12622 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Exhibitions
Exhibitions
Numéro de référence:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Personnes et institutions:
Date:
1966, 1982, 1999-2003
1966, 1982, 1999-2003
Titre:
Exhibitions
Actions:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Exhibitions
Actions:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Niveau de description archivistique:
Series
Series
Date:
1966, 1982, 1999-2003
1966, 1982, 1999-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S2.1996.D1
Description:
Series documents Lars Spuybroek's project Soft Site in Rotterdam, Netherlands, a projection and installation for the V2_Organisation in Rotterdam, presented at DEAF96 on the Internet and at the Netherlands Architecture Institute. Material in this series was produced around 1994. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.1996.D1
Description:
Series documents Lars Spuybroek's project Soft Site in Rotterdam, Netherlands, a projection and installation for the V2_Organisation in Rotterdam, presented at DEAF96 on the Internet and at the Netherlands Architecture Institute. Material in this series was produced around 1994. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 1996
ca. 1996
Titre:
Soft Site, Rotterdam, Netherlands (1996)
Actions:
AP173.S2.1996.D1
Description:
Series documents Lars Spuybroek's project Soft Site in Rotterdam, Netherlands, a projection and installation for the V2_Organisation in Rotterdam, presented at DEAF96 on the Internet and at the Netherlands Architecture Institute. Material in this series was produced around 1994. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Soft Site, Rotterdam, Netherlands (1996)
Actions:
AP173.S2.1996.D1
Description:
Series documents Lars Spuybroek's project Soft Site in Rotterdam, Netherlands, a projection and installation for the V2_Organisation in Rotterdam, presented at DEAF96 on the Internet and at the Netherlands Architecture Institute. Material in this series was produced around 1994. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 1996
ca. 1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Personnes et institutions:
Date:
1992-2009
1992-2009
Titre:
Liu Centre for Global Studies, University of British Columbia, Vancouver, British Columbia (1992)
Actions:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Liu Centre for Global Studies, University of British Columbia, Vancouver, British Columbia (1992)
Actions:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Niveau de description archivistique:
Project
Project
Date:
1992-2009
1992-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Personnes et institutions:
Date:
2004-2009
2004-2009
Titre:
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Niveau de description archivistique:
Project
Project
Date:
2004-2009
2004-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1961-1965
1961-1965
Titre:
Skeena Terrace Low Rent Housing, Vancouver, British Columbia (1961-1965)
Actions:
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Skeena Terrace Low Rent Housing, Vancouver, British Columbia (1961-1965)
Actions:
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1961-1965
1961-1965
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2008-2017
2008-2017
Titre:
Montagne Naturali [Natural Mountains] (2014)
Actions:
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
Montagne Naturali [Natural Mountains] (2014)
Actions:
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2008-2017
2008-2017
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
À partir d’hypothèses et de points de vue différents, Cedric Price, Aldo Rossi, James Stirling et Gordon Matta-Clark se sont engagés dans un processus de reformulation radicale du statut, de l’histoire et du rôle de l’architecture. sortis du cadre: price rossi stirling + matta-clark fait entrer en dialogue les réflexions de quatre figures marquantes des années 1970 à(...)
À partir d’hypothèses et de points de vue différents, Cedric Price, Aldo Rossi, James Stirling et Gordon Matta-Clark se sont engagés dans un processus de reformulation radicale du statut, de l’histoire et du rôle de l’architecture. sortis du cadre: price rossi stirling + matta-clark fait entrer en dialogue les réflexions de quatre figures marquantes des années 1970 à(...)
Localisation:
Salles principales
Salles principales
Date:
23 octobre 2003 au 6 septembre 2004
23 octobre 2003 au 6 septembre 2004
Titre:
sortis du cadre : price rossi stirling + matta-clark
Actions:
Description:
À partir d’hypothèses et de points de vue différents, Cedric Price, Aldo Rossi, James Stirling et Gordon Matta-Clark se sont engagés dans un processus de reformulation radicale du statut, de l’histoire et du rôle de l’architecture. sortis du cadre: price rossi stirling + matta-clark fait entrer en dialogue les réflexions de quatre figures marquantes des années 1970 à(...)
sortis du cadre : price rossi stirling + matta-clark
Actions:
Description:
À partir d’hypothèses et de points de vue différents, Cedric Price, Aldo Rossi, James Stirling et Gordon Matta-Clark se sont engagés dans un processus de reformulation radicale du statut, de l’histoire et du rôle de l’architecture. sortis du cadre: price rossi stirling + matta-clark fait entrer en dialogue les réflexions de quatre figures marquantes des années 1970 à(...)
Classification:
expositions
expositions
Date:
23 octobre 2003 au
6 septembre 2004
23 octobre 2003 au
6 septembre 2004
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
2 mai 2001 au 16 septembre 2001
2 mai 2001 au 16 septembre 2001
Titre:
Piero en tête
Actions:
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Piero en tête
Actions:
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Classification:
expositions
expositions
Date:
2 mai 2001 au
16 septembre 2001
2 mai 2001 au
16 septembre 2001
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
dessins, documents textuels
Quantité:
10 textual record(s)
dessins, documents textuels
Quantité:
10 textual record(s)
Numéro de référence:
ARCH269702
Description:
This group consists of textual records, graphics and drawings. Textual records include a photocopy of an article by Marianne Brausch published in Architecture d'aujourd'hui in Sept. 1991 and a flyer from the Asahi Glass Company featuring the product "Lamimetal". Graphic designs include 4 sheets with graphics for "Glass Station Harada Koshan Co' LTD" in Roman and Greek letters and a sheet with a Japanese text. Drawings include a section and an exploded axonometric for a detail.
ARCH269702
Description:
This group consists of textual records, graphics and drawings. Textual records include a photocopy of an article by Marianne Brausch published in Architecture d'aujourd'hui in Sept. 1991 and a flyer from the Asahi Glass Company featuring the product "Lamimetal". Graphic designs include 4 sheets with graphics for "Glass Station Harada Koshan Co' LTD" in Roman and Greek letters and a sheet with a Japanese text. Drawings include a section and an exploded axonometric for a detail.
Personnes et institutions:
Titre:
Glass Station ... (textual records)
Actions:
ARCH269702
Description:
This group consists of textual records, graphics and drawings. Textual records include a photocopy of an article by Marianne Brausch published in Architecture d'aujourd'hui in Sept. 1991 and a flyer from the Asahi Glass Company featuring the product "Lamimetal". Graphic designs include 4 sheets with graphics for "Glass Station Harada Koshan Co' LTD" in Roman and Greek letters and a sheet with a Japanese text. Drawings include a section and an exploded axonometric for a detail.
Glass Station ... (textual records)
Actions:
ARCH269702
Description:
This group consists of textual records, graphics and drawings. Textual records include a photocopy of an article by Marianne Brausch published in Architecture d'aujourd'hui in Sept. 1991 and a flyer from the Asahi Glass Company featuring the product "Lamimetal". Graphic designs include 4 sheets with graphics for "Glass Station Harada Koshan Co' LTD" in Roman and Greek letters and a sheet with a Japanese text. Drawings include a section and an exploded axonometric for a detail.
Classification:
dessins, documents textuels
Quantité:
10 textual record(s)
dessins, documents textuels
Quantité:
10 textual record(s)
Personnes et institutions:
