1304 Résultats
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livres
livres
Titre:
Wonder in the Windy City : how Chicago architecture foundation tours impress / by Jun-Jei Jason Nu.
Wonder in the Windy City : how Chicago architecture foundation tours impress / by Jun-Jei Jason Nu.
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2 volumes (v, 373 pages) : illustrations (some color) ; 29 cm
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2 volumes (v, 373 pages) : illustrations (some color) ; 29 cm
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2016.
2016.
Titre:
Wonder in the Windy City : how Chicago architecture foundation tours impress / by Jun-Jei Jason Nu.
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2 volumes (v, 373 pages) : illustrations (some color) ; 29 cm
Wonder in the Windy City : how Chicago architecture foundation tours impress / by Jun-Jei Jason Nu.
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2 volumes (v, 373 pages) : illustrations (some color) ; 29 cm
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livres
livres
Publication:
2016.
2016.
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livres
livres
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1 online resource.
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[Place of publication not identified] : Borealis, 2026., [Place of publication not identified] : Paradiso, 2026.
[Place of publication not identified] : Borealis, 2026., [Place of publication not identified] : Paradiso, 2026.
Titre:
To listen is to hold out your hand, and let it be held by the other.
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1 online resource.
To listen is to hold out your hand, and let it be held by the other.
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1 online resource.
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livres
livres
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[Place of publication not identified] : Borealis, 2026., [Place of publication not identified] : Paradiso, 2026.
[Place of publication not identified] : Borealis, 2026., [Place of publication not identified] : Paradiso, 2026.
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304 pages : illustrations (some color) ; 22 cm.
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304 pages : illustrations (some color) ; 22 cm.
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London : Afterall Books ; New York, NY : Distribution outside Europe, D.A.P./Distributed Art Publishers, ©2012.
London : Afterall Books ; New York, NY : Distribution outside Europe, D.A.P./Distributed Art Publishers, ©2012.
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From conceptualism to feminism : Lucy Lippard's Numbers shows, 1969-74 / Cornelia Butler [and others].
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304 pages : illustrations (some color) ; 22 cm.
From conceptualism to feminism : Lucy Lippard's Numbers shows, 1969-74 / Cornelia Butler [and others].
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304 pages : illustrations (some color) ; 22 cm.
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livres
livres
Publication:
London : Afterall Books ; New York, NY : Distribution outside Europe, D.A.P./Distributed Art Publishers, ©2012.
London : Afterall Books ; New York, NY : Distribution outside Europe, D.A.P./Distributed Art Publishers, ©2012.
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$30.00
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also(...)
$30.00
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Résumé:
We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also(...)
Sujet:
Muséologie
Muséologie
Publication:
mars 2008, Berlin, Dijon, New York, Manchester
mars 2008, Berlin, Dijon, New York, Manchester
Titre:
Harald Szeemann Individual Methodology
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann's death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann's collaborator for many years. Two of Szeemann's most ambitious exhibitions are presented as case studies: Documenta V (1972) and L'Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann's exhibitions and a selection of his writings complete this exhaustive survey.
Harald Szeemann Individual Methodology
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$30.00
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann's death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann's collaborator for many years. Two of Szeemann's most ambitious exhibitions are presented as case studies: Documenta V (1972) and L'Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann's exhibitions and a selection of his writings complete this exhaustive survey.
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livres
livres
Publication:
mars 2008, Berlin, Dijon, New York, Manchester
mars 2008, Berlin, Dijon, New York, Manchester
Sujet:
Muséologie
Muséologie
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livres
livres
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$54.00
(disponible en magasin)
Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
$54.00
(disponible en magasin)
Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
Titre:
Ives Maes & David Campany in Conversation
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$54.00
(disponible en magasin)
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Ives Maes & David Campany in Conversation
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$54.00
(disponible en magasin)
Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
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livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$28.95
(disponible sur commande)
Résumé:
The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some(...)
$28.95
(disponible sur commande)
Résumé:
The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some(...)
Titre:
The return of curiosity: what museums are good for in the 21st century
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$28.95
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The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in.
The return of curiosity: what museums are good for in the 21st century
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$28.95
(disponible sur commande)
Résumé:
The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in.
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livres
livres
Publication:
août 2016
août 2016
Sujet:
Muséologie
Muséologie
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livres
livres
Prix:
$54.00
(disponible sur commande)
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These influential, hard-to-obtain texts—many of which have never before been published— by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive(...)
$54.00
(disponible sur commande)
Résumé:
These influential, hard-to-obtain texts—many of which have never before been published— by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
septembre 2019
septembre 2019
Titre:
Out of bounds: the collected writings of Marcia Tucker
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$54.00
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These influential, hard-to-obtain texts—many of which have never before been published— by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.
Out of bounds: the collected writings of Marcia Tucker
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$54.00
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These influential, hard-to-obtain texts—many of which have never before been published— by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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256 pages : color illustrations, plans ; 29 x 22 cm
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256 pages : color illustrations, plans ; 29 x 22 cm
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Mulgrave, Victoria : Images Publishing Group Pty, 2020., ©2020
Mulgrave, Victoria : Images Publishing Group Pty, 2020., ©2020
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Brick stone metal wood : building on tradition / author: Carlos García Fernández and Begoña de Abajo Castrillo [Introduction].
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256 pages : color illustrations, plans ; 29 x 22 cm
Brick stone metal wood : building on tradition / author: Carlos García Fernández and Begoña de Abajo Castrillo [Introduction].
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256 pages : color illustrations, plans ; 29 x 22 cm
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livres
Publication:
Mulgrave, Victoria : Images Publishing Group Pty, 2020., ©2020
Mulgrave, Victoria : Images Publishing Group Pty, 2020., ©2020
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audio
audio
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2015.
[Place of publication not identified] : The Funambulist, 2015.
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audio
audio
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[Place of publication not identified] : The Funambulist, 2015.
[Place of publication not identified] : The Funambulist, 2015.
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audio
audio
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2016.
[Place of publication not identified] : The Funambulist, 2016.
Titre:
2.5 Million Refugees in Turkey: A Few Architectural and Linguistic Considerations.
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1 online resource.
2.5 Million Refugees in Turkey: A Few Architectural and Linguistic Considerations.
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1 online resource.
Classification:
audio
audio
Publication:
[Place of publication not identified] : The Funambulist, 2016.
[Place of publication not identified] : The Funambulist, 2016.
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