197 Résultats
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Sexuality and space
Sexuality and space
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$49.95
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This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within(...)
$49.95
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Résumé:
This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within(...)
Publication:
janvier 1992, New York
janvier 1992, New York
Titre:
Sexuality and space
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$49.95
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This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.
Sexuality and space
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$49.95
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This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.
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livres
livres
Publication:
janvier 1992, New York
janvier 1992, New York
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livres
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248 pages : illustrations (some color) ; 29 cm
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248 pages : illustrations (some color) ; 29 cm
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Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
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Mies van der Rohe : Barcelona 1929.
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248 pages : illustrations (some color) ; 29 cm
Mies van der Rohe : Barcelona 1929.
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248 pages : illustrations (some color) ; 29 cm
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livres
livres
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Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
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181 pages : chiefly illustrations (some color) ; 30 cm
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181 pages : chiefly illustrations (some color) ; 30 cm
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Zurich : B.frank Books, 2017.
Zurich : B.frank Books, 2017.
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Welcome (To The Teknival) E-1027 / Kasper Akhøj.
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181 pages : chiefly illustrations (some color) ; 30 cm
Welcome (To The Teknival) E-1027 / Kasper Akhøj.
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181 pages : chiefly illustrations (some color) ; 30 cm
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livres
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Zurich : B.frank Books, 2017.
Zurich : B.frank Books, 2017.
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215 pages, 1 unnumbered page : illustrations (chiefly color), color charts, map, plans (some color), portraits (some color) ; 31 cm
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215 pages, 1 unnumbered page : illustrations (chiefly color), color charts, map, plans (some color), portraits (some color) ; 31 cm
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Berlin : Hatje Cantz Verlag GmbH, [2021], ©2021
Berlin : Hatje Cantz Verlag GmbH, [2021], ©2021
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Women in architecture : past, present, and future / Ursula Schwitalla (ed.) ; translation from the German, Donna Blagg, Alison Kirkland, Steven Lindberg.
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215 pages, 1 unnumbered page : illustrations (chiefly color), color charts, map, plans (some color), portraits (some color) ; 31 cm
Women in architecture : past, present, and future / Ursula Schwitalla (ed.) ; translation from the German, Donna Blagg, Alison Kirkland, Steven Lindberg.
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215 pages, 1 unnumbered page : illustrations (chiefly color), color charts, map, plans (some color), portraits (some color) ; 31 cm
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livres
livres
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Berlin : Hatje Cantz Verlag GmbH, [2021], ©2021
Berlin : Hatje Cantz Verlag GmbH, [2021], ©2021
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322 pages : illustrations (some color), plans, portraits ; 25 cm.
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322 pages : illustrations (some color), plans, portraits ; 25 cm.
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Annandale-on-Hudson, NY : Center for Curatorial Studies, Bard College ; Berlin : Sternberg Press, 2012., ©2012
Annandale-on-Hudson, NY : Center for Curatorial Studies, Bard College ; Berlin : Sternberg Press, 2012., ©2012
Titre:
Interiors / edited by Johanna Burton, Lynne Cooke, and Josiah McElheny.
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322 pages : illustrations (some color), plans, portraits ; 25 cm.
Interiors / edited by Johanna Burton, Lynne Cooke, and Josiah McElheny.
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322 pages : illustrations (some color), plans, portraits ; 25 cm.
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livres
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Annandale-on-Hudson, NY : Center for Curatorial Studies, Bard College ; Berlin : Sternberg Press, 2012., ©2012
Annandale-on-Hudson, NY : Center for Curatorial Studies, Bard College ; Berlin : Sternberg Press, 2012., ©2012
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livres
livres
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Domesticity at War
Domesticity at War
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$54.95
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Résumé:
In the years immediately following World War II, America embraced modern architecture--not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic(...)
$54.95
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Résumé:
In the years immediately following World War II, America embraced modern architecture--not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mars 2007, Cambridge / London
mars 2007, Cambridge / London
Titre:
Domesticity at War
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$54.95
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In the years immediately following World War II, America embraced modern architecture--not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic use. Just as manufacturers were turning wartime industry to peacetime productivity--going from missiles to washing machines--American architects and cultural institutions were, in Buckminster Fuller’s words, turning "weaponry into livingry." This new form of domesticity itself turned out to be a powerful weapon. Images of American domestic bliss--suburban homes, manicured lawns, kitchen accessories--went around the world as an effective propaganda campaign. Cold War anxieties were masked by endlessly repeated images of a picture-perfect domestic environment. Even the popular conception of the architect became domesticated, changing from that of an austere modernist to a plaid-shirt wearing homebody. Domesticity at War itself has a distinctive architecture. Housed within the case are two units: one book of text, and one book of illustrations--most of them in color, including advertisements, newspaper and magazine articles, architectural photographs, and more.
Domesticity at War
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$54.95
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In the years immediately following World War II, America embraced modern architecture--not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic use. Just as manufacturers were turning wartime industry to peacetime productivity--going from missiles to washing machines--American architects and cultural institutions were, in Buckminster Fuller’s words, turning "weaponry into livingry." This new form of domesticity itself turned out to be a powerful weapon. Images of American domestic bliss--suburban homes, manicured lawns, kitchen accessories--went around the world as an effective propaganda campaign. Cold War anxieties were masked by endlessly repeated images of a picture-perfect domestic environment. Even the popular conception of the architect became domesticated, changing from that of an austere modernist to a plaid-shirt wearing homebody. Domesticity at War itself has a distinctive architecture. Housed within the case are two units: one book of text, and one book of illustrations--most of them in color, including advertisements, newspaper and magazine articles, architectural photographs, and more.
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livres
livres
Publication:
mars 2007, Cambridge / London
mars 2007, Cambridge / London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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336 pages : illustrations ; 24 cm.
Description:
336 pages : illustrations ; 24 cm.
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Berlin : Sternberg Press ; Amsterdam : SKOR, ©2011.
Berlin : Sternberg Press ; Amsterdam : SKOR, ©2011.
Titre:
Caring culture : art, architecture and the politics of public health / [editors] Andrea Phillips, Markus Miessen.
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336 pages : illustrations ; 24 cm.
Caring culture : art, architecture and the politics of public health / [editors] Andrea Phillips, Markus Miessen.
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336 pages : illustrations ; 24 cm.
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livres
livres
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Berlin : Sternberg Press ; Amsterdam : SKOR, ©2011.
Berlin : Sternberg Press ; Amsterdam : SKOR, ©2011.
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$47.95
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À travers l'oeuvre de deux figures majeures du mouvement moderne, Adolf Loos et Le Corbusier, Béatriz Colomina analyse cette architecture qui ne devient moderne que dans sa confrontation avec les mass médias. Au lieu d'aborder l'architecture moderne comme une pratique artistique en opposition à la culture de masse, Colomina considère les systèmes émergents(...)
$47.95
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Résumé:
À travers l'oeuvre de deux figures majeures du mouvement moderne, Adolf Loos et Le Corbusier, Béatriz Colomina analyse cette architecture qui ne devient moderne que dans sa confrontation avec les mass médias. Au lieu d'aborder l'architecture moderne comme une pratique artistique en opposition à la culture de masse, Colomina considère les systèmes émergents(...)
Titre:
La publicité du privé : de Loos à Le Corbusier
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À travers l'oeuvre de deux figures majeures du mouvement moderne, Adolf Loos et Le Corbusier, Béatriz Colomina analyse cette architecture qui ne devient moderne que dans sa confrontation avec les mass médias. Au lieu d'aborder l'architecture moderne comme une pratique artistique en opposition à la culture de masse, Colomina considère les systèmes émergents de communication, qui définiront la culture du XXe siècle, comme le lieu véritable de production de l'architecture moderne. Elle déplace ainsi le discours architectural vers l'intersection de nombreux systèmes de représention (dessin, maquette, photographie, livre, publicité). Avec la modernité, le lieu de la production architecturale s'est littéralement transféré de la rue vers les photographies, les films, les publications ou les expositions - déplacement qui présuppose un nouveau sens de l'espace, défini par des images plutôt que par des murs. Colomina nous retrace ces modifications radicales dans l'expérience de l'espace à travers les incarnations modernes de l'archive, de la ville, de la mode, du tourisme, de la guerre, de la sexualité.
La publicité du privé : de Loos à Le Corbusier
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$47.95
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Résumé:
À travers l'oeuvre de deux figures majeures du mouvement moderne, Adolf Loos et Le Corbusier, Béatriz Colomina analyse cette architecture qui ne devient moderne que dans sa confrontation avec les mass médias. Au lieu d'aborder l'architecture moderne comme une pratique artistique en opposition à la culture de masse, Colomina considère les systèmes émergents de communication, qui définiront la culture du XXe siècle, comme le lieu véritable de production de l'architecture moderne. Elle déplace ainsi le discours architectural vers l'intersection de nombreux systèmes de représention (dessin, maquette, photographie, livre, publicité). Avec la modernité, le lieu de la production architecturale s'est littéralement transféré de la rue vers les photographies, les films, les publications ou les expositions - déplacement qui présuppose un nouveau sens de l'espace, défini par des images plutôt que par des murs. Colomina nous retrace ces modifications radicales dans l'expérience de l'espace à travers les incarnations modernes de l'archive, de la ville, de la mode, du tourisme, de la guerre, de la sexualité.
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livres
livres
Publication:
avril 1998, Orléans
avril 1998, Orléans
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$62.00
(disponible sur commande)
Résumé:
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
$62.00
(disponible sur commande)
Résumé:
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
Titre:
Privacy and publicity : modern architecture as mass media
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$62.00
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Résumé:
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
Privacy and publicity : modern architecture as mass media
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$62.00
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Résumé:
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
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livres
livres
Publication:
avril 1996, Cambridge
avril 1996, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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vidéo
vidéo
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1 videodisc (59 min., 37 sec.) : sound, color ; 4 3/4 in.
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1 videodisc (59 min., 37 sec.) : sound, color ; 4 3/4 in.
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New York, NY : Michael Blackwood Productions, ©2011.
New York, NY : Michael Blackwood Productions, ©2011.
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Permanent change : plastics in architecture and engineering / produced by Michael Blackwood Productions, Inc ; producer and director, Michael Blackwood.
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1 videodisc (59 min., 37 sec.) : sound, color ; 4 3/4 in.
Permanent change : plastics in architecture and engineering / produced by Michael Blackwood Productions, Inc ; producer and director, Michael Blackwood.
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1 videodisc (59 min., 37 sec.) : sound, color ; 4 3/4 in.
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vidéo
vidéo
Publication:
New York, NY : Michael Blackwood Productions, ©2011.
New York, NY : Michael Blackwood Productions, ©2011.
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