DR2019:0013
Description:
Model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
1983?
Model for Folly Three: The Rigorous Abolition of History
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DR2019:0013
Description:
Model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
dessins
DR1976:0008
Description:
- Drawings DR1976:0008 and DR1976:0009 show a project for a rotunda designed by Legrand and Molinos for the amphitheatre for the Museum of Natural History, Paris. The final design for a square building with three semi-circular rotundas, was built by Legrand and Molinos in the Jardin des Plantes, Paris (1791). These drawings were once part of an album of Legrand architectural designs.
1792 ?
Principal elevation for an amphitheatre for the Museum of Natural History, Paris
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DR1976:0008
Description:
- Drawings DR1976:0008 and DR1976:0009 show a project for a rotunda designed by Legrand and Molinos for the amphitheatre for the Museum of Natural History, Paris. The final design for a square building with three semi-circular rotundas, was built by Legrand and Molinos in the Jardin des Plantes, Paris (1791). These drawings were once part of an album of Legrand architectural designs.
dessins
1792 ?
L’histoire de l’architecture traite des relations entre espace, bâtiment, géométrie urbaine et pratiques sociales – elle exprime comment l’expérience de l’espace correspond à une expérience du monde. Cette conférence présentera une analyse du débat qui, au XVIe siècle, a entouré l’achèvement de la façade de la basilique San Petronio à Bologne, construite en partie dans un(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Guido Beltramini, basilique San Petronio, Bologne, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
5 octobre 2017, 18h30
Guido Beltramini, quel sens avait l’histoire pour les architectes et leurs mécènes à Bologne, en 1579?
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Description:
L’histoire de l’architecture traite des relations entre espace, bâtiment, géométrie urbaine et pratiques sociales – elle exprime comment l’expérience de l’espace correspond à une expérience du monde. Cette conférence présentera une analyse du débat qui, au XVIe siècle, a entouré l’achèvement de la façade de la basilique San Petronio à Bologne, construite en partie dans un(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Guido Beltramini, basilique San Petronio, Bologne, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
documents textuels
ARCH153848
Description:
Education Programs 1981-1982 with list of Faculty and students Memos to PDE Folder with one-page handwriting notes introducing PDE's history class
1980-1982
B. IAUS - Educational, 1980-1982, PDE - Undergraduate History
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ARCH153848
Description:
Education Programs 1981-1982 with list of Faculty and students Memos to PDE Folder with one-page handwriting notes introducing PDE's history class
documents textuels
1980-1982
dessins
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
1983
Sections and plan for Folly Three: The Rigorous Abolition of History
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DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
dessins
1983
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
documents textuels
ARCH153847
Description:
Folder: Press Clippings Folder: Xerox: Prof. A.R. Rivkin: "Trois classes de Sémiologie architecturale" - Buenos Aires Xerox: Julia Kristeva: "The Semiotic Activity" Various drawings by PDE Notes on House X
1981
Notes & syllabus of history class by PDE & Christian Hubert, 1981
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ARCH153847
Description:
Folder: Press Clippings Folder: Xerox: Prof. A.R. Rivkin: "Trois classes de Sémiologie architecturale" - Buenos Aires Xerox: Julia Kristeva: "The Semiotic Activity" Various drawings by PDE Notes on House X
documents textuels
1981
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
10 mai 2017 au 15 octobre 2017
L’histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Tamar Zinguer, chercheure au Programme d’accueil 2014 et professeure associée à la Cooper Union, analyse la propension dans la discipline architecturale pour un terme littéraire « degré zéro ». Cliquez ici pour lévénement Facebook.
Maison Shaughnessy
10 juillet 2014, 18h
Séminaire de chercheur en résidence : Tamar Zinguer
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Description:
Tamar Zinguer, chercheure au Programme d’accueil 2014 et professeure associée à la Cooper Union, analyse la propension dans la discipline architecturale pour un terme littéraire « degré zéro ». Cliquez ici pour lévénement Facebook.
Maison Shaughnessy
photographies
ARCH252107
Description:
views of models, floor plans and preliminary drawing for the Vassar College Art History Department, Poughkeepsie, New York; of a model of The Portland Building, Portland, Oregon; and of models of the Sunar Showroom, Chicago, Illinois by architect Michael Graves, some photographs by Stephen Blutter
circa 1967-1982
Views of models, floor plans and preliminary drawing for the Vassar College Art History Department
Actions:
ARCH252107
Description:
views of models, floor plans and preliminary drawing for the Vassar College Art History Department, Poughkeepsie, New York; of a model of The Portland Building, Portland, Oregon; and of models of the Sunar Showroom, Chicago, Illinois by architect Michael Graves, some photographs by Stephen Blutter
photographies
circa 1967-1982