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527 pages : illustrations (some color) ; 29 cm
New York : Cabinet Books ; Immaterial Incorporated ; New York : Distributed worldwide by D.A.P./Distributed Art Publishers, ©2012.
Curiosity and method : ten years of Cabinet Magazine.
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527 pages : illustrations (some color) ; 29 cm
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New York : Cabinet Books ; Immaterial Incorporated ; New York : Distributed worldwide by D.A.P./Distributed Art Publishers, ©2012.
$6.99
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"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint,(...)
Rubble : unearthing the history of demolition
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$6.99
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"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint, Alfred Nobel - that would later fuel epochal feats of unbuilding such as the implosion of the infamous Pruitt-Igoe housing complex in St. Louis. Rubble also delves beyond these bravura blasts to survey the world-jarring invention of the wrecking ball; the oddly stirring ruin of New York’s old Pennsylvania Station, that potent symbol of the wrecker run amok; and the ever busy bulldozers in places as diverse as Detroit, Berlin, and the British countryside. "Rubble" is also an exploration of what happens when buildings fall, when monuments topple into memory, and when “destructive creativity” tears down to build again.
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The Parthenon
$25.95
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At once an entrancing cultural history and a congenial guide for tourists, armchair travelers, and amateur archaeologists alike, this book conducts readers through the storied past and towering presence of the most famous building in the world. Who built the Parthenon, and for what purpose? How are we to understand its sculpture? Why is it such a compelling monument? The(...)
The Parthenon
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$25.95
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At once an entrancing cultural history and a congenial guide for tourists, armchair travelers, and amateur archaeologists alike, this book conducts readers through the storied past and towering presence of the most famous building in the world. Who built the Parthenon, and for what purpose? How are we to understand its sculpture? Why is it such a compelling monument? The classicist and historian Mary Beard takes us back to the fifth century B.C. to consider the Parthenon in its original guise--as the flagship temple of imperial Athens, housing an enormous gold and ivory statue of the city's patron goddess attended by an enigmatic assembly of sculptures. Just as fascinating is the monument's far longer life as cathedral church of Our Lady of Athens, as "the finest mosque in the world," and, finally, as an inspirational ruin and icon. Beard also takes a cool look at the bitter arguments that continue to surround the "Elgin Marbles," the sculptures from the Parthenon now in the British Museum.
Histoire jusqu'à 1900, Grèce
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The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
Théorie de l’architecture
novembre 1999, Cambridge, Mass.
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
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novembre 1999, Cambridge, Mass.
Théorie de l’architecture
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42 plates : illustrations ; 47 cm
1777-1779.
Studies made at Rome in the years 1777, 78, 79 / by Thomas Hardwick.
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42 plates : illustrations ; 47 cm
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1777-1779.
$95.95
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Giuliano da Sangallo was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome’s past into the image of a city made whole. The book demonstrates how his drawings form the(...)
Giuliano da Sangallo and the Ruins of Rome
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Giuliano da Sangallo was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome’s past into the image of a city made whole. The book demonstrates how his drawings form the basis for a reevaluation of the meaning and method of the Renaissance study of ancient artifacts, and brings to life the transformative moment when artists and architects began to view the fragments of ancient Rome not as broken artifacts of little interest but as objects of aesthetic contemplation.
$48.95
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What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. He guides us through ruins and fragments, both ancient and modern, visual and(...)
Ruins and fragments: tales of loss and rediscovery
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What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. He guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work.
Théorie de l’architecture
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100 pages : illustrations, facsimiles ; 33 x 35 cm
Roma : Edizione a cura del Comitato di azione patriottica fra il personale postale-telegrafico-telefonico, 1924 (Genova : Illustrazioni e tipi della S.A.I.G.A. Barabino & Graeve)
Restauri della Roma imperiale : con gli stati attuali ed il testo spiegativo in quattro lingue / Giuseppe Gatteschi ; prefazione del Orazio Marucchi.
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100 pages : illustrations, facsimiles ; 33 x 35 cm
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Roma : Edizione a cura del Comitato di azione patriottica fra il personale postale-telegrafico-telefonico, 1924 (Genova : Illustrazioni e tipi della S.A.I.G.A. Barabino & Graeve)
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[4] p., [60] p. of plates : chiefly ill., plan ; 16 cm.
Königsberg : Kanter-Verlag, c1940.
Pergamon-Altar : sechzig Bilder / mit einleitendem Text von Carl v. Lorck.
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[4] p., [60] p. of plates : chiefly ill., plan ; 16 cm.
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Königsberg : Kanter-Verlag, c1940.
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3 volumes : color illustrations, color maps ; 32 cm
London : Booth-Clibborn Editions, 2001.
The splendour of Iran / originator E. Booth-Clibborn, general editor N. Pourjavady.
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3 volumes : color illustrations, color maps ; 32 cm
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London : Booth-Clibborn Editions, 2001.