10303 Résultats
Classification:
événements
événements
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Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
4 août 2016, 18h
4 août 2016, 18h
Titre:
Séminaire de chercheur en résidence : Olumuyiwa Adegun
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Séminaire de chercheur en résidence : Olumuyiwa Adegun
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Classification:
événements
événements
Date:
4 août 2016
18h
4 août 2016
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
Personnes et institutions:
Date:
1987
1987
Titre:
Deutsches Historisches Museum Competition
Actions:
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
Deutsches Historisches Museum Competition
Actions:
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
Niveau de description archivistique:
File 39
File 39
Date:
1987
1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Victims I
Victims I
Numéro de référence:
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
Personnes et institutions:
Date:
[1984]
[1984]
Titre:
Victims I
Actions:
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
Victims I
Actions:
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
Niveau de description archivistique:
File 55
File 55
Date:
[1984]
[1984]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Citlin
Citlin
Numéro de référence:
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
Personnes et institutions:
Date:
1979, 1987-1988, predominant 1988
1979, 1987-1988, predominant 1988
Titre:
Citlin
Actions:
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
Citlin
Actions:
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
Niveau de description archivistique:
File 144
File 144
Date:
1979, 1987-1988, predominant 1988
1979, 1987-1988, predominant 1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
Personnes et institutions:
Date:
[1984]
[1984]
Titre:
Studio for a Painter and Studio for a Musician
Actions:
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
Studio for a Painter and Studio for a Musician
Actions:
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
Niveau de description archivistique:
File 50
File 50
Date:
[1984]
[1984]
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hans and Wassili Luckhardt
Hans and Wassili Luckhardt
Numéro de référence:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Personnes et institutions:
Date:
1919-1920
1919-1920
Titre:
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Niveau de description archivistique:
series
series
Date:
1919-1920
1919-1920
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
Personnes et institutions:
Date:
August 1981
August 1981
Titre:
Sketchbook 89: Berlim (Cunhal Creche) Retrato Ulli - Ovar
Actions:
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
Sketchbook 89: Berlim (Cunhal Creche) Retrato Ulli - Ovar
Actions:
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
Classification:
dessins
dessins
Date:
August 1981
August 1981
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
Date:
26 novembre 2015
26 novembre 2015
Titre:
L’archéologie de l’ordinaire d’Álvaro Siza
Actions:
Description:
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
L’archéologie de l’ordinaire d’Álvaro Siza
Actions:
Description:
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
Classification:
événements
événements
Date:
26 novembre 2015
26 novembre 2015
Classification:
événements
événements
Actions:
Description:
Lartiste Thomas Demand donne une conférence Mellon au CCA, au cours de laquelle il décrira les limites mais aussi l’étrange prééminence des maquettes en tant qu’artefacts. Demand, qui a présenté des rétrospectives de mi-carrière au MOMA ainsi qu’au Neue Nationalgalerie à Berlin, affirme que si les modèles et maquettes décrivent un fragment de notre environnement, il est(...)
Lartiste Thomas Demand donne une conférence Mellon au CCA, au cours de laquelle il décrira les limites mais aussi l’étrange prééminence des maquettes en tant qu’artefacts. Demand, qui a présenté des rétrospectives de mi-carrière au MOMA ainsi qu’au Neue Nationalgalerie à Berlin, affirme que si les modèles et maquettes décrivent un fragment de notre environnement, il est(...)
Date:
10 octobre 2013
10 octobre 2013
Titre:
Thomas Demand : Modèles de perception
Actions:
Description:
Lartiste Thomas Demand donne une conférence Mellon au CCA, au cours de laquelle il décrira les limites mais aussi l’étrange prééminence des maquettes en tant qu’artefacts. Demand, qui a présenté des rétrospectives de mi-carrière au MOMA ainsi qu’au Neue Nationalgalerie à Berlin, affirme que si les modèles et maquettes décrivent un fragment de notre environnement, il est(...)
Thomas Demand : Modèles de perception
Actions:
Description:
Lartiste Thomas Demand donne une conférence Mellon au CCA, au cours de laquelle il décrira les limites mais aussi l’étrange prééminence des maquettes en tant qu’artefacts. Demand, qui a présenté des rétrospectives de mi-carrière au MOMA ainsi qu’au Neue Nationalgalerie à Berlin, affirme que si les modèles et maquettes décrivent un fragment de notre environnement, il est(...)
Classification:
événements
événements
Date:
10 octobre 2013
10 octobre 2013
Niveau de description archivistique:
Projet
Projet
Titre:
Klingelhöfer-Dreieck Housing
Klingelhöfer-Dreieck Housing
Numéro de référence:
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
Personnes et institutions:
Date:
1995
1995
Titre:
Klingelhöfer-Dreieck Housing
Actions:
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
Klingelhöfer-Dreieck Housing
Actions:
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
Niveau de description archivistique:
File 112
File 112
Date:
1995
1995
Personnes et institutions:
