American libraries 1930-1950
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Although new technologies appear poised to alter it, the library remains a powerful site for discovery, and its form is still determined by the geometry of the book and the architectural spaces devised to store and display it. American Libraries provides a history and panorama of these much-loved structures, inside and out, encompassing the small personal collection, the(...)
septembre 2017
American libraries 1930-1950
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Although new technologies appear poised to alter it, the library remains a powerful site for discovery, and its form is still determined by the geometry of the book and the architectural spaces devised to store and display it. American Libraries provides a history and panorama of these much-loved structures, inside and out, encompassing the small personal collection, the vast university library, and everything in between. Through 500 photographs and plans selected from the encyclopedic collections of the Library of Congress, Kenneth Breisch traces the development of libraries in the United States, from roots in such iconic examples as the British Library and Paris’s Bibliothèque-Ste.-Geneviève to institutions imbued with their own, American mythology. Starting with the private collections of wealthy merchants and landowners during the eighteenth century, the book looks at the Library of Congress, large and small public libraries, and the Carnegie libraries, and it ends with a glimpse of modern masterworks.
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The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size. Every person is a memory. Memory which may be conjured up by joining the dots between what the subject has experienced over the years, starting from a personal history—which allows for a certain clinical-narrative(...)
Archivio n.06 : The Eighties Issue
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The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size. Every person is a memory. Memory which may be conjured up by joining the dots between what the subject has experienced over the years, starting from a personal history—which allows for a certain clinical-narrative accuracy—only to then go on to delve into the collective sphere, investigating and recounting private and institutional archives that accompany us through the presentation of the facts. Home to the facts are the eras: that's why over the following issues Archivio will identify four decade-long containers. This issue continues Archivio's journey back through the twentieth century, stopping this time on the fluorescently outgoing, yet such intimate years of the 1980s—so close and yetso far. Because "a day is a year is a lifetime", as the R.W. Fassbinder's biography italian title says.
Revues
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"Healed outcomes" is a symbolic issue for The Site Magazine. It marks a break from our past and the numeration we have used for the last twenty years, and initiates our first series. This series will be published over the next three years and each issue will build on those preceding to explore how architecture can address today’s most pressing challenges. This first issue(...)
Site, series 1 vol. 1 : healed outcomes
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"Healed outcomes" is a symbolic issue for The Site Magazine. It marks a break from our past and the numeration we have used for the last twenty years, and initiates our first series. This series will be published over the next three years and each issue will build on those preceding to explore how architecture can address today’s most pressing challenges. This first issue has long been in the works. Influenced by our discussions with Juhani Pallasmaa, who writes, "We are in constant dialogue and interaction with the environment, to the degree that it is impossible to detach the image of the self from its spatial and situational existence," it was clear to us that the inextricable relationship between space and consciousness was a natural starting point for any ongoing discussion about architecture’s role in the world. Without question, the offering of spaces for individual and collective healing is a role that architecture has maintained over time and across cultures.
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From high-rise to desert, urban sprawl to empty canyons, the American landscape is incredibly various : how does one even begin to take stock of its endlessly proliferating cityscapes and vast horizons? Reading the American Landscape rises marvelously to the challenge. For this anthropological epic, 25 landscape architects, urban designers, visual artists, photographers(...)
mars 2010
Reading the American landscape : an index of books and images
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From high-rise to desert, urban sprawl to empty canyons, the American landscape is incredibly various : how does one even begin to take stock of its endlessly proliferating cityscapes and vast horizons? Reading the American Landscape rises marvelously to the challenge. For this anthropological epic, 25 landscape architects, urban designers, visual artists, photographers and commentators on the American landscape were invited by The Netherlands Foundation for Visual Arts, Design and Architecture to undertake a journey through the United States, to study and record its history and development. Their study revolved around three themes or types of location : the city park as a social space in densely developed cities; landscapes on the periphery of expanding cities; and the development of large-scale rural areas as exercises in conservation. The writers for this project were each given a bibliography, from which they selected a single title as a starting point for their essays, on subjects ranging from parks and gardens to more general speculations on the unique features of the American landscape.
Counter-Print #09 2012
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Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some(...)
Counter-Print #09 2012
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Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some of the best work Counter-Print have had sent to them over the past quarter, as well as inspiring pieces they have come across in galleries and online. Finally, Paper #03 is an attempt to tie up Eight:48, as they move forward with Counter-Print. It's brief montage of new and old articles, drawn from issues one to eight offers a timely look back on all eight themes that have shaped the paper so far.
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The run home book
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Published on occasion of the RUN HOME Collection at Ralph Pucci in New York, in 2014. Susan Cianciolo (born 1969 in Rhode Island) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson's School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own(...)
The run home book
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Published on occasion of the RUN HOME Collection at Ralph Pucci in New York, in 2014. Susan Cianciolo (born 1969 in Rhode Island) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson's School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection—mixing clothing with film and performance art—which for 10 years involved the collaboration of some of New York's leading artists and musicians. Susan Cianciolo has been included in i-D's Fashion Now book, among 150 of the most important designers of our times, and she has been one of the pioneers in using eco friendly materials in her collections. Her illustrations and paintings have also been exhibited worldwide in several galleries and museums.
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An ever-increasing proportion of our lives is spent in supermarkets, airports and hotels, on motorways or in front of TVs, computer and cash machines. This invasion of the world by what Marc Auge calls 'non-space' results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Auge uses the concept of 'supermodernity' to(...)
Non-places: An introduction to supermodernity
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An ever-increasing proportion of our lives is spent in supermarkets, airports and hotels, on motorways or in front of TVs, computer and cash machines. This invasion of the world by what Marc Auge calls 'non-space' results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Auge uses the concept of 'supermodernity' to describe the logic of these late-capitalist phenomena - a logic of excessive information and excessive space. In this fascinating and lucid essay he seeks to establish and intellectual armature for an anthropology of supermodernity. Starting with an attempt to disentangle anthropology from history, Auge goes on to map the distinction between place, encrusted with historical monuments and creative social life, and non-place, to which individuals are connected in a uniform manner and where no organic social life is possible.
Théorie de l’architecture
Space between people
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If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four(...)
Space between people
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If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects illustrate the mind-bending possibilities of digital design. In the book s final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.
Théorie de l’architecture
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century(...)
janvier 2009, Bielefeld
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century American silk embroidery entitled "First, Second and Last Scene of Mortality," which depicts a white woman working at a table while a white child and a black servant rest on one side of her and a closed black coffin sits on the other side, Smith here develops several narrative threads that revolve around the theme of the unmarried woman. With excursions into Christian iconography and the history of the American postcolonial era, she speaks also to the archetype of the inspired female creator or artist.
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The twentieth-century architect Mies van der Rohe once declared that 'Architecture starts when you carefully put two bricks together'. In "Travels in the History of Architecture", renowned architectural writer Robert Harbison looks closely at these bricks, taking us on a journey through the great themes and movements of architecture, from antiquity to the present day.(...)
Travels in the history of architecture
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The twentieth-century architect Mies van der Rohe once declared that 'Architecture starts when you carefully put two bricks together'. In "Travels in the History of Architecture", renowned architectural writer Robert Harbison looks closely at these bricks, taking us on a journey through the great themes and movements of architecture, from antiquity to the present day. Taking as a starting place his own experience of the physical fabric of buildings, Harbison interprets the conceptions of the original architects and makers, pointing out carefully crafted detail and inspiring form along the way. Beginning with the great temples and tombs of the Egyptians, and the monuments and shrines of Greek and Roman architecture, and concluding with the museums of the twenty-first century, each chapter of his Travels focuses on a moment in architectural history, including Byzantine, Baroque, Mannerism, Historicism, Functionalism and Decon structionism.
Théorie de l’architecture