1204 Résultats
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191 pages : illustrations ; 24 cm
Description:
191 pages : illustrations ; 24 cm
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Berkeley : University of California Press, 1992.
Berkeley : University of California Press, 1992.
Titre:
The sphinx in the city : urban life, the control of disorder, and women / Elizabeth Wilson.
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Description:
191 pages : illustrations ; 24 cm
The sphinx in the city : urban life, the control of disorder, and women / Elizabeth Wilson.
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Description:
191 pages : illustrations ; 24 cm
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livres
livres
Publication:
Berkeley : University of California Press, 1992.
Berkeley : University of California Press, 1992.
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livres
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$44.95
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Résumé:
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven(...)
$44.95
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The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven(...)
Titre:
Our aesthetics categories: zany, cute, interesting
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$44.95
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The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.
Our aesthetics categories: zany, cute, interesting
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$44.95
(disponible sur commande)
Résumé:
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$27.00
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Résumé:
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven(...)
$27.00
(disponible sur commande)
Résumé:
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven(...)
Titre:
Our aesthetic categories : zany, cute, interesting
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Prix:
$27.00
(disponible sur commande)
Résumé:
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.
Our aesthetic categories : zany, cute, interesting
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Prix:
$27.00
(disponible sur commande)
Résumé:
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.
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livres
livres
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août 2015
août 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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628 pages : illustrations (some color), color maps ; 29 cm
Description:
628 pages : illustrations (some color), color maps ; 29 cm
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New York : Harry N. Abrams, 1997., ©1997
New York : Harry N. Abrams, 1997., ©1997
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Art past, art present / David G. Wilkins, Bernard Schultz, Katheryn M. Linduff.
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628 pages : illustrations (some color), color maps ; 29 cm
Art past, art present / David G. Wilkins, Bernard Schultz, Katheryn M. Linduff.
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628 pages : illustrations (some color), color maps ; 29 cm
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livres
livres
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New York : Harry N. Abrams, 1997., ©1997
New York : Harry N. Abrams, 1997., ©1997
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127 pages : illustrations (some color), portraits ; 27 cm
Description:
127 pages : illustrations (some color), portraits ; 27 cm
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New York : The Metropolitan Museum of Art, [2024], New Haven ; London : Yale University Press, ©2024
New York : The Metropolitan Museum of Art, [2024], New Haven ; London : Yale University Press, ©2024
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Materialized space : the architecture of Paul Rudolph / Abraham Thomas.
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127 pages : illustrations (some color), portraits ; 27 cm
Materialized space : the architecture of Paul Rudolph / Abraham Thomas.
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Description:
127 pages : illustrations (some color), portraits ; 27 cm
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livres
livres
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New York : The Metropolitan Museum of Art, [2024], New Haven ; London : Yale University Press, ©2024
New York : The Metropolitan Museum of Art, [2024], New Haven ; London : Yale University Press, ©2024
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271 pages : illustrations (some color), portraits (some color) ; 29 cm
Description:
271 pages : illustrations (some color), portraits (some color) ; 29 cm
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Toronto : University of Toronto Press, ©2005.
Toronto : University of Toronto Press, ©2005.
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Impulse archaeology / Eldon Garnet.
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271 pages : illustrations (some color), portraits (some color) ; 29 cm
Impulse archaeology / Eldon Garnet.
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Description:
271 pages : illustrations (some color), portraits (some color) ; 29 cm
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livres
livres
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Toronto : University of Toronto Press, ©2005.
Toronto : University of Toronto Press, ©2005.
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432 pages : illustrations ; 24 cm
Description:
432 pages : illustrations ; 24 cm
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Rotterdam : NAi, ©1998.
Rotterdam : NAi, ©1998.
Titre:
Een drempelwereld : moderne ervaring en stedelijke openbaarheid / René Boomkens.
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432 pages : illustrations ; 24 cm
Een drempelwereld : moderne ervaring en stedelijke openbaarheid / René Boomkens.
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Description:
432 pages : illustrations ; 24 cm
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livres
livres
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Rotterdam : NAi, ©1998.
Rotterdam : NAi, ©1998.
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livres
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$29.95
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Résumé:
There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant(...)
$29.95
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There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant(...)
Titre:
Supermodernism : architecture in the age of globalization / enlarged edition
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$29.95
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There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant forces of the present time: the globalization that is taking place in virtually every field. One of the consequences for architecture is the erosion of the postmodern (and deconstructivist) axiom of the uniqueness of the site. The context, let alone contextualism, no longer seems to play an important role in an increasing number of designs and buildings. Semiotic expressiveness - another postmodern theme - is also often lacking in this architecture. The author explores this new trend towards abstract, neutral architecture, which in various respects can be seen as the last word of modern architecture of the postwar International Style. This enlarged edition of "Supermodernism" includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.
Supermodernism : architecture in the age of globalization / enlarged edition
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$29.95
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Résumé:
There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant forces of the present time: the globalization that is taking place in virtually every field. One of the consequences for architecture is the erosion of the postmodern (and deconstructivist) axiom of the uniqueness of the site. The context, let alone contextualism, no longer seems to play an important role in an increasing number of designs and buildings. Semiotic expressiveness - another postmodern theme - is also often lacking in this architecture. The author explores this new trend towards abstract, neutral architecture, which in various respects can be seen as the last word of modern architecture of the postwar International Style. This enlarged edition of "Supermodernism" includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.
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livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
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livres
livres
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$28.95
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This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices(...)
$28.95
(disponible sur commande)
Résumé:
This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices(...)
Titre:
Painting: Documents of contemporary art
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$28.95
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This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices encompasses the randomness and eclecticism associated with Web-based creation. Although for many the presence of paint endures, others have argued for painting to be classed not as a material but as a philosophical category.
Painting: Documents of contemporary art
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$28.95
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Résumé:
This first anthology to focus on painting's multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices encompasses the randomness and eclecticism associated with Web-based creation. Although for many the presence of paint endures, others have argued for painting to be classed not as a material but as a philosophical category.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$59.95
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Résumé:
Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run(...)
$59.95
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Résumé:
Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run(...)
Titre:
Nathalie du Pasquier: the strange order of things
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$59.95
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Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run wild. There might be relationships between the objects, invisible symmetries, although ultimately even this is called into doubt...
Nathalie du Pasquier: the strange order of things
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$59.95
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Résumé:
Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run wild. There might be relationships between the objects, invisible symmetries, although ultimately even this is called into doubt...
Classification:
livres
livres
Publication:
mars 2019
mars 2019
