10303 Résultats
Classification:
événements
événements
Titre:
Inter / Faces
Inter / Faces
Actions:
Description:
Comment l’architecture répond-elle à un contexte urbain spécifique? Comment la diversité des typologies et les besoins culturels de ses habitants variés peuvent-ils influencer le design? Comment saisir l’essence d’une ville à travers ses bâtiments? Les projets de logement social « Bonjour Tristesse » et « Punt en Komma » de l’architecte portugais Álvaro Siza, conçus pour(...)
Comment l’architecture répond-elle à un contexte urbain spécifique? Comment la diversité des typologies et les besoins culturels de ses habitants variés peuvent-ils influencer le design? Comment saisir l’essence d’une ville à travers ses bâtiments? Les projets de logement social « Bonjour Tristesse » et « Punt en Komma » de l’architecte portugais Álvaro Siza, conçus pour(...)
Date:
29 novembre 2015, 14h30 - 16h30
29 novembre 2015, 14h30 - 16h30
Titre:
Inter / Faces
Actions:
Description:
Comment l’architecture répond-elle à un contexte urbain spécifique? Comment la diversité des typologies et les besoins culturels de ses habitants variés peuvent-ils influencer le design? Comment saisir l’essence d’une ville à travers ses bâtiments? Les projets de logement social « Bonjour Tristesse » et « Punt en Komma » de l’architecte portugais Álvaro Siza, conçus pour(...)
Inter / Faces
Actions:
Description:
Comment l’architecture répond-elle à un contexte urbain spécifique? Comment la diversité des typologies et les besoins culturels de ses habitants variés peuvent-ils influencer le design? Comment saisir l’essence d’une ville à travers ses bâtiments? Les projets de logement social « Bonjour Tristesse » et « Punt en Komma » de l’architecte portugais Álvaro Siza, conçus pour(...)
Classification:
événements
événements
Date:
29 novembre 2015
14h30 - 16h30
29 novembre 2015
14h30 - 16h30
Niveau de description archivistique:
Projet
Projet
Titre:
Applausi [Applause] (1968)
Applausi [Applause] (1968)
Numéro de référence:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Sketchbook 53: Berlim
Sketchbook 53: Berlim
Numéro de référence:
AP178.S2.1979.005
Description:
This sketchbook includes sketches of Kreuzberg, probably for Blocke 70 und 89, Kreuzberg, Fränkelufer and Blocke 11 e 12, Kottbusser Damm, Berlin, Germany. The sketchbook also contains mentions of the publication "Lotus" and Brigitte Fleck.
AP178.S2.1979.005
Description:
This sketchbook includes sketches of Kreuzberg, probably for Blocke 70 und 89, Kreuzberg, Fränkelufer and Blocke 11 e 12, Kottbusser Damm, Berlin, Germany. The sketchbook also contains mentions of the publication "Lotus" and Brigitte Fleck.
Personnes et institutions:
Date:
November 1979
November 1979
Titre:
Sketchbook 53: Berlim
Actions:
AP178.S2.1979.005
Description:
This sketchbook includes sketches of Kreuzberg, probably for Blocke 70 und 89, Kreuzberg, Fränkelufer and Blocke 11 e 12, Kottbusser Damm, Berlin, Germany. The sketchbook also contains mentions of the publication "Lotus" and Brigitte Fleck.
Sketchbook 53: Berlim
Actions:
AP178.S2.1979.005
Description:
This sketchbook includes sketches of Kreuzberg, probably for Blocke 70 und 89, Kreuzberg, Fränkelufer and Blocke 11 e 12, Kottbusser Damm, Berlin, Germany. The sketchbook also contains mentions of the publication "Lotus" and Brigitte Fleck.
Classification:
dessins
dessins
Date:
November 1979
November 1979
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR2006:0168
DR2006:0168
Personnes et institutions:
Date:
1995?
1995?
Classification:
dessins
dessins
Date:
1995?
1995?
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR2006:0169
DR2006:0169
Personnes et institutions:
Date:
1995?
1995?
Titre:
Île Derborence, Parc Matisse, Lille, France : schéma initial : plan de plantation
Actions:
DR2006:0169
Île Derborence, Parc Matisse, Lille, France : schéma initial : plan de plantation
Actions:
DR2006:0169
Classification:
dessins
dessins
Date:
1995?
1995?
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Sketchbook 74: Berlim
Sketchbook 74: Berlim
Numéro de référence:
AP178.S2.1981.002
Description:
This sketchbook inlcudes sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse) as well as sketches for Casa Avelino Duarte in Ovar, Portugal. The sketchbook also contains notes, sketches of people, and furniture.
AP178.S2.1981.002
Description:
This sketchbook inlcudes sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse) as well as sketches for Casa Avelino Duarte in Ovar, Portugal. The sketchbook also contains notes, sketches of people, and furniture.
Personnes et institutions:
Date:
January 1981
January 1981
Titre:
Sketchbook 74: Berlim
Actions:
AP178.S2.1981.002
Description:
This sketchbook inlcudes sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse) as well as sketches for Casa Avelino Duarte in Ovar, Portugal. The sketchbook also contains notes, sketches of people, and furniture.
Sketchbook 74: Berlim
Actions:
AP178.S2.1981.002
Description:
This sketchbook inlcudes sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse) as well as sketches for Casa Avelino Duarte in Ovar, Portugal. The sketchbook also contains notes, sketches of people, and furniture.
Classification:
dessins
dessins
Date:
January 1981
January 1981
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1987.005
Description:
This sketchbook includes sketches for the Faculty of Architecture of the University of Porto, Portugal, for Bonjour Tristesse in Berlin, Germany and for a project in Setubal. It also includes notes for the Macau City expansion plan in China.
AP178.S2.1987.005
Description:
This sketchbook includes sketches for the Faculty of Architecture of the University of Porto, Portugal, for Bonjour Tristesse in Berlin, Germany and for a project in Setubal. It also includes notes for the Macau City expansion plan in China.
Personnes et institutions:
Date:
April 1987
April 1987
Titre:
Sketchbook 247: Setubal - Texto Macau
Actions:
AP178.S2.1987.005
Description:
This sketchbook includes sketches for the Faculty of Architecture of the University of Porto, Portugal, for Bonjour Tristesse in Berlin, Germany and for a project in Setubal. It also includes notes for the Macau City expansion plan in China.
Sketchbook 247: Setubal - Texto Macau
Actions:
AP178.S2.1987.005
Description:
This sketchbook includes sketches for the Faculty of Architecture of the University of Porto, Portugal, for Bonjour Tristesse in Berlin, Germany and for a project in Setubal. It also includes notes for the Macau City expansion plan in China.
Classification:
dessins
dessins
Date:
April 1987
April 1987
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1980.001
Description:
This sketchbook includes notes and sketches of Kreuzberg, Berlin, Germany and the Bouça housing complex in Porto, Portugal. Notes mention Brigitte Fleck, Dr. Braga, B. Borges, and include a schedule of meetings regarding work in Évora, Portugal.
AP178.S2.1980.001
Description:
This sketchbook includes notes and sketches of Kreuzberg, Berlin, Germany and the Bouça housing complex in Porto, Portugal. Notes mention Brigitte Fleck, Dr. Braga, B. Borges, and include a schedule of meetings regarding work in Évora, Portugal.
Personnes et institutions:
Date:
May 1980
May 1980
Titre:
Sketchbook 55: Évora Casa Garagens - Berlim (Pequeno)
Actions:
AP178.S2.1980.001
Description:
This sketchbook includes notes and sketches of Kreuzberg, Berlin, Germany and the Bouça housing complex in Porto, Portugal. Notes mention Brigitte Fleck, Dr. Braga, B. Borges, and include a schedule of meetings regarding work in Évora, Portugal.
Sketchbook 55: Évora Casa Garagens - Berlim (Pequeno)
Actions:
AP178.S2.1980.001
Description:
This sketchbook includes notes and sketches of Kreuzberg, Berlin, Germany and the Bouça housing complex in Porto, Portugal. Notes mention Brigitte Fleck, Dr. Braga, B. Borges, and include a schedule of meetings regarding work in Évora, Portugal.
Classification:
dessins
dessins
Date:
May 1980
May 1980
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
Localisation:
Salles principales
Salles principales
Date:
2 mars 1994 au 19 juin 1994
2 mars 1994 au 19 juin 1994
Titre:
Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
Actions:
Description:
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
Actions:
Description:
*Cités de l’archéologie fictive : oeuvres de Peter Eisenman, 1978-1988* examine la façon dont Eisenman a remis en question le concept de « site » et montre l’importance du dessin et de la fabrication de maquettes dans la genèse de ses idées. L’exposition révèle la richesse et la complexité des procédés de conception mis en œuvre par Einsenman en examinant attentivement(...)
Classification:
expositions
expositions
Date:
2 mars 1994 au
19 juin 1994
2 mars 1994 au
19 juin 1994
Localisation:
Salles principales
Salles principales
Classification:
dessins
dessins
Numéro de référence:
ARCH281730
Description:
This sketchbook includes notes and sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse and Kita) and for the Quinta da Malagueira housing estate in Évora, Portugal. The sketchbook also includes notes and sketches of people.
ARCH281730
Description:
This sketchbook includes notes and sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse and Kita) and for the Quinta da Malagueira housing estate in Évora, Portugal. The sketchbook also includes notes and sketches of people.
Personnes et institutions:
Date:
October 1981
October 1981
Titre:
Sketchbook 95: Évora (Remates) - Berlim
Actions:
ARCH281730
Description:
This sketchbook includes notes and sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse and Kita) and for the Quinta da Malagueira housing estate in Évora, Portugal. The sketchbook also includes notes and sketches of people.
Sketchbook 95: Évora (Remates) - Berlim
Actions:
ARCH281730
Description:
This sketchbook includes notes and sketches for Blocke 121, Schlesisches Tor in Berlin, Germany (including Bonjour Tristesse and Kita) and for the Quinta da Malagueira housing estate in Évora, Portugal. The sketchbook also includes notes and sketches of people.
Classification:
dessins
dessins
Date:
October 1981
October 1981
Personnes et institutions:
