2516 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
Personnes et institutions:
Date:
1977
1977
Titre:
Symposium: “Towards a Theory of the Humanities”; University of South California; Nov. 17-19, 1977.
Actions:
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
Symposium: “Towards a Theory of the Humanities”; University of South California; Nov. 17-19, 1977.
Actions:
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
Classification:
documents textuels
documents textuels
Date:
1977
1977
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
Personnes et institutions:
Date:
1965- 2009
1965- 2009
Titre:
Studies in tectonic culture (1984-2018)
Actions:
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
Studies in tectonic culture (1984-2018)
Actions:
AP197.S1.SS6
Description:
This subseries documents Kenneth Frampton’s writing of “Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture” (1995) as well as his other writings related to tectonics such as course materials for the “Studies in Tectonic Culture” seminar at the Graduate School of Architecture, Planning and Preservation (GSAPP) and some research materials on tectonics. Kenneth Frampton's research interest in tectonics began with four lectures he gave at Rice University in Texas in the 1980s. The lectures focused on the work of Louis Kahn, Mies van der Rohe, Auguste Perret, and Jørn Urzon. This research interest later became a book and teaching project in the early 1990s. Textual documentation in this subseries consists of contracts, book reviews, abstracts, correspondence, drafts for various chapters, notes, selected photographic materials for the publication and various articles on tectonics (written by others). Course outlines, course readers, lecture slides, student papers, and midterm exams from the Studies in Tectonic Culture seminar at GSAPP are also included in this subseries.
Niveau de description archivistique:
Subseries
Subseries
Date:
1965- 2009
1965- 2009
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Personnes et institutions:
Date:
1911-1977
1911-1977
Titre:
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Classification:
archives
Niveau de description archivistique:
Collection AP162
archives
Niveau de description archivistique:
Collection AP162
Date:
1911-1977
1911-1977
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
Personnes et institutions:
Date:
1965
1965
Titre:
York University, Lecture Hall No. 1, North York, Ontario (1964-1965)
Actions:
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
York University, Lecture Hall No. 1, North York, Ontario (1964-1965)
Actions:
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
Niveau de description archivistique:
Project
Project
Date:
1965
1965
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Victor Prus
Fonds Victor Prus
Numéro de référence:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Personnes et institutions:
Date:
1945-1992
1945-1992
Titre:
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1945-1992
1945-1992
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
Personnes et institutions:
Date:
[ca. 1948-2004?]
[ca. 1948-2004?]
Titre:
James Stirling/Michael Wilford professional papers
Actions:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
James Stirling/Michael Wilford professional papers
Actions:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
Niveau de description archivistique:
Series 2
Series 2
Date:
[ca. 1948-2004?]
[ca. 1948-2004?]
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255518
Description:
correspondence with Fritz, Goldsmith's notes on Billingtons, Maillart, "RIBA lecture 1966", cue cards for 1987 bridge lecture at U.C. Berkley 12 May 1987, "October 1983 Arts Club M.G. Retirement", "Hilberseimer", "Effects of scale" presented at American Soceity of Civil Engineers 25 April 1977", steno notebook of notes, "Nomination fo Goldsmith for 1994 National Medal of Arts", letter drafts, clipping of a book review, I.I.T. award for Excellence in Teaching presented 25 April 1990
ARCH255518
Description:
correspondence with Fritz, Goldsmith's notes on Billingtons, Maillart, "RIBA lecture 1966", cue cards for 1987 bridge lecture at U.C. Berkley 12 May 1987, "October 1983 Arts Club M.G. Retirement", "Hilberseimer", "Effects of scale" presented at American Soceity of Civil Engineers 25 April 1977", steno notebook of notes, "Nomination fo Goldsmith for 1994 National Medal of Arts", letter drafts, clipping of a book review, I.I.T. award for Excellence in Teaching presented 25 April 1990
Personnes et institutions:
Date:
1937-1991
1937-1991
Titre:
M.G. talks, intros, lecture notes
Actions:
ARCH255518
Description:
correspondence with Fritz, Goldsmith's notes on Billingtons, Maillart, "RIBA lecture 1966", cue cards for 1987 bridge lecture at U.C. Berkley 12 May 1987, "October 1983 Arts Club M.G. Retirement", "Hilberseimer", "Effects of scale" presented at American Soceity of Civil Engineers 25 April 1977", steno notebook of notes, "Nomination fo Goldsmith for 1994 National Medal of Arts", letter drafts, clipping of a book review, I.I.T. award for Excellence in Teaching presented 25 April 1990
M.G. talks, intros, lecture notes
Actions:
ARCH255518
Description:
correspondence with Fritz, Goldsmith's notes on Billingtons, Maillart, "RIBA lecture 1966", cue cards for 1987 bridge lecture at U.C. Berkley 12 May 1987, "October 1983 Arts Club M.G. Retirement", "Hilberseimer", "Effects of scale" presented at American Soceity of Civil Engineers 25 April 1977", steno notebook of notes, "Nomination fo Goldsmith for 1994 National Medal of Arts", letter drafts, clipping of a book review, I.I.T. award for Excellence in Teaching presented 25 April 1990
Classification:
documents textuels
documents textuels
Date:
1937-1991
1937-1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
Personnes et institutions:
Date:
1999, 2001
1999, 2001
Titre:
Edificio de servicios generales para la Universidad de Extremadura, Mérida, Spain (1999-2001)
Actions:
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
Edificio de servicios generales para la Universidad de Extremadura, Mérida, Spain (1999-2001)
Actions:
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1999, 2001
1999, 2001
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Personnes et institutions:
Date:
1994-2004
1994-2004
Titre:
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2004
1994-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Personnes et institutions:
Date:
2003-2008
2003-2008
Titre:
Collection d’Aldo Cibic pour le projet Microrealities
Actions:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Collection d’Aldo Cibic pour le projet Microrealities
Actions:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Classification:
archives
Niveau de description archivistique:
collection
archives
Niveau de description archivistique:
collection
Date:
2003-2008
2003-2008
Personnes et institutions:
