3593 Résultats
Classification:
expositions
expositions
Actions:
Description:
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Localisation:
Salles principales
Salles principales
Date:
4 juillet 2007 au 30 septembre 2007
4 juillet 2007 au 30 septembre 2007
Titre:
Les enseignements de Bernard Rudofsky
Actions:
Description:
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Les enseignements de Bernard Rudofsky
Actions:
Description:
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Classification:
expositions
expositions
Date:
4 juillet 2007 au
30 septembre 2007
4 juillet 2007 au
30 septembre 2007
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
OCEAN reference files
OCEAN reference files
Numéro de référence:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
Personnes et institutions:
Date:
1998
1998
Titre:
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
Niveau de description archivistique:
Series
Series
Date:
1998
1998
Personnes et institutions:
Classification:
périodiques
Quantité:
4 serial(s)
périodiques
Quantité:
4 serial(s)
Numéro de référence:
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
Personnes et institutions:
Date:
1974-1985
1974-1985
Titre:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India
Actions:
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India
Actions:
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
Classification:
périodiques
Quantité:
4 serial(s)
périodiques
Quantité:
4 serial(s)
Date:
1974-1985
1974-1985
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Date:
11 octobre 1995 au 4 février 1996
11 octobre 1995 au 4 février 1996
Titre:
Architectes de l'image : les photographes à l'âge héroïque des grands travaux
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Architectes de l'image : les photographes à l'âge héroïque des grands travaux
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Classification:
expositions
expositions
Date:
11 octobre 1995 au
4 février 1996
11 octobre 1995 au
4 février 1996
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Hazen Sise
Fonds Hazen Sise
Numéro de référence:
AP112
Résumé:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
AP112
Résumé:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
Personnes et institutions:
Date:
1933-1959
1933-1959
Titre:
Fonds Hazen Sise
Actions:
AP112
Résumé:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
Fonds Hazen Sise
Actions:
AP112
Résumé:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1959
1933-1959
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Pierre Jeanneret
Fonds Pierre Jeanneret
Numéro de référence:
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Personnes et institutions:
Date:
1870s-2011
1870s-2011
Titre:
Fonds Pierre Jeanneret
Actions:
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Fonds Pierre Jeanneret
Actions:
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1870s-2011
1870s-2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Un dictionnaire
Un dictionnaire
Numéro de référence:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Personnes et institutions:
Date:
1970-2001
1970-2001
Titre:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Niveau de description archivistique:
Project
Project
Date:
1970-2001
1970-2001
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
PDE publication files
PDE publication files
Actions:
Numéro de référence:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
Personnes et institutions:
Titre:
PDE publication files
Actions:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
PDE publication files
Actions:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
Personnes et institutions:
Date:
1977-1989
1977-1989
Titre:
Wexner Center for the Visual Arts
Actions:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
Wexner Center for the Visual Arts
Actions:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
Niveau de description archivistique:
File 22
File 22
Date:
1977-1989
1977-1989
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Luc Laporte
Fonds Luc Laporte
Numéro de référence:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Fonds Luc Laporte
Actions:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Fonds Luc Laporte
Actions:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-1993
1991-1993
Personnes et institutions:
