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xxvi, 209 pages ; 23 cm.
Albany : State University of New York Press, ©2000.
Hegel and aesthetics / edited by William Maker.
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xxvi, 209 pages ; 23 cm.
livres
Albany : State University of New York Press, ©2000.
livres
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xiv, 240 pages : illustrations, plans ; 26 cm
London : Philip Wilson Pub., 2008.
The persistence of the classical : essays on architecture presented to David Watkin / edited by Frank Salmon.
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xiv, 240 pages : illustrations, plans ; 26 cm
livres
London : Philip Wilson Pub., 2008.
livres
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342 pages : illustrations ; 23 cm
[London] : MACK, 2025.
Design and the building site and complementary essays / Sérgio Ferro ; edited by Silke Kapp and Mariana Moura ; translated by Ellen Heyward and Ana Naomi de Sousa.
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342 pages : illustrations ; 23 cm
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[London] : MACK, 2025.
livres
Merz to Emigre and beyond : Avant-Garde magazine design of the twentieth century / Steven Heller.
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240 pages : illustrations (some color) ; 30 cm
London ; New York : Phaidon Press, 2003.
Merz to Emigre and beyond : Avant-Garde magazine design of the twentieth century / Steven Heller.
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240 pages : illustrations (some color) ; 30 cm
livres
London ; New York : Phaidon Press, 2003.
livres
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208 pages : illustrations (some color) ; 29 cm
New York, N.Y. : Monacelli Press, [1996], © 1996
Paradise transformed : the private garden for the twenty-first century / Guy Cooper and Gordon Taylor.
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208 pages : illustrations (some color) ; 29 cm
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New York, N.Y. : Monacelli Press, [1996], © 1996
livres
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223 pages : illustrations (some color), plans ; 31 cm
Stuttgart : Edition Axel Menges, ©2007.
Reinhard Gieselmann : on the search of style = auf der Suche nach Stil / with an essay by Gerhard Kabierske ; [translation into English: Ilze Klavina].
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223 pages : illustrations (some color), plans ; 31 cm
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Stuttgart : Edition Axel Menges, ©2007.
$39.95
(disponible en magasin)
Résumé:
"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern(...)
Modern architecture: The basics
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$39.95
(disponible en magasin)
Résumé:
"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern architecture. These include major historical movements, key figures, and evolving building typologies. There is also an emphasis on the changing city during the 19th and 20th centuries. Approaches to representation and its impacts on architecture are studied, along with the changing global role of architecture as cultural expression. The book introduces new topics, including gender, race, postcolonialism, and indigeneity.
Modernisme
$24.95
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Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals(...)
The futurist moment avant-garde, avant guerre, and the language of rupture
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$24.95
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Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals the Moment's impulses and operations, tracing its echoes through the years to the work of "postmodern" figures like Roland Barthes. This updated edition, with its new preface, reexamines the Futurist Moment in the light of a new century, in which Futurist aesthetics seem to have steadily more to say to the present.
Théorie de l’art
$95.00
(disponible sur commande)
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This publication traces the interaction between culture and politics as reflected in Canadian architecture and the infrastructure of ordinary life, from the first contacts between indigenous peoples and European missionaries to the construction of big-box shopping centres in postmodern cities. Whether focusing on Jesuit perceptions of New France, the construction of(...)
Architecture and the Canadian fabric
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$95.00
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This publication traces the interaction between culture and politics as reflected in Canadian architecture and the infrastructure of ordinary life, from the first contacts between indigenous peoples and European missionaries to the construction of big-box shopping centres in postmodern cities. Whether focusing on Jesuit perceptions of New France, the construction of Toronto’s St. James Cathedral or Canada’s first Parliament, Brutalism in Canadian architecture, or the ideas of Marshall McLuhan and Arthur Erickson, these essays showcase ways of thinking about the built environment that extend beyond considerations of authorship and style to address the influence of cultural politics and insights from race and gender studies and from postcolonial and spatial theory.
Architecture du Canada
Photography and doubt
$69.90
(disponible sur commande)
Résumé:
Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in(...)
Théorie de la photographie
janvier 2017
Photography and doubt
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$69.90
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism?
Théorie de la photographie