1193 Résultats
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
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Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
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Publication:
mai 2004, New York
mai 2004, New York
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livres soldés
livres soldés
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
Publication:
février 2007, Cambridge (MA)
février 2007, Cambridge (MA)
Titre:
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
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livres
livres
Publication:
février 2007, Cambridge (MA)
février 2007, Cambridge (MA)
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livres
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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman(...)
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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman(...)
Titre:
EVENTS: situating the temporary
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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman Verkerk and his team dedicate their knowledge and experience to the design community. With contributions by Bernard Tschumi, Beatriz Colomina, Dirk van den Heuvel, Ellen Blumenstein and many others, topics comprise time-based narrative architecture, the architecture of events, display in public context, building-related landscape and many others. This approach makes the book a content-driven tool of communication and knowledge.
EVENTS: situating the temporary
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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman Verkerk and his team dedicate their knowledge and experience to the design community. With contributions by Bernard Tschumi, Beatriz Colomina, Dirk van den Heuvel, Ellen Blumenstein and many others, topics comprise time-based narrative architecture, the architecture of events, display in public context, building-related landscape and many others. This approach makes the book a content-driven tool of communication and knowledge.
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livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Architecture, monographies
Architecture, monographies
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October 2017 marks the centenary of the admission of the first female students to the Architectural Association. Published to coincide with a symposium, exhibition and series of talks all celebrating this event, "AA Women in architecture" puts forward the stories of women who have entered the architectural profession and their contributions to architectural practice and education.
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October 2017 marks the centenary of the admission of the first female students to the Architectural Association. Published to coincide with a symposium, exhibition and series of talks all celebrating this event, "AA Women in architecture" puts forward the stories of women who have entered the architectural profession and their contributions to architectural practice and education.
Titre:
Breaking the mould: AA women in architecture
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October 2017 marks the centenary of the admission of the first female students to the Architectural Association. Published to coincide with a symposium, exhibition and series of talks all celebrating this event, "AA Women in architecture" puts forward the stories of women who have entered the architectural profession and their contributions to architectural practice and education.
Breaking the mould: AA women in architecture
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October 2017 marks the centenary of the admission of the first female students to the Architectural Association. Published to coincide with a symposium, exhibition and series of talks all celebrating this event, "AA Women in architecture" puts forward the stories of women who have entered the architectural profession and their contributions to architectural practice and education.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$36.00
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With today's ecological imperatives, contemporary architecture faces its greatest challenges since Modernism. In 2009, Denmark hosted an international summit on climate and sustainability. The Louisiana Museum is supporting this event with a major exhibition, The Future Has Arrived: Architecture for a Sustainable World, the second show in the series The Frontiers of(...)
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With today's ecological imperatives, contemporary architecture faces its greatest challenges since Modernism. In 2009, Denmark hosted an international summit on climate and sustainability. The Louisiana Museum is supporting this event with a major exhibition, The Future Has Arrived: Architecture for a Sustainable World, the second show in the series The Frontiers of(...)
Titre:
Green architecture for the future
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With today's ecological imperatives, contemporary architecture faces its greatest challenges since Modernism. In 2009, Denmark hosted an international summit on climate and sustainability. The Louisiana Museum is supporting this event with a major exhibition, The Future Has Arrived: Architecture for a Sustainable World, the second show in the series The Frontiers of Architecture. This exhibition catalogue presents a spectrum of new visions for sustainable global development, based upon the three parameters of economy, environment and social change, with essays by German architect Wilfried Wang, Danish philosopher Ole Thyssen and interviews with Ecosistema Urbano, Foster & Partners, Philippe Rahm and R(n).
Green architecture for the future
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With today's ecological imperatives, contemporary architecture faces its greatest challenges since Modernism. In 2009, Denmark hosted an international summit on climate and sustainability. The Louisiana Museum is supporting this event with a major exhibition, The Future Has Arrived: Architecture for a Sustainable World, the second show in the series The Frontiers of Architecture. This exhibition catalogue presents a spectrum of new visions for sustainable global development, based upon the three parameters of economy, environment and social change, with essays by German architect Wilfried Wang, Danish philosopher Ole Thyssen and interviews with Ecosistema Urbano, Foster & Partners, Philippe Rahm and R(n).
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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Giovanna Silva: Napoli
Giovanna Silva: Napoli
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
Titre:
Giovanna Silva: Napoli
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
Giovanna Silva: Napoli
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Italian photographer Giovanna Silva (born 1980) highlights the decorative forms that populate the chromatic landscape of Naples. The result is part anthropological and costume study, part photographic research on urban architectures and part artistic reflection on a historical event.
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livres
livres
Publication:
mars 2024
mars 2024
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Monographies photo
Monographies photo
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livres
livres
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$47.95
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This book documents and analyses the expanding role for architects in designing projects for communities after the event of a natural disaster. The fifteen case studies featured in the body of the book illustrate how architects can use spatial sensibility and integrated problem-solving skills to help alleviate both human and natural disasters.The interviews and supporting(...)
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This book documents and analyses the expanding role for architects in designing projects for communities after the event of a natural disaster. The fifteen case studies featured in the body of the book illustrate how architects can use spatial sensibility and integrated problem-solving skills to help alleviate both human and natural disasters.The interviews and supporting(...)
Titre:
Humanitarian architecture: 15 stories of architects working after disaster
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This book documents and analyses the expanding role for architects in designing projects for communities after the event of a natural disaster. The fifteen case studies featured in the body of the book illustrate how architects can use spatial sensibility and integrated problem-solving skills to help alleviate both human and natural disasters.The interviews and supporting essays show built environment professionals collaborating with post-disaster communities as facilitators, collaborators and negotiators of land, space and shelter, rather than as ‘save the world’ modernists, as often portrayed in the design media.
Humanitarian architecture: 15 stories of architects working after disaster
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$47.95
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This book documents and analyses the expanding role for architects in designing projects for communities after the event of a natural disaster. The fifteen case studies featured in the body of the book illustrate how architects can use spatial sensibility and integrated problem-solving skills to help alleviate both human and natural disasters.The interviews and supporting essays show built environment professionals collaborating with post-disaster communities as facilitators, collaborators and negotiators of land, space and shelter, rather than as ‘save the world’ modernists, as often portrayed in the design media.
Classification:
livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
Titre:
In search of Expo 67
In search of Expo 67
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Though Expo 67 looms large in our collective memory, it is often remembered nostalgically as a remote historical event. The conditions that made Expo an exceptional cultural moment are often forgotten: remarkable creative freedom was granted to artists, architects, filmmakers, and designers to experiment with technology and new forms, resulting in an incredible diversity(...)
$49.95
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Though Expo 67 looms large in our collective memory, it is often remembered nostalgically as a remote historical event. The conditions that made Expo an exceptional cultural moment are often forgotten: remarkable creative freedom was granted to artists, architects, filmmakers, and designers to experiment with technology and new forms, resulting in an incredible diversity(...)
Sujet:
Architecture de Montréal
Architecture de Montréal
Publication:
juillet 2020
juillet 2020
Titre:
In search of Expo 67
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$49.95
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Though Expo 67 looms large in our collective memory, it is often remembered nostalgically as a remote historical event. The conditions that made Expo an exceptional cultural moment are often forgotten: remarkable creative freedom was granted to artists, architects, filmmakers, and designers to experiment with technology and new forms, resulting in an incredible diversity of cultural production. Originating with the Musée d'art contemporain's 2017 exhibition, In Search of Expo 67 brings together original work from nineteen artists and new critical essays to explore the connections between archives and memory. Organized thematically, artists' words and works are put into dialogue with archival imagery that reconstructs key aspects of the original event. Brilliantly illustrated with original artworks and archival documents and images, In Search of Expo 67 revitalizes this utopian moment in Montreal's history as a site of unexpected tensions and immense creativity.
In search of Expo 67
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$49.95
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Though Expo 67 looms large in our collective memory, it is often remembered nostalgically as a remote historical event. The conditions that made Expo an exceptional cultural moment are often forgotten: remarkable creative freedom was granted to artists, architects, filmmakers, and designers to experiment with technology and new forms, resulting in an incredible diversity of cultural production. Originating with the Musée d'art contemporain's 2017 exhibition, In Search of Expo 67 brings together original work from nineteen artists and new critical essays to explore the connections between archives and memory. Organized thematically, artists' words and works are put into dialogue with archival imagery that reconstructs key aspects of the original event. Brilliantly illustrated with original artworks and archival documents and images, In Search of Expo 67 revitalizes this utopian moment in Montreal's history as a site of unexpected tensions and immense creativity.
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livres
livres
Publication:
juillet 2020
juillet 2020
Sujet:
Architecture de Montréal
Architecture de Montréal
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livres
livres
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$54.95
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“Stadium” is the theme chosen for the Chilean Pavilion at the Sixteenth International Architecture Exhibition of the Venice Biennale. The intent is to capture the story of the National Stadium in Santiago—both a building and a city for a day. On September 29, 1979, 40,000 families filled the stadium’s seats; around 250,000 people from all over the country’s capital. The(...)
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“Stadium” is the theme chosen for the Chilean Pavilion at the Sixteenth International Architecture Exhibition of the Venice Biennale. The intent is to capture the story of the National Stadium in Santiago—both a building and a city for a day. On September 29, 1979, 40,000 families filled the stadium’s seats; around 250,000 people from all over the country’s capital. The(...)
Sujet:
Architecture contemporaine
Architecture contemporaine
Publication:
octobre 2018
octobre 2018
Titre:
Stadium: a building to render the image of a city. Chilean pavilion, Venice Biennale 2018
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“Stadium” is the theme chosen for the Chilean Pavilion at the Sixteenth International Architecture Exhibition of the Venice Biennale. The intent is to capture the story of the National Stadium in Santiago—both a building and a city for a day. On September 29, 1979, 40,000 families filled the stadium’s seats; around 250,000 people from all over the country’s capital. The occasion was the signing of documents that transformed these people into proprietors. Prior to the event, the press circulated a list of names of the people summoned to the stadium—beneficiaries of “Operación Sitio,” a public housing program—together with a plan that showed the stadium subdivided into boroughs. This book tells the dual story of the stadium and the exhibition at the Chilean Pavilion, interwoven with the Architecture Exhibition’s broad theme of “Freespace.”
Stadium: a building to render the image of a city. Chilean pavilion, Venice Biennale 2018
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“Stadium” is the theme chosen for the Chilean Pavilion at the Sixteenth International Architecture Exhibition of the Venice Biennale. The intent is to capture the story of the National Stadium in Santiago—both a building and a city for a day. On September 29, 1979, 40,000 families filled the stadium’s seats; around 250,000 people from all over the country’s capital. The occasion was the signing of documents that transformed these people into proprietors. Prior to the event, the press circulated a list of names of the people summoned to the stadium—beneficiaries of “Operación Sitio,” a public housing program—together with a plan that showed the stadium subdivided into boroughs. This book tells the dual story of the stadium and the exhibition at the Chilean Pavilion, interwoven with the Architecture Exhibition’s broad theme of “Freespace.”
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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Description:
149 pages : illustrations ; 23 x 29 cm.
Description:
149 pages : illustrations ; 23 x 29 cm.
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Toronto : Coles Pub. Co., ©1978.
Toronto : Coles Pub. Co., ©1978.
Titre:
Yesterday's Toronto, 1870-1910 / edited by Linda Shapiro.
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Exemplaires:
Description:
149 pages : illustrations ; 23 x 29 cm.
Yesterday's Toronto, 1870-1910 / edited by Linda Shapiro.
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Description:
149 pages : illustrations ; 23 x 29 cm.
Classification:
livres
livres
Publication:
Toronto : Coles Pub. Co., ©1978.
Toronto : Coles Pub. Co., ©1978.
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