1338 Résultats
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing(...)
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing(...)
Titre:
Paul Klee: Pedagogical sketchbook. Bauhausbücher 2
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies.
Paul Klee: Pedagogical sketchbook. Bauhausbücher 2
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies.
Sujet:
Modernisme
Modernisme
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
Titre:
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
Sujet:
Modernisme
Modernisme
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319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
Description:
319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
Auteur:
- Shinohara, Kazuo, 1925-2006,,
- Kuan, Seng,,
- Mostafavi, Mohsen,,
- Harvard University. Graduate School of Design.
Sujet:
- Shinohara, Kazuo, 1925-2006 Criticism and interpretation.,
- Shinohara, Kazuo, (1925-2006) Criticism and interpretation.,
- Shinohara, Kazuo, 1925-2006,
- Shinohara, kazuo(1925- ),
- Architecture, Japanese 20th century.,
- Architecture, Domestic Japan 20th century.,
- Architecture japonaise 20e siècle.,
- Architecture, Domestic,
- Architecture, Japanese,
- Architecture, Domestic Japan History 20th century.,
- Japan.,
- Criticism, interpretation, etc.
Publication:
Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
Titre:
Kazuo Shinohara : traversing the house and the city / edited by Seng Kuan.
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319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
Kazuo Shinohara : traversing the house and the city / edited by Seng Kuan.
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319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
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Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
Auteur:
- Shinohara, Kazuo, 1925-2006,,
- Kuan, Seng,,
- Mostafavi, Mohsen,,
- Harvard University. Graduate School of Design.
Sujet:
- Shinohara, Kazuo, 1925-2006 Criticism and interpretation.,
- Shinohara, Kazuo, (1925-2006) Criticism and interpretation.,
- Shinohara, Kazuo, 1925-2006,
- Shinohara, kazuo(1925- ),
- Architecture, Japanese 20th century.,
- Architecture, Domestic Japan 20th century.,
- Architecture japonaise 20e siècle.,
- Architecture, Domestic,
- Architecture, Japanese,
- Architecture, Domestic Japan History 20th century.,
- Japan.,
- Criticism, interpretation, etc.
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4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
Description:
4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
Auteur:
- Nederlandsche Handel-Maatschappij.,
- Mansvelt, W. M. F. (William Maurits Frederik),
- Muller, Abram.,
- Labarre, E. J.,
Sujet:
Publication:
[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
Titre:
A brief history of the Netherlands trading society, 1824-1924. Published in commemoration of the centenary of its foundation, MCMXXIV.
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4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
A brief history of the Netherlands trading society, 1824-1924. Published in commemoration of the centenary of its foundation, MCMXXIV.
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4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
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[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
Auteur:
- Nederlandsche Handel-Maatschappij.,
- Mansvelt, W. M. F. (William Maurits Frederik),
- Muller, Abram.,
- Labarre, E. J.,
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479 pages : illustrations (chiefly color) ; 25 cm
Description:
479 pages : illustrations (chiefly color) ; 25 cm
Auteur:
- Allen, Stan,,
- McQuade, Marc, 1978-,
- Princeton University. School of Architecture.
Sujet:
- Space (Architecture),
- Architectural design.,
- Espace (Architecture),
- Design architectural.,
- building construction.,
- design.,
- Architektur,
- Landschaft,
- Landschaftsbild,
- Urban landscape architecture.,
- Arkitektur.
Publication:
Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
Titre:
Landform building : architecture's new terrain / edited by Stan Allen and Marc McQuade.
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479 pages : illustrations (chiefly color) ; 25 cm
Landform building : architecture's new terrain / edited by Stan Allen and Marc McQuade.
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479 pages : illustrations (chiefly color) ; 25 cm
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livres
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Publication:
Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
Auteur:
- Allen, Stan,,
- McQuade, Marc, 1978-,
- Princeton University. School of Architecture.
Sujet:
- Space (Architecture),
- Architectural design.,
- Espace (Architecture),
- Design architectural.,
- building construction.,
- design.,
- Architektur,
- Landschaft,
- Landschaftsbild,
- Urban landscape architecture.,
- Arkitektur.
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608 pages : illustrations (some color) ; 24 cm
Description:
608 pages : illustrations (some color) ; 24 cm
Auteur:
- Vishmidt, Marina, 1976-,
- Grojs, Boris, 1947-,
- Metahaven (Design studio),
- Jan van Eyck Akademie.
Sujet:
- Industrial design Europe.,
- Corporate image Europe.,
- Design Europe.,
- Entreprises Image Europe.,
- Corporate image,
- Industrial design,
- Varumärken.,
- Europe,
- Metahaven
Publication:
Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
Titre:
Uncorporate identity / ed. by Metahaven & Marina Vishmidt ; contributions by Boris Groys [and others].
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608 pages : illustrations (some color) ; 24 cm
Uncorporate identity / ed. by Metahaven & Marina Vishmidt ; contributions by Boris Groys [and others].
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608 pages : illustrations (some color) ; 24 cm
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Publication:
Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
Auteur:
- Vishmidt, Marina, 1976-,
- Grojs, Boris, 1947-,
- Metahaven (Design studio),
- Jan van Eyck Akademie.
Sujet:
- Industrial design Europe.,
- Corporate image Europe.,
- Design Europe.,
- Entreprises Image Europe.,
- Corporate image,
- Industrial design,
- Varumärken.,
- Europe,
- Metahaven
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livres
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209 pages : illustrations (chiefly color), maps, plans ; 31 cm.
Description:
209 pages : illustrations (chiefly color), maps, plans ; 31 cm.
Auteur:
- introduction by Kabage Karanja and Stella Mutegi of Cave_bureau -- the Anthropocene Museum 1.0 -- interview with Kabage Karanja and Stella Mutegi by András Szántó -- the Anthropocene Museum 2.0 -- Mark Williams, Jan Zalasiewicz and Molly Desorgher -- the Anthropocene Museum 3.0 -- the Anthropocene Museum 4.0 -- Kathryn Yusoff -- the Anthropocene Museum 5.0 -- The Anthropocene Museum 6.0 -- Joy Mboya -- the Anthropocene Museum 7.0 -- Ngaire Blankenberg -- the Anthropocene Museum 8.0 -- the Anthropocene Museum 9.0 -- a conversation between Lesley Lokko, Kabage Karanja and Stella Mutegi -- The Anthropocene Museum 10.0.,
- Karanja, Kabage,,
- Mutegi, Stella,,
- Kallehauge, Mette Marie, 1978-,
- Bruun, Malou Wedel,,
- Louisiana (Museum : Humlebæk, Denmark),
Sujet:
- Cave bureau (Firm : Nairobi, Kenya) Exhibitions.,
- Architects Kenya Nairobi Exhibitions.,
- Cave architecture Exhibitions.,
- Caves in art Exhibitions.,
- Architecture, Modern 21st century Exhibitions.,
- Architecture and society Exhibitions.,
- Sustainable architecture Exhibitions.,
- Architecture Environmental aspects Exhibitions.,
- Anthropology Kenya Exhibitions.,
- Architecture, Modern 21st century.,
- Architecture and society.,
- Sustainable architecture.,
- Architecture Environmental aspects.,
- Architectes Kenya Nairobi Expositions.,
- Architecture rupestre Expositions.,
- Architecture 21e siècle Expositions.,
- Architecture et société Expositions.,
- Architecture durable Expositions.,
- Architecture Aspect de l'environnement Expositions.,
- Anthropologie Kenya Expositions.,
- Architecture 21e siècle.,
- Architecture et société.,
- Architecture durable.,
- Architecture Aspect de l'environnement.,
- Architecture, Modern,
- Caves in art,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Publication:
Humlebæk, Denmark : Louisiana Museum of Modern Art ; Zürich, Switzerland : Lars Müller Publishers, [2023], ©2023
Humlebæk, Denmark : Louisiana Museum of Modern Art ; Zürich, Switzerland : Lars Müller Publishers, [2023], ©2023
Titre:
Cave bureau / texts by Kabage Karanja and Stella Mutegi [and eight others] ; edited by Mette Marie Kallehauge and Malou Wedel Bruun.
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209 pages : illustrations (chiefly color), maps, plans ; 31 cm.
Cave bureau / texts by Kabage Karanja and Stella Mutegi [and eight others] ; edited by Mette Marie Kallehauge and Malou Wedel Bruun.
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209 pages : illustrations (chiefly color), maps, plans ; 31 cm.
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Humlebæk, Denmark : Louisiana Museum of Modern Art ; Zürich, Switzerland : Lars Müller Publishers, [2023], ©2023
Humlebæk, Denmark : Louisiana Museum of Modern Art ; Zürich, Switzerland : Lars Müller Publishers, [2023], ©2023
Auteur:
- introduction by Kabage Karanja and Stella Mutegi of Cave_bureau -- the Anthropocene Museum 1.0 -- interview with Kabage Karanja and Stella Mutegi by András Szántó -- the Anthropocene Museum 2.0 -- Mark Williams, Jan Zalasiewicz and Molly Desorgher -- the Anthropocene Museum 3.0 -- the Anthropocene Museum 4.0 -- Kathryn Yusoff -- the Anthropocene Museum 5.0 -- The Anthropocene Museum 6.0 -- Joy Mboya -- the Anthropocene Museum 7.0 -- Ngaire Blankenberg -- the Anthropocene Museum 8.0 -- the Anthropocene Museum 9.0 -- a conversation between Lesley Lokko, Kabage Karanja and Stella Mutegi -- The Anthropocene Museum 10.0.,
- Karanja, Kabage,,
- Mutegi, Stella,,
- Kallehauge, Mette Marie, 1978-,
- Bruun, Malou Wedel,,
- Louisiana (Museum : Humlebæk, Denmark),
Sujet:
- Cave bureau (Firm : Nairobi, Kenya) Exhibitions.,
- Architects Kenya Nairobi Exhibitions.,
- Cave architecture Exhibitions.,
- Caves in art Exhibitions.,
- Architecture, Modern 21st century Exhibitions.,
- Architecture and society Exhibitions.,
- Sustainable architecture Exhibitions.,
- Architecture Environmental aspects Exhibitions.,
- Anthropology Kenya Exhibitions.,
- Architecture, Modern 21st century.,
- Architecture and society.,
- Sustainable architecture.,
- Architecture Environmental aspects.,
- Architectes Kenya Nairobi Expositions.,
- Architecture rupestre Expositions.,
- Architecture 21e siècle Expositions.,
- Architecture et société Expositions.,
- Architecture durable Expositions.,
- Architecture Aspect de l'environnement Expositions.,
- Anthropologie Kenya Expositions.,
- Architecture 21e siècle.,
- Architecture et société.,
- Architecture durable.,
- Architecture Aspect de l'environnement.,
- Architecture, Modern,
- Caves in art,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
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88, [2] pages, 61 [i.e. 50] leaves of plates : illustrations (some color), plans ; 63 cm
Description:
88, [2] pages, 61 [i.e. 50] leaves of plates : illustrations (some color), plans ; 63 cm
Auteur:
Sujet:
- Isaakievskiĭ sobor (Saint Petersburg, Russia),
- Cathedrals Russia (Federation) Saint Petersburg.,
- Church architecture Russia (Federation) Saint Petersburg History.,
- Architecture Russia (Federation) Saint Petersburg.,
- Cathedrals Russia.,
- Cathédrales Russie Saint-Pétersbourg.,
- Architecture chrétienne Russie Saint-Pétersbourg Histoire.,
- Architecture Russie Saint-Pétersbourg.,
- Architecture,
- Cathedrals,
- Church architecture,
- Russia (Federation) Saint Petersburg,
- French language materials.,
- illustrated books.,
- Illustrated works,
- History,
- Subscribers' lists Russia Saint Petersburg 19th century.,
- Subscription lists (Publishing) Russia Saint Petersburg 19th century.,
- Ouvrages illustrés.
Publication:
Saint-Pétersbourg : F. Bellizard et Co., 1845.
Saint-Pétersbourg : F. Bellizard et Co., 1845.
Titre:
Église cathédrale de Saint-Isaac : description architecturale, pittoresque et historique de ce monument : ouvrage dédié a sa majesté l'empereur de toutes les russies / par A. Ricard de Montferrand ...
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88, [2] pages, 61 [i.e. 50] leaves of plates : illustrations (some color), plans ; 63 cm
Église cathédrale de Saint-Isaac : description architecturale, pittoresque et historique de ce monument : ouvrage dédié a sa majesté l'empereur de toutes les russies / par A. Ricard de Montferrand ...
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88, [2] pages, 61 [i.e. 50] leaves of plates : illustrations (some color), plans ; 63 cm
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livres
livres
Publication:
Saint-Pétersbourg : F. Bellizard et Co., 1845.
Saint-Pétersbourg : F. Bellizard et Co., 1845.
Auteur:
Sujet:
- Isaakievskiĭ sobor (Saint Petersburg, Russia),
- Cathedrals Russia (Federation) Saint Petersburg.,
- Church architecture Russia (Federation) Saint Petersburg History.,
- Architecture Russia (Federation) Saint Petersburg.,
- Cathedrals Russia.,
- Cathédrales Russie Saint-Pétersbourg.,
- Architecture chrétienne Russie Saint-Pétersbourg Histoire.,
- Architecture Russie Saint-Pétersbourg.,
- Architecture,
- Cathedrals,
- Church architecture,
- Russia (Federation) Saint Petersburg,
- French language materials.,
- illustrated books.,
- Illustrated works,
- History,
- Subscribers' lists Russia Saint Petersburg 19th century.,
- Subscription lists (Publishing) Russia Saint Petersburg 19th century.,
- Ouvrages illustrés.
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$97.95
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In 1987, Berlin celebrated its 750th anniversary on both sides of the wall that partitioned the city. In their efforts to recognize this milestone despite the literal division of their country, architects in East and West Berlin constructed a variety of notable buildings as they explored concepts of urban repair and postmodernist design. Today, these buildings have been(...)
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Résumé:
In 1987, Berlin celebrated its 750th anniversary on both sides of the wall that partitioned the city. In their efforts to recognize this milestone despite the literal division of their country, architects in East and West Berlin constructed a variety of notable buildings as they explored concepts of urban repair and postmodernist design. Today, these buildings have been(...)
Titre:
Anything goes? Berlin architecture in the 1980s
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In 1987, Berlin celebrated its 750th anniversary on both sides of the wall that partitioned the city. In their efforts to recognize this milestone despite the literal division of their country, architects in East and West Berlin constructed a variety of notable buildings as they explored concepts of urban repair and postmodernist design. Today, these buildings have been modified, threatened with demolition, or disappeared completely, but their legacy as witnesses to a new era of design remains, and is surveyed in this publication.
Anything goes? Berlin architecture in the 1980s
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In 1987, Berlin celebrated its 750th anniversary on both sides of the wall that partitioned the city. In their efforts to recognize this milestone despite the literal division of their country, architects in East and West Berlin constructed a variety of notable buildings as they explored concepts of urban repair and postmodernist design. Today, these buildings have been modified, threatened with demolition, or disappeared completely, but their legacy as witnesses to a new era of design remains, and is surveyed in this publication.
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$42.00
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
$42.00
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
Publication:
avril 2006, Ostfildern-Ruit
avril 2006, Ostfildern-Ruit
Titre:
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.