(...)
octobre 2000, London
Anthony Froshaug : typography and texts / documents of a life
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$105.00
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This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts that he made as instructions. At the centre of this book is the section of 'texts' all the writings that Froshaug published in his lifetime or which exist in manuscript in some adequately finished state. This volume concludes with a catalogue of work, bibliographies, index (to both volumes). The second volume, "Documents of a life" is not a biography, but rather a sequence of documents, mostly drawn from hitherto private sources, interspersed with explanation by the editor. Among these documents are autobiographical memories by Froshaug, as well as correspondence between him and a range of contemporaries. Notable correspondences represent his attempt in the 1940s to publish texts by Jan Tschichold, and his friendship with the writer Stefan Themerson. Memories by his friend Wolfgang Hildesheimer are preseted here for the first time in English. Froshaug’s periods as a one-man printer in Cornwall, adjacent to the artists at St Ives, are documented. The book also represents his seminal teaching work at the Central School of Arts & Crafts, the Hochschule für Gestaltung Ulm, the Royal College of Art, and Watford School of Art.
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octobre 2000, London
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Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance(...)
Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance through the assimilation of artists and musicians who resist it, and the distinctions it draws between artists and artisans, and high art and the crafts.
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septembre 2001, Chicago
Théorie de l’art
Gustav Stickley
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Gustav Stickley (1858-1942) is one of the most influential figures of the American Arts Crafts movement. A self-made man whose furniture company, Craftsman Workshops, and the magazine he founded in 1901, "The Craftsman," held wide-ranging influence over American interior design and decorative arts for decades. Although best-known as a designer of functional yet(...)
Gustav Stickley
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Gustav Stickley (1858-1942) is one of the most influential figures of the American Arts Crafts movement. A self-made man whose furniture company, Craftsman Workshops, and the magazine he founded in 1901, "The Craftsman," held wide-ranging influence over American interior design and decorative arts for decades. Although best-known as a designer of functional yet beautifully crafted wood furniture, Stickley was also an entrepreneur and brilliant manager who assembled a talented team of collaborators to produce lamps, metalwork, textiles, plans for houses, and interiors.
Design, monographies
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Description:
480 pages : illustrations (some color) ; 34 cm
New York : Museum of Modern Art, ©2005.
Friedlander / Peter Galassi ; with an essay by Richard Benson.
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480 pages : illustrations (some color) ; 34 cm
livres
New York : Museum of Modern Art, ©2005.
Greene & Greene
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a(...)
Architecture, monographies
octobre 2003, London / New York
Greene & Greene
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a powerful symbiosis, resulting in some of the most beautifully crafted houses in America. The elegant works of their peak period, such as the Gamble, Blacker and Thorsen houses, are masterful in their design and execution. No detail was overlooked: every element of the interior, including furniture, fittings and glasswork, as well as the building structure (down to pegs, air-vents and bracing) was conceived as an organic whole, and finished exquisitely. No hint of conflict was ever recorded between the gentlemanly brothers, yet their intertwined professional lives ultimately diverged into a physical separation and distinct design vocabularies. Even so, the automatic bond between the brothers was never completely severed, and they continued to consult each other on projects for the rest of their lives. This critical monograph, which charts the brothers’ careers (together and apart), is illustrated with superb new photography and draws on a wealth of previously unpublished archival material.
Architecture, monographies
$25.95
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This volume takes the reader on a tour of modern architecture through its most iconic and significant buildings, showing how to read the hallmarks of each architectural style and how to recognize them in the buildings. From Art Deco and Arts and Crafts through Bauhaus, the International Style, and Modernism to today’s environmental architecture and the rise and fall of(...)
How to read modern buildings: a crash course in architecture of the modern era
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This volume takes the reader on a tour of modern architecture through its most iconic and significant buildings, showing how to read the hallmarks of each architectural style and how to recognize them in the buildings. From Art Deco and Arts and Crafts through Bauhaus, the International Style, and Modernism to today’s environmental architecture and the rise and fall of the “starchitect”, all the major architectural movements from the 1900s to the present day are traced through their classic buildings. Examining the key architectural elements and hidden details of each style, we learn what to look for and where to look for it.
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Description:
167 pages : illustrations ; 30 cm
New York : Norton, ©2002.
George Tice : urban landscapes / by George Tice ; introduction by Brian Wallis.
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167 pages : illustrations ; 30 cm
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New York : Norton, ©2002.
Birdsong
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Katherena and Agnes share the same passions for arts and crafts, birds, and nature. But as the seasons change, can Katherna navigate the failing health of her new friend? Award-winning author and artist Julie Flett’s textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of(...)
Birdsong
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Katherena and Agnes share the same passions for arts and crafts, birds, and nature. But as the seasons change, can Katherna navigate the failing health of her new friend? Award-winning author and artist Julie Flett’s textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of intergenerational relationships, shared passions, and spending time outdoors with the ones we love.
Littérature jeunesse
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"This is an experiential architecture, not a theoretical one. It is grounded in reality, not in abstract dogma, yet it seeks the transcendent, every bit as earnestly - perhaps even more so - then architecture that is built on pure theory. It is the way space, texture, light, materials actually feel that motivates these architects, and it is their skill at manipulating(...)
Olsen Sundberg Kunding Allen : connecting architecture, art, and craft in twelve residential projects
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"This is an experiential architecture, not a theoretical one. It is grounded in reality, not in abstract dogma, yet it seeks the transcendent, every bit as earnestly - perhaps even more so - then architecture that is built on pure theory. It is the way space, texture, light, materials actually feel that motivates these architects, and it is their skill at manipulating these elements that gives their work the rigor and strength it possesses. This architecture is marked by a sense of a self-assured and sensual presence, shaped by light, texture, materiality and scale. It should almost go without saying at this point that in an age in which most architects actively seek to achieve the identity of a "look," Olson Sundberg's work eschews simple similarities. Certain principles are evident from one building to another, as is the absence of direct historical replication, but consistency is not the same as a packageable style. Indeed, a single, easily identifiable style is something that these architects not only do not have but seem actively to discourage, as if its presence could be taken as a sign that their firm was not sufficiently cognizant of the widely varying demands that are inherent in different clients' programs, sites and esthetic preferences. They seem determined to prove that consistency of belief need not yield similarity of visual appearance – and that it is possible to produce a coherent body of work that does not look precisely the same." Excerpted from the introduction written by Paul Goldberger.
Architecture, monographies
Hair 'em scare 'em
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Hair'em Scare'em presents an exploration through the fascinating beauty and inventive possibilities of hair as a medium for artistic expression in contemporary art and design. The book documents this palpable trend into a visual sourcebook that presents a captivating collection of hairy works in graphic design, photography, illustration and art as well as interior design,(...)
Hair 'em scare 'em
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Hair'em Scare'em presents an exploration through the fascinating beauty and inventive possibilities of hair as a medium for artistic expression in contemporary art and design. The book documents this palpable trend into a visual sourcebook that presents a captivating collection of hairy works in graphic design, photography, illustration and art as well as interior design, fashion and jewelry design. The extraordinary works featured in this book are the best indication of trends in hair outside the mainstream.