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This monograph on the work of Austrian architect Carl Pruscha (born 1936) is divided into the three geographical areas into which his life and legacy falls: the United States, Kathmandu and Vienna. Following his study of architecture at the Academy of Fine Arts Vienna, Pruscha spent the early 1960s at Harvard University’s Graduate School of Design, constantly in search of(...)
Carl Pruscha: singular personality. Architect, bohemian, activist
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This monograph on the work of Austrian architect Carl Pruscha (born 1936) is divided into the three geographical areas into which his life and legacy falls: the United States, Kathmandu and Vienna. Following his study of architecture at the Academy of Fine Arts Vienna, Pruscha spent the early 1960s at Harvard University’s Graduate School of Design, constantly in search of inspiration and visions. An invitation by the UN to go to Nepal in 1964 enabled him to establish himself there as a practicing architect, embarking on various construction projects and the Kathmandu Valley Development and Preservation Project. After returning to Vienna in 1978, he became the head of the Academy of Fine Arts. The three sections in this book are accompanied by photographic portfolios by Iwan Baan and Hertha Hurnaus, numerous project documentations and a detailed timeline.
Monographies photo
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political(...)
Théorie de la photographie
septembre 2023
Citizens of photography: The camera and the political imagination
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography’s performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography’s open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality.
Théorie de la photographie
MOS: selected works
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Their work has been described as experimental and innovative, qualities front-and-center in their previous collection Everything All at Once. In just ten years, Michael Meredith and Hilary Sample have established MOS as one of the leading young architecture practices in the country. Selected Works, the first monograph on the built work of the New York–based firm, follows(...)
MOS: selected works
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Their work has been described as experimental and innovative, qualities front-and-center in their previous collection Everything All at Once. In just ten years, Michael Meredith and Hilary Sample have established MOS as one of the leading young architecture practices in the country. Selected Works, the first monograph on the built work of the New York–based firm, follows the design studio's evolution from their earliest works to their most celebrated houses and institutional buildings. The thirty-two projects featured range from the sophisticated to the absurd—from the serene Floating House in Ontario, Canada, and the sustainable Kathmandu Orphanage in Nepal to the playful puppet theater at Harvard's Carpenter Center and the appropriately named Rainbow Vomit installation in New York, a digital, interactive, computational heap of building blocks in a constant state of near collapse. The collection also includes a selection of the couple's unorthodox writings, including their satirical "Office Policy" employee manual.
Architecture, monographies
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a(...)
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked. Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements and Moments is an introductory glimpse into how Indegenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions. This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across 42 countries to spotlight feminist movements and advocacies in the Global South.
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