1089 Résultats
Classification:
livres
livres
Actions:
Exemplaires:
Description:
318 pages : illustrations (some color), plans, facsimiles ; 21 cm
Description:
318 pages : illustrations (some color), plans, facsimiles ; 21 cm
Auteur:
Sujet:
Publication:
Paris : Éditions de la Villette, [2025], ©2025
Paris : Éditions de la Villette, [2025], ©2025
Titre:
La critique à l'œuvre : fragment d'un discours architectural / sous la direction de Denis Bilodeau et Louis Martin
Actions:
Exemplaires:
Description:
318 pages : illustrations (some color), plans, facsimiles ; 21 cm
La critique à l'œuvre : fragment d'un discours architectural / sous la direction de Denis Bilodeau et Louis Martin
Actions:
Exemplaires:
Description:
318 pages : illustrations (some color), plans, facsimiles ; 21 cm
Classification:
livres
livres
Publication:
Paris : Éditions de la Villette, [2025], ©2025
Paris : Éditions de la Villette, [2025], ©2025
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Digital Modernism examines how and why some of the most innovative works of online electronic literature adapt and allude to literary modernism. Digital literature has been celebrated as a postmodern form that grows out of contemporary technologies, subjectivities, and aesthetics, but this book provides an alternative genealogy. Exemplary cases show electronic literature(...)
$32.95
(disponible sur commande)
Résumé:
Digital Modernism examines how and why some of the most innovative works of online electronic literature adapt and allude to literary modernism. Digital literature has been celebrated as a postmodern form that grows out of contemporary technologies, subjectivities, and aesthetics, but this book provides an alternative genealogy. Exemplary cases show electronic literature(...)
Titre:
Digital modernism: making it new in new media
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Digital Modernism examines how and why some of the most innovative works of online electronic literature adapt and allude to literary modernism. Digital literature has been celebrated as a postmodern form that grows out of contemporary technologies, subjectivities, and aesthetics, but this book provides an alternative genealogy. Exemplary cases show electronic literature looking back to modernism for inspiration and source material (in content, form, and ideology) through which to critique contemporary culture. In so doing, this literature renews and reframes, rather than rejects, a literary tradition that it also reconfigures to center around media.
Digital modernism: making it new in new media
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Digital Modernism examines how and why some of the most innovative works of online electronic literature adapt and allude to literary modernism. Digital literature has been celebrated as a postmodern form that grows out of contemporary technologies, subjectivities, and aesthetics, but this book provides an alternative genealogy. Exemplary cases show electronic literature looking back to modernism for inspiration and source material (in content, form, and ideology) through which to critique contemporary culture. In so doing, this literature renews and reframes, rather than rejects, a literary tradition that it also reconfigures to center around media.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Exemplaires:
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Auteur:
Sujet:
Publication:
Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
Titre:
Broken relations : infrastructure, aesthetics, and critique / editors, Martin Beck, Beatrice von Bismarck, Sabeth Buchmann & Ilse Lafer ; introduction by the editors.
Actions:
Exemplaires:
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Broken relations : infrastructure, aesthetics, and critique / editors, Martin Beck, Beatrice von Bismarck, Sabeth Buchmann & Ilse Lafer ; introduction by the editors.
Actions:
Exemplaires:
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Classification:
livres
livres
Publication:
Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
Auteur:
Sujet:
Classification:
livres
livres
Prix:
$41.00
(disponible sur commande)
Résumé:
High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman(...)
$41.00
(disponible sur commande)
Résumé:
High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman(...)
Titre:
The ancients and the postmoderns: on the historicity of forms
Actions:
Prix:
$41.00
(disponible sur commande)
Résumé:
High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman and East German literature): all of which attempt, in their different ways, to invent new forms to grasp a specific social totality. Throughout the historical periods, argues Jameson, the question of narrative persists through its multiple formal changes and metamorphoses
The ancients and the postmoderns: on the historicity of forms
Actions:
Prix:
$41.00
(disponible sur commande)
Résumé:
High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman and East German literature): all of which attempt, in their different ways, to invent new forms to grasp a specific social totality. Throughout the historical periods, argues Jameson, the question of narrative persists through its multiple formal changes and metamorphoses
Classification:
livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Actions:
Prix:
$175.95
(disponible sur commande)
Résumé:
From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute(...)
$175.95
(disponible sur commande)
Résumé:
From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute(...)
Publication:
mars 2014
mars 2014
Titre:
Architecture in Mexico: 1900-2010, 2-volume set
Actions:
Prix:
$175.95
(disponible sur commande)
Résumé:
From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute truths delivered in traditional historical texts but rather fragments, shortening its vision to the things nearest it, Architecture in Mexico offers a new reading of the diverse interests at stake in historical Mexican architecture—its production and its subsequent reception. The volume pursues comprehension beyond built forms and closer to the ideas (and ideologies) that gave rise to them.
Architecture in Mexico: 1900-2010, 2-volume set
Actions:
Prix:
$175.95
(disponible sur commande)
Résumé:
From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute truths delivered in traditional historical texts but rather fragments, shortening its vision to the things nearest it, Architecture in Mexico offers a new reading of the diverse interests at stake in historical Mexican architecture—its production and its subsequent reception. The volume pursues comprehension beyond built forms and closer to the ideas (and ideologies) that gave rise to them.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Classification:
livres
livres
Prix:
$80.95
(disponible sur commande)
Résumé:
While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
$80.95
(disponible sur commande)
Résumé:
While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
Titre:
Reckoning with Colin Rowe: ten architects take position
Actions:
Prix:
$80.95
(disponible sur commande)
Résumé:
While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Reckoning with Colin Rowe: ten architects take position
Actions:
Prix:
$80.95
(disponible sur commande)
Résumé:
While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Classification:
livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$46.95
(disponible sur commande)
Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
$46.95
(disponible sur commande)
Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
Titre:
Retracing the expanded field: encounters between art and architecture
Actions:
Prix:
$46.95
(disponible sur commande)
Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
Retracing the expanded field: encounters between art and architecture
Actions:
Prix:
$46.95
(disponible sur commande)
Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Exemplaires:
Description:
176 pages : illustrations (some color) ; 26 cm
Description:
176 pages : illustrations (some color) ; 26 cm
Auteur:
Sujet:
Publication:
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
Titre:
The architecture of the jumping universe : a polemic : how complexity science is changing architecture and culture / Charles Jencks.
Actions:
Exemplaires:
Description:
176 pages : illustrations (some color) ; 26 cm
The architecture of the jumping universe : a polemic : how complexity science is changing architecture and culture / Charles Jencks.
Actions:
Exemplaires:
Description:
176 pages : illustrations (some color) ; 26 cm
Classification:
livres
livres
Publication:
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the(...)
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the(...)
Titre:
Pandora's camera: photogr@phy after photography
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the motif of Pandora’s box to conceptualise the capricious nature of photography, its fickle relationship to truth – employing the Greek myth concerning a large jar containing myriad forms of human unhappiness, or blessings, depending on the version you read. As Pandora’s camera, digital technology spells calamity to some and liberation to others; it is blamed for irretrievably discrediting veracity, but at the same time it introduces a new degree of truth. In his signature ironic style and playful tone, Fontcuberta examines the new principles that have arisen within the digital ecosystem, in jocular essays such as I Knew the Spice Girls or The Mystery of the Missing Nipple. His critical reflections and poetic evocations are inspired by the hope that still remains in the notion of a postmodern Pandora’s camera – one that might not only describe our environment, but also bring transparency to it.
Pandora's camera: photogr@phy after photography
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the motif of Pandora’s box to conceptualise the capricious nature of photography, its fickle relationship to truth – employing the Greek myth concerning a large jar containing myriad forms of human unhappiness, or blessings, depending on the version you read. As Pandora’s camera, digital technology spells calamity to some and liberation to others; it is blamed for irretrievably discrediting veracity, but at the same time it introduces a new degree of truth. In his signature ironic style and playful tone, Fontcuberta examines the new principles that have arisen within the digital ecosystem, in jocular essays such as I Knew the Spice Girls or The Mystery of the Missing Nipple. His critical reflections and poetic evocations are inspired by the hope that still remains in the notion of a postmodern Pandora’s camera – one that might not only describe our environment, but also bring transparency to it.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
