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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the(...)
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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the(...)
Sujet:
Acoustique
Acoustique
Publication:
janvier 1900, Los Angeles, Downey
janvier 1900, Los Angeles, Downey
Titre:
Writing aloud: the sonic of language
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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the perspective that the sound of the voice is crucial to our perceptions and understandings of language, to the creative possibility of being without language, Writing Aloud examines the repercussions of such a perspective. Considering the sonics of words, it extends this examination of vocalization and articulation into how it contributes to and influences communication and notions of self-recognition. And further, how orality effects the act of writing itself, stages the tension between sense and non-sense, and provides space for self-reflection.
Writing aloud: the sonic of language
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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the perspective that the sound of the voice is crucial to our perceptions and understandings of language, to the creative possibility of being without language, Writing Aloud examines the repercussions of such a perspective. Considering the sonics of words, it extends this examination of vocalization and articulation into how it contributes to and influences communication and notions of self-recognition. And further, how orality effects the act of writing itself, stages the tension between sense and non-sense, and provides space for self-reflection.
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livres
livres
Publication:
janvier 1900, Los Angeles, Downey
janvier 1900, Los Angeles, Downey
Sujet:
Acoustique
Acoustique
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livres
livres
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$69.95
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How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda(...)
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How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda(...)
Titre:
Indonesia architectural guide
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How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda Akmal’s Architectural Guide Indonesia presents over one hundred must-visit buildings which date from the post-independence era, starting in 1945, to the present day. This book explores buildings that still embrace traditional Indonesian architectural heritage as well as those whose design is based on practical considerations, thus offering a valuable insight into the works of emerging and established architects. In total the guide features carefully selected buildings with all salient information as to their dates of construction, architects and locality by way of QR codes.
Indonesia architectural guide
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How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda Akmal’s Architectural Guide Indonesia presents over one hundred must-visit buildings which date from the post-independence era, starting in 1945, to the present day. This book explores buildings that still embrace traditional Indonesian architectural heritage as well as those whose design is based on practical considerations, thus offering a valuable insight into the works of emerging and established architects. In total the guide features carefully selected buildings with all salient information as to their dates of construction, architects and locality by way of QR codes.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Guides des villes
Guides des villes
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livres
livres
Titre:
A-typical plan : projects and essays on identity, flexibility and atmosphere in the office building
A-typical plan : projects and essays on identity, flexibility and atmosphere in the office building
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As a typology conceived in the twentieth century, the office building is often the architectural manifestation— not only of global capital, but also of technological might and mass production. But when we think of these buildings, we often think more of objects than of space; more of appearance than of atmosphere. In A-Typical Plan, Jeannette Kuo offers a reversal of the(...)
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As a typology conceived in the twentieth century, the office building is often the architectural manifestation— not only of global capital, but also of technological might and mass production. But when we think of these buildings, we often think more of objects than of space; more of appearance than of atmosphere. In A-Typical Plan, Jeannette Kuo offers a reversal of the(...)
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A-typical plan : projects and essays on identity, flexibility and atmosphere in the office building
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As a typology conceived in the twentieth century, the office building is often the architectural manifestation— not only of global capital, but also of technological might and mass production. But when we think of these buildings, we often think more of objects than of space; more of appearance than of atmosphere. In A-Typical Plan, Jeannette Kuo offers a reversal of the experience, starting from the inside out, and prioritizing space over symbol. In particular, the book reconsiders the deep plan within the European context for a discussion on density, economy and, not least, sustainability. A-Typical Plan is an analytical and atmospheric insight into the architecture and typology of the office building from the 1880s to 2012. Featured are buildings and projects by Frank Lloyd Wright, Kenzo Tange, Giuseppe Terragni, Le Corbusier, SANAA, Herzog & de Meuron, Toyo Ito, Christian Kerez, and others. A-Typical Plan is an analytical and atmospheric insight into the architecture and typology of the office building from the 1880s to 2012. Featured are buildings and projects by Frank Lloyd Wright, Kenzo Tange, Giuseppe Terragni, Le Corbusier, SANAA, Herzog & de Meuron, Toyo Ito, Christian Kerez, and others.
A-typical plan : projects and essays on identity, flexibility and atmosphere in the office building
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As a typology conceived in the twentieth century, the office building is often the architectural manifestation— not only of global capital, but also of technological might and mass production. But when we think of these buildings, we often think more of objects than of space; more of appearance than of atmosphere. In A-Typical Plan, Jeannette Kuo offers a reversal of the experience, starting from the inside out, and prioritizing space over symbol. In particular, the book reconsiders the deep plan within the European context for a discussion on density, economy and, not least, sustainability. A-Typical Plan is an analytical and atmospheric insight into the architecture and typology of the office building from the 1880s to 2012. Featured are buildings and projects by Frank Lloyd Wright, Kenzo Tange, Giuseppe Terragni, Le Corbusier, SANAA, Herzog & de Meuron, Toyo Ito, Christian Kerez, and others. A-Typical Plan is an analytical and atmospheric insight into the architecture and typology of the office building from the 1880s to 2012. Featured are buildings and projects by Frank Lloyd Wright, Kenzo Tange, Giuseppe Terragni, Le Corbusier, SANAA, Herzog & de Meuron, Toyo Ito, Christian Kerez, and others.
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livres
livres
Publication:
septembre 2013
septembre 2013
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livres
livres
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While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind toward introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in(...)
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While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind toward introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in(...)
Titre:
The pensive image: Art as a form of thinking
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While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind toward introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in painting, the implicit and inexpressible that manifests in a quality she calls pensiveness. Different from self-aware or actively desiring images, pensive images are speculative, pointing beyond interpretation. An alternative pictorial category, pensive images stir us away from interpretation and toward a state of suspension where thinking through and with the image can start. In fluid prose, Grootenboer explores various modalities of visual thinking— as the location where thought should be found, as a refuge enabling reflection, and as an encounter that provokes thought. Through these considerations, she demonstrates that artworks serve as models for thought as much as they act as instruments through which thinking can take place. Starting from the premise that painting is itself a type of thinking, ''The pensive image'' argues that art is capable of forming thoughts and shaping concepts in visual terms.
The pensive image: Art as a form of thinking
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While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind toward introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in painting, the implicit and inexpressible that manifests in a quality she calls pensiveness. Different from self-aware or actively desiring images, pensive images are speculative, pointing beyond interpretation. An alternative pictorial category, pensive images stir us away from interpretation and toward a state of suspension where thinking through and with the image can start. In fluid prose, Grootenboer explores various modalities of visual thinking— as the location where thought should be found, as a refuge enabling reflection, and as an encounter that provokes thought. Through these considerations, she demonstrates that artworks serve as models for thought as much as they act as instruments through which thinking can take place. Starting from the premise that painting is itself a type of thinking, ''The pensive image'' argues that art is capable of forming thoughts and shaping concepts in visual terms.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first(...)
$48.99
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Résumé:
From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first(...)
Titre:
On painting: Courses March - June 1981
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
On painting: Courses March - June 1981
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
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livres
livres
Publication:
août 2025
août 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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A small square of paper measuring six by six inches is the unprepossessing starting point for origami, the nearly two-thousand-year-old Japanese art of paper folding. From this modest material beginning, the origami master creates objects of fascinating intricacy and beauty - flying cranes and hopping frogs, complex geometric shapes and fruit forms - following the(...)
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A small square of paper measuring six by six inches is the unprepossessing starting point for origami, the nearly two-thousand-year-old Japanese art of paper folding. From this modest material beginning, the origami master creates objects of fascinating intricacy and beauty - flying cranes and hopping frogs, complex geometric shapes and fruit forms - following the(...)
Publication:
septembre 2005, Ostfildern, Germany
septembre 2005, Ostfildern, Germany
Titre:
Masters of origami : the art of paperfolding
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A small square of paper measuring six by six inches is the unprepossessing starting point for origami, the nearly two-thousand-year-old Japanese art of paper folding. From this modest material beginning, the origami master creates objects of fascinating intricacy and beauty - flying cranes and hopping frogs, complex geometric shapes and fruit forms - following the unwritten rule of never using scissors or glue. The ancient craft of origami came into a new stage of its long life in the 1990s as renowned galleries and museums began collecting the medium, gradually elevating it to the status of contemporary sculpture. This richly illustrated volume of full-colour plates presents outstanding works by 60 masters of origami from 16 different countries. Contributing authors explore the fascinating diversity and complexity of the art of paper-folding in texts devoted to its history, the use of exquisite, handmade paper, folding techniques, and the role of origami as a source of inspiration for contemporary designers, architects, and artists, as well as its increasing importance in theorem solving and concept development within the fields of science and medicine.
Masters of origami : the art of paperfolding
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A small square of paper measuring six by six inches is the unprepossessing starting point for origami, the nearly two-thousand-year-old Japanese art of paper folding. From this modest material beginning, the origami master creates objects of fascinating intricacy and beauty - flying cranes and hopping frogs, complex geometric shapes and fruit forms - following the unwritten rule of never using scissors or glue. The ancient craft of origami came into a new stage of its long life in the 1990s as renowned galleries and museums began collecting the medium, gradually elevating it to the status of contemporary sculpture. This richly illustrated volume of full-colour plates presents outstanding works by 60 masters of origami from 16 different countries. Contributing authors explore the fascinating diversity and complexity of the art of paper-folding in texts devoted to its history, the use of exquisite, handmade paper, folding techniques, and the role of origami as a source of inspiration for contemporary designers, architects, and artists, as well as its increasing importance in theorem solving and concept development within the fields of science and medicine.
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livres
livres
Publication:
septembre 2005, Ostfildern, Germany
septembre 2005, Ostfildern, Germany
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livres
livres
Prix:
$62.50
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its(...)
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its(...)
Titre:
The book on the floor: André Malraux and the imaginary museum
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
The book on the floor: André Malraux and the imaginary museum
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$48.00
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The Pavilion examines both the history and the contemporary state of pavilion architecture, something of a niche genre in the field, but with a long history of masterpieces. It consists of two parts: first, the examination of a group of twentieth-century pavilions, and second, a collection of essays that survey historical and more recent examples. This outstanding(...)
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The Pavilion examines both the history and the contemporary state of pavilion architecture, something of a niche genre in the field, but with a long history of masterpieces. It consists of two parts: first, the examination of a group of twentieth-century pavilions, and second, a collection of essays that survey historical and more recent examples. This outstanding(...)
Publication:
août 2009
août 2009
Titre:
The pavilion: Pleasure and polemics in architecture
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The Pavilion examines both the history and the contemporary state of pavilion architecture, something of a niche genre in the field, but with a long history of masterpieces. It consists of two parts: first, the examination of a group of twentieth-century pavilions, and second, a collection of essays that survey historical and more recent examples. This outstanding analysis was produced by students of architecture at Frankfurt's Städelschule. In the theoretical section, well-known authors discuss the materials used in pavilions, starting with influences from the Orient, India and Asia, and moving on to significant twentieth-century pavilions and recent temporary buildings that seem to occupy a space between art and architecture. In addition, the book documents the research and development of a summer pavilion for the garden at the Deutsches Architekturmuseum in Frankfurt produced by the offices of Barkow Leibinger and Werner Sobek.
The pavilion: Pleasure and polemics in architecture
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The Pavilion examines both the history and the contemporary state of pavilion architecture, something of a niche genre in the field, but with a long history of masterpieces. It consists of two parts: first, the examination of a group of twentieth-century pavilions, and second, a collection of essays that survey historical and more recent examples. This outstanding analysis was produced by students of architecture at Frankfurt's Städelschule. In the theoretical section, well-known authors discuss the materials used in pavilions, starting with influences from the Orient, India and Asia, and moving on to significant twentieth-century pavilions and recent temporary buildings that seem to occupy a space between art and architecture. In addition, the book documents the research and development of a summer pavilion for the garden at the Deutsches Architekturmuseum in Frankfurt produced by the offices of Barkow Leibinger and Werner Sobek.
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livres
livres
Publication:
août 2009
août 2009
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livres
livres
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$34.95
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Starting with the Pueblo, Suisman traces the histories of our iconic routes - Sunset, Wilshire, Hollywood - with fascinating discursions into transport moving from the streetcar to the automobile, the relationship of the movie studios to the streets, the value of the urban landscapes changing as the boulevards pass through them. Originally issued in an edition of only(...)
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Starting with the Pueblo, Suisman traces the histories of our iconic routes - Sunset, Wilshire, Hollywood - with fascinating discursions into transport moving from the streetcar to the automobile, the relationship of the movie studios to the streets, the value of the urban landscapes changing as the boulevards pass through them. Originally issued in an edition of only(...)
Titre:
Los Angeles Boulevard: eight x-rays of the body public, 25th anniversary edition
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Starting with the Pueblo, Suisman traces the histories of our iconic routes - Sunset, Wilshire, Hollywood - with fascinating discursions into transport moving from the streetcar to the automobile, the relationship of the movie studios to the streets, the value of the urban landscapes changing as the boulevards pass through them. Originally issued in an edition of only 1500 copies, the book soon went out of print, but its importance has been validated over the years by the circulation of fuzzy photocopies in university architecture departments and design studios. For this edition, ORO Editions has brought back the original eight essays with the original illustrations, both photographs and Suisman's own evocative and informative drawings and plans. In addition, over the years Suisman has, in his professional practice of urban design, applied his deep knowledge of the boulevard and how it works to projects in Los Angeles and across the country and beyond.
Los Angeles Boulevard: eight x-rays of the body public, 25th anniversary edition
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$34.95
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Starting with the Pueblo, Suisman traces the histories of our iconic routes - Sunset, Wilshire, Hollywood - with fascinating discursions into transport moving from the streetcar to the automobile, the relationship of the movie studios to the streets, the value of the urban landscapes changing as the boulevards pass through them. Originally issued in an edition of only 1500 copies, the book soon went out of print, but its importance has been validated over the years by the circulation of fuzzy photocopies in university architecture departments and design studios. For this edition, ORO Editions has brought back the original eight essays with the original illustrations, both photographs and Suisman's own evocative and informative drawings and plans. In addition, over the years Suisman has, in his professional practice of urban design, applied his deep knowledge of the boulevard and how it works to projects in Los Angeles and across the country and beyond.
Classification:
livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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$74.10
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading(...)
$74.10
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading(...)
Titre:
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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$74.10
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading figures of architectural phenomenology in both theory and practice, such as Christian Norberg-Schultz, Kenneth Frampton, Juhani Pallasmaa, and Steven Holl. Highlighting the main challenges of the current phenomenological discourse in architecture, this book formulates a more articulated method of 'phenomenological interpretation' – dubbed 'phenomenal phenomenology' - as a new and innovative method of interpreting the built environment. Finally, using Tadao Ando's Langen Foundation Museum as a case study, it investigates the architect's contribution to phenomenological discourse, interprets and analyzes the Museum building using the new heuristic method, and thus provides a clear example of its applicability.
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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Résumé:
This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading figures of architectural phenomenology in both theory and practice, such as Christian Norberg-Schultz, Kenneth Frampton, Juhani Pallasmaa, and Steven Holl. Highlighting the main challenges of the current phenomenological discourse in architecture, this book formulates a more articulated method of 'phenomenological interpretation' – dubbed 'phenomenal phenomenology' - as a new and innovative method of interpreting the built environment. Finally, using Tadao Ando's Langen Foundation Museum as a case study, it investigates the architect's contribution to phenomenological discourse, interprets and analyzes the Museum building using the new heuristic method, and thus provides a clear example of its applicability.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
