1124 Résultats
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livres
livres
Prix:
$90.00
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Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
$90.00
(disponible sur commande)
Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
Publication:
mars 2006, New York
mars 2006, New York
Titre:
Things as they are : photojournalism in context since 1955
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$90.00
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Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
Things as they are : photojournalism in context since 1955
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Prix:
$90.00
(disponible sur commande)
Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
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livres
livres
Publication:
mars 2006, New York
mars 2006, New York
Classification:
livres
livres
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Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Sujet:
Dessin d’architecture
Dessin d’architecture
Publication:
octobre 1999, New York
octobre 1999, New York
Titre:
Infinite perspectives : two thousand years of three-dimensional mapmaking
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$120.00
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Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Infinite perspectives : two thousand years of three-dimensional mapmaking
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Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Classification:
livres
livres
Publication:
octobre 1999, New York
octobre 1999, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
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livres
livres
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Description:
383 pages : illustrations (chiefly color), color charts, color maps, portrait ; 24 cm
Description:
383 pages : illustrations (chiefly color), color charts, color maps, portrait ; 24 cm
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Publication:
New York, NY : Actar Publishers, 2021., New York : Distributed by Actar D, Inc.
New York, NY : Actar Publishers, 2021., New York : Distributed by Actar D, Inc.
Titre:
Green obsession : trees towards cities, humans towards forests / Stefano Boeri Architetti.
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Description:
383 pages : illustrations (chiefly color), color charts, color maps, portrait ; 24 cm
Green obsession : trees towards cities, humans towards forests / Stefano Boeri Architetti.
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Description:
383 pages : illustrations (chiefly color), color charts, color maps, portrait ; 24 cm
Classification:
livres
livres
Publication:
New York, NY : Actar Publishers, 2021., New York : Distributed by Actar D, Inc.
New York, NY : Actar Publishers, 2021., New York : Distributed by Actar D, Inc.
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Classification:
audio
audio
Description:
1 online resource.
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Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
Titre:
June 21, 2018 : Listening for Southwest Key in San Diego.
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Description:
1 online resource.
June 21, 2018 : Listening for Southwest Key in San Diego.
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Description:
1 online resource.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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