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AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
February 1978
Sketchbook 17: A. Nobre - BB - Bouça - Berlim Fr.
Actions:
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
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February 1978
PHCON2002:0016:003:124
7 September 1975
documents textuels
PHCON2002:0016:003:060
5 May 1975
documents textuels
5 May 1975
documents textuels
PHCON2002:0016:003:100
after 5 May 1975
documents textuels
after 5 May 1975
documents textuels
PHCON2002:0016:003:108.1
7 November 1975
documents textuels
7 November 1975
documents textuels
PHCON2002:0016:003:108.2
7 November 1975
documents textuels
7 November 1975
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AP178.S2.1983.012
Description:
This sketchbook contains sketches for Blocke 121, Schlesisches Tor in Berlin, Germany, including Edifício de Apartamentos Bonjour Tristesse, and sketches for Piscina de "Görlitzer Bad" in Kreuzberg, Berlin, Germany. Also inclueded are notes about Évora and Lisbon in Portugal, and a sketch of a project by Fernando Távora.
circa 1983
Sketchbook 157: Prince Albrecht
Actions:
AP178.S2.1983.012
Description:
This sketchbook contains sketches for Blocke 121, Schlesisches Tor in Berlin, Germany, including Edifício de Apartamentos Bonjour Tristesse, and sketches for Piscina de "Görlitzer Bad" in Kreuzberg, Berlin, Germany. Also inclueded are notes about Évora and Lisbon in Portugal, and a sketch of a project by Fernando Távora.
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circa 1983
Dieter Appelt : la catastrophe des choses réunit des images du grenier de la Künstlerhaus Bethanien à Berlin. Fasciné par les lieux chargés d’histoire, l’artiste allemand Dieter Appelt explore le grenier pour faire ressortir les forces invisibles, mystérieuses et imprécises de la dégradation qui dépassent notre expérience. En se concentrant sur des détails de construction(...)
Salle octagonale
17 avril 1996 au 4 août 1996
Dieter Appelt : la catastrophe des choses
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Description:
Dieter Appelt : la catastrophe des choses réunit des images du grenier de la Künstlerhaus Bethanien à Berlin. Fasciné par les lieux chargés d’histoire, l’artiste allemand Dieter Appelt explore le grenier pour faire ressortir les forces invisibles, mystérieuses et imprécises de la dégradation qui dépassent notre expérience. En se concentrant sur des détails de construction(...)
Salle octagonale
Série(s)
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
circa 1919 -1920
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
series
circa 1919 -1920
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AP178.S2.1986.014
Description:
This sketchbook includes sketches of Bonjour Tristesse in Berlin, Germany and for Punt and Komma social housing, in The Hague, Netherlands.
September 1986
Sketchbook 235: Levantamento Moledo - Pedro
Actions:
AP178.S2.1986.014
Description:
This sketchbook includes sketches of Bonjour Tristesse in Berlin, Germany and for Punt and Komma social housing, in The Hague, Netherlands.
dessins
September 1986