1110 Résultats
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livres
livres
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$24.95
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered(...)
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered(...)
Publication:
mai 2004, New York
mai 2004, New York
Titre:
The Chicago Architectural Club : prelude to the modern
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. "The Chicago Architecture Club : Prelude to the Modern" documents the history of these draughtsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice. Founded in 1885, when architecture was an emerging profession and formal architectural education was in its infancy, the club provided a setting where aspiring draftsmen could develop their skills by creating a professional network and participating in a lively program of lectures, design competitions, and social events. Wilbert R. Hasbrouck documents the personalities and politics of this impressive group, offering an in-depth look at the lesser-known men often largely responsible for the designs credited to their more famous employers. This volume includes hundreds of drawings and photographs. Epilogue by Stanley Tigerman.
The Chicago Architectural Club : prelude to the modern
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. "The Chicago Architecture Club : Prelude to the Modern" documents the history of these draughtsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice. Founded in 1885, when architecture was an emerging profession and formal architectural education was in its infancy, the club provided a setting where aspiring draftsmen could develop their skills by creating a professional network and participating in a lively program of lectures, design competitions, and social events. Wilbert R. Hasbrouck documents the personalities and politics of this impressive group, offering an in-depth look at the lesser-known men often largely responsible for the designs credited to their more famous employers. This volume includes hundreds of drawings and photographs. Epilogue by Stanley Tigerman.
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livres
livres
Publication:
mai 2004, New York
mai 2004, New York
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livres
livres
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$54.95
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive(...)
$54.95
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive(...)
Titre:
Paul T. Frankl and modern American design
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$54.95
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive collection of unpublished documents and family papers and photographs to provide the first full account of Frankl's life and ideas. The book also explores the history of modern American design and the extent of Frankl's influence on its trajectory. In the early 1920s, Frankl opened a New York City shop that became an epicentre of American modernism. Over the next decades, his work encompassed everything from individual pieces of furniture and decorative accessories to entire interiors, and his style continuously evolved, from early 'Skyscraper' furniture to relaxed and casual designs favoured by the Hollywood elite in the 1930s to manufactured pieces for the mass market in the 1950s. The book charts the impact of Frankl's ideas on merchants and consumers, on his fellow designers, and on the changing look of American homes and workplaces. With close to 170 illustrations, "Paul T. Frankl and Modern American Design" is an essential reference on 20th-century design.
Paul T. Frankl and modern American design
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$54.95
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive collection of unpublished documents and family papers and photographs to provide the first full account of Frankl's life and ideas. The book also explores the history of modern American design and the extent of Frankl's influence on its trajectory. In the early 1920s, Frankl opened a New York City shop that became an epicentre of American modernism. Over the next decades, his work encompassed everything from individual pieces of furniture and decorative accessories to entire interiors, and his style continuously evolved, from early 'Skyscraper' furniture to relaxed and casual designs favoured by the Hollywood elite in the 1930s to manufactured pieces for the mass market in the 1950s. The book charts the impact of Frankl's ideas on merchants and consumers, on his fellow designers, and on the changing look of American homes and workplaces. With close to 170 illustrations, "Paul T. Frankl and Modern American Design" is an essential reference on 20th-century design.
Classification:
livres
livres
Publication:
mai 2007, New Haven / London
mai 2007, New Haven / London
Sujet:
Design, monographies
Design, monographies
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livres
livres
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$86.00
(disponible en magasin)
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major(...)
$86.00
(disponible en magasin)
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major(...)
Titre:
Wolkenbügel: El Lissitzky as architect
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$86.00
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow's Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In "Wolkenbügel", Richard Anderson explores Lissitzky's translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky's singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Wolkenbügel: El Lissitzky as architect
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$86.00
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Résumé:
After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow's Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In "Wolkenbügel", Richard Anderson explores Lissitzky's translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky's singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
New architecture London
New architecture London
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$58.50
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London has always been known for its iconic buildings, but the city has recently witnessed an explosion of new architecture from the world’s most acclaimed architects. This breathtaking volume offers a fascinating look at the city’s rapidly changing skyline and celebrates the enormous array of styles, materials, and cutting-edge technology that have been employed by(...)
$58.50
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London has always been known for its iconic buildings, but the city has recently witnessed an explosion of new architecture from the world’s most acclaimed architects. This breathtaking volume offers a fascinating look at the city’s rapidly changing skyline and celebrates the enormous array of styles, materials, and cutting-edge technology that have been employed by(...)
Publication:
avril 2017
avril 2017
Titre:
New architecture London
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$58.50
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London has always been known for its iconic buildings, but the city has recently witnessed an explosion of new architecture from the world’s most acclaimed architects. This breathtaking volume offers a fascinating look at the city’s rapidly changing skyline and celebrates the enormous array of styles, materials, and cutting-edge technology that have been employed by today’s leading architects. The projects profiled here—brought to life by photographer Richard Schulman—range from dance and aquatic centers to world-class museums and global office headquarters. The book includes Rafael Viñoly’s “Walkie-Talkie” and “The Gherkin” by Foster + Partners, as well as Renzo Piano’s mixed-use skyscraper, “The Shard,” across the Thames. Tucked into a medieval alley, OMA’s New Court Rothschild Bank nimbly juxtaposes contemporary features with more traditional ones. Meanwhile, alongside St. Paul’s Cathedral, Jean Nouvel’s One New Change cleverly plays off its storied environs with an ingeniously constructed glass block that allows for multiple views of the iconic church. From the Tate Modern extension to the Emirates Airline tram, and from the Peckham Library to the US Embassy building, no new stone is left unturned or unremarked upon. This book demonstrates how one of the world’s oldest cities manages to feel eternally new and exciting.
New architecture London
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$58.50
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Résumé:
London has always been known for its iconic buildings, but the city has recently witnessed an explosion of new architecture from the world’s most acclaimed architects. This breathtaking volume offers a fascinating look at the city’s rapidly changing skyline and celebrates the enormous array of styles, materials, and cutting-edge technology that have been employed by today’s leading architects. The projects profiled here—brought to life by photographer Richard Schulman—range from dance and aquatic centers to world-class museums and global office headquarters. The book includes Rafael Viñoly’s “Walkie-Talkie” and “The Gherkin” by Foster + Partners, as well as Renzo Piano’s mixed-use skyscraper, “The Shard,” across the Thames. Tucked into a medieval alley, OMA’s New Court Rothschild Bank nimbly juxtaposes contemporary features with more traditional ones. Meanwhile, alongside St. Paul’s Cathedral, Jean Nouvel’s One New Change cleverly plays off its storied environs with an ingeniously constructed glass block that allows for multiple views of the iconic church. From the Tate Modern extension to the Emirates Airline tram, and from the Peckham Library to the US Embassy building, no new stone is left unturned or unremarked upon. This book demonstrates how one of the world’s oldest cities manages to feel eternally new and exciting.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Classification:
livres
livres
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Description:
168 pages : illustrations (some color) ; 41 cm
Description:
168 pages : illustrations (some color) ; 41 cm
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Publication:
New York, NY : HarperCollins Publishers, [2001], ©2001
New York, NY : HarperCollins Publishers, [2001], ©2001
Titre:
Churches / Judith Dupré ; introductory interview with Mario Botta.
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Description:
168 pages : illustrations (some color) ; 41 cm
Churches / Judith Dupré ; introductory interview with Mario Botta.
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Description:
168 pages : illustrations (some color) ; 41 cm
Classification:
livres
livres
Publication:
New York, NY : HarperCollins Publishers, [2001], ©2001
New York, NY : HarperCollins Publishers, [2001], ©2001
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livres
livres
Prix:
$38.00
(disponible sur commande)
Résumé:
In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building(...)
$38.00
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In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building(...)
Titre:
Higher : a historic race to the sky and the making of a city
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$38.00
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Résumé:
In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building that would move beyond the tired architecture of the previous century. By a stroke of good fortune he found a larger-than-life patron in automobile magnate Walter Chrysler, and they set out to build the legendary Chrysler building. Severance, by comparison, was a brilliant businessman, and he tapped his circle of downtown, old-money investors to begin construction on the Manhattan Company Building at 40 Wall Street. From ground-breaking to bricklaying, Van Alen and Severance fought a duel of wills. Each man was forced to revamp his architectural design in an attempt to push higher, to overcome his rival in mid-construction, as the structures rose, floor by floor, in record time. Yet just as the battle was underway, a third party entered the arena and announced plans to build an even larger building. This project would be overseen by one of Chrysler’s principal rivals--a representative of the General Motors group--and the building ultimately became known as The Empire State Building.
Higher : a historic race to the sky and the making of a city
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$38.00
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Résumé:
In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building that would move beyond the tired architecture of the previous century. By a stroke of good fortune he found a larger-than-life patron in automobile magnate Walter Chrysler, and they set out to build the legendary Chrysler building. Severance, by comparison, was a brilliant businessman, and he tapped his circle of downtown, old-money investors to begin construction on the Manhattan Company Building at 40 Wall Street. From ground-breaking to bricklaying, Van Alen and Severance fought a duel of wills. Each man was forced to revamp his architectural design in an attempt to push higher, to overcome his rival in mid-construction, as the structures rose, floor by floor, in record time. Yet just as the battle was underway, a third party entered the arena and announced plans to build an even larger building. This project would be overseen by one of Chrysler’s principal rivals--a representative of the General Motors group--and the building ultimately became known as The Empire State Building.
Classification:
livres
livres
Publication:
septembre 2003, New York
septembre 2003, New York
Sujet:
Gratte-ciels
Gratte-ciels
Classification:
livres
livres
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$21.00
(disponible sur commande)
Résumé:
For nearly twenty years now, Blair Kamin of the "Chicago Tribune" has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism and writer of the widely read "Cityscapes" blog, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire(...)
$21.00
(disponible sur commande)
Résumé:
For nearly twenty years now, Blair Kamin of the "Chicago Tribune" has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism and writer of the widely read "Cityscapes" blog, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire(...)
Titre:
Terror and wonder : architecture in a tumultuous age
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$21.00
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For nearly twenty years now, Blair Kamin of the "Chicago Tribune" has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism and writer of the widely read "Cityscapes" blog, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire them. Terror and Wonder gathers the best of Kamin's writings from the past decade along with new reflections on an era framed by the destruction of the World Trade Center and the opening of the world's tallest skyscraper. Assessing ordinary commercial structures as well as head-turning designs by some of the world's leading architects, Kamin paints a sweeping but finely textured portrait of a tumultuous age torn between the conflicting mandates of architectural spectacle and sustainability. For Kamin, the story of our built environment over the past ten years is, in tangible ways, the story of the decade itself. Terror and Wonder considers how architecture has been central to the main events and crosscurrents in American life since 2001: the devastating and debilitating consequences of 9/11 and Hurricane Katrina; the real estate boom and bust; the use of over-the-top cultural designs as engines of civic renewal; new challenges in saving old buildings; the unlikely rise of energy-saving, green architecture; and growing concern over our nation's crumbling infrastructure.
Terror and wonder : architecture in a tumultuous age
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Prix:
$21.00
(disponible sur commande)
Résumé:
For nearly twenty years now, Blair Kamin of the "Chicago Tribune" has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism and writer of the widely read "Cityscapes" blog, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire them. Terror and Wonder gathers the best of Kamin's writings from the past decade along with new reflections on an era framed by the destruction of the World Trade Center and the opening of the world's tallest skyscraper. Assessing ordinary commercial structures as well as head-turning designs by some of the world's leading architects, Kamin paints a sweeping but finely textured portrait of a tumultuous age torn between the conflicting mandates of architectural spectacle and sustainability. For Kamin, the story of our built environment over the past ten years is, in tangible ways, the story of the decade itself. Terror and Wonder considers how architecture has been central to the main events and crosscurrents in American life since 2001: the devastating and debilitating consequences of 9/11 and Hurricane Katrina; the real estate boom and bust; the use of over-the-top cultural designs as engines of civic renewal; new challenges in saving old buildings; the unlikely rise of energy-saving, green architecture; and growing concern over our nation's crumbling infrastructure.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$34.95
(disponible sur commande)
Résumé:
Modern Architecture is a landmark text - the first book in which this American architect put forth the principles of a fundamentally new, organic architecture that would reject the trappings of historical styles while avoiding the geometric abstraction of the machine aesthetic advocated by contemporary European modernists. One of the most important documents in the(...)
$34.95
(disponible sur commande)
Résumé:
Modern Architecture is a landmark text - the first book in which this American architect put forth the principles of a fundamentally new, organic architecture that would reject the trappings of historical styles while avoiding the geometric abstraction of the machine aesthetic advocated by contemporary European modernists. One of the most important documents in the(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mars 2008, Princeton, Oxford
mars 2008, Princeton, Oxford
Titre:
Modern architecture : being the Kahn Lectures for 1930
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$34.95
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Modern Architecture is a landmark text - the first book in which this American architect put forth the principles of a fundamentally new, organic architecture that would reject the trappings of historical styles while avoiding the geometric abstraction of the machine aesthetic advocated by contemporary European modernists. One of the most important documents in the development of modern architecture and the career of Frank Lloyd Wright, "Modern Architecture" is a provocative and profound polemic against America's architectural eclecticism, commercial skyscrapers, and misguided urban planning. The book is also a work of savvy self-promotion, in which Wright not only advanced his own concept of an organic architecture but also framed it as having anticipated by decades - and bettered -what he saw as the reductive modernism of his European counterparts. Based on the 1931 original, for which Wright supplied the cover illustration, this edition includes a new introduction that puts "Modern Architecture" in its broader architectural, historical, and intellectual context for the first time. The subjects of these lively lectures -from "Machinery, Materials and Men" to "The Tyranny of the Skyscraper" and "The City" - move from a general statement of the conditions of modern culture to particular applications in the fields of architecture and urbanism at ever broadening scales. Wright's vision in "Modern Architecture" is ultimately to equate the truly modern with romanticism, imagination, beauty, and nature - all of which he connects with an underlying sense of American democratic freedom and individualism.
Modern architecture : being the Kahn Lectures for 1930
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$34.95
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Résumé:
Modern Architecture is a landmark text - the first book in which this American architect put forth the principles of a fundamentally new, organic architecture that would reject the trappings of historical styles while avoiding the geometric abstraction of the machine aesthetic advocated by contemporary European modernists. One of the most important documents in the development of modern architecture and the career of Frank Lloyd Wright, "Modern Architecture" is a provocative and profound polemic against America's architectural eclecticism, commercial skyscrapers, and misguided urban planning. The book is also a work of savvy self-promotion, in which Wright not only advanced his own concept of an organic architecture but also framed it as having anticipated by decades - and bettered -what he saw as the reductive modernism of his European counterparts. Based on the 1931 original, for which Wright supplied the cover illustration, this edition includes a new introduction that puts "Modern Architecture" in its broader architectural, historical, and intellectual context for the first time. The subjects of these lively lectures -from "Machinery, Materials and Men" to "The Tyranny of the Skyscraper" and "The City" - move from a general statement of the conditions of modern culture to particular applications in the fields of architecture and urbanism at ever broadening scales. Wright's vision in "Modern Architecture" is ultimately to equate the truly modern with romanticism, imagination, beauty, and nature - all of which he connects with an underlying sense of American democratic freedom and individualism.
Classification:
livres
livres
Publication:
mars 2008, Princeton, Oxford
mars 2008, Princeton, Oxford
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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Prix:
$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
Titre:
Frank Lloyd Wright: unpacking the archive
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Prix:
$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Frank Lloyd Wright: unpacking the archive
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Prix:
$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$90.00
(disponible sur commande)
Résumé:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in(...)
$90.00
(disponible sur commande)
Résumé:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mai 2001, Cambridge, Mass.
mai 2001, Cambridge, Mass.
Titre:
Le Corbusier in America : travels in the land of the timid
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Prix:
$90.00
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Résumé:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, "Quand les cathédrales étaient blanches: voyage au pays des timides" ("When the Cathedrals Were White: Journey to the Country of Timid People"), which faulted America for lacking the courage to adopt his ideas. In this first major study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. Through extensive archival research and interviews, she presents a critical history of the tour as well as a nuanced and intimate portrait of the architect. Drawing on the methods of microhistory, she also considers how small ordinary events affect larger biographical, architectural, and cultural developments. Bacon notes that Le Corbusier's dialogue with America was drafted within a spirited European discourse on américanisme. She contends that the trip validated his concept of a "second machine age" that would unite standardized industrial methods with a new humanism. Le Corbusier's subsequent work, she suggests, reflected an "Americanization," evidenced by the introduction of tension structures and the textured skyscraper conceived as an integrated system with functions articulated. She also defines Le Corbusier's role in the debate over New York City high-rise public housing. Appearing here in print for the first time are color reproductions of the pastel drawings that illustrated Le Corbusier's American lectures.
Le Corbusier in America : travels in the land of the timid
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Prix:
$90.00
(disponible sur commande)
Résumé:
Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, "Quand les cathédrales étaient blanches: voyage au pays des timides" ("When the Cathedrals Were White: Journey to the Country of Timid People"), which faulted America for lacking the courage to adopt his ideas. In this first major study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. Through extensive archival research and interviews, she presents a critical history of the tour as well as a nuanced and intimate portrait of the architect. Drawing on the methods of microhistory, she also considers how small ordinary events affect larger biographical, architectural, and cultural developments. Bacon notes that Le Corbusier's dialogue with America was drafted within a spirited European discourse on américanisme. She contends that the trip validated his concept of a "second machine age" that would unite standardized industrial methods with a new humanism. Le Corbusier's subsequent work, she suggests, reflected an "Americanization," evidenced by the introduction of tension structures and the textured skyscraper conceived as an integrated system with functions articulated. She also defines Le Corbusier's role in the debate over New York City high-rise public housing. Appearing here in print for the first time are color reproductions of the pastel drawings that illustrated Le Corbusier's American lectures.
Classification:
livres
livres
Publication:
mai 2001, Cambridge, Mass.
mai 2001, Cambridge, Mass.
Sujet:
Architecture, monographies
Architecture, monographies
