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Japanese architect Go Hasegawa engages some of today’s most relevant European architects in a series of conversations that touch upon the current and topical issues at play in architecture on the continent and globally. From asking Peter Märkli about the sense of history in his works, or illuminating the methods of economy used by Lacaton & Vassal, to discussing(...)
Go Hasegawa : conversations with European architects
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Japanese architect Go Hasegawa engages some of today’s most relevant European architects in a series of conversations that touch upon the current and topical issues at play in architecture on the continent and globally. From asking Peter Märkli about the sense of history in his works, or illuminating the methods of economy used by Lacaton & Vassal, to discussing multiplicity in architecture with Álvaro Siza, the book brims with insightful questions and answers from the field’s leading practitioners. Featuring interviews with Álvaro Siza, Valerio Olgiati, Peter Märkli, Anne Lacaton and Jean-Philippe Vassal, Pascal Flammer, and Kersten Geers and David Van Severen.
Architecture, monographies
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This monographic issue examines recent work by Belgian architects Kersten Geers and David Van Severen and their Brussels-based firm, OFFICE, which was established in 2002 as a means of exploring the prospect of architecture within the contemporary culture and urban environment. Currently a team of about 40 architects, it has evolved a practical and pragmatic approach to(...)
El Croquis 226 : OFFICE 2017-2024
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This monographic issue examines recent work by Belgian architects Kersten Geers and David Van Severen and their Brussels-based firm, OFFICE, which was established in 2002 as a means of exploring the prospect of architecture within the contemporary culture and urban environment. Currently a team of about 40 architects, it has evolved a practical and pragmatic approach to design in which architecture becomes nothing less than a civic obligation. An overview of 25 projects, including a crematorium, dental clinic, and art gallery, is introduced by a conversation with Giovanna Borasi, director of the Canadian Centre for Architecture in Montreal, and the two founding architects.
Revues
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This issue’s main feature focuses on the circular economy, a topical theme explored through works by Herzog & de Meuron, BeAr, and Harquitectes, among others, and commentary by architect Mireia Luzárraga of Barcelona-based TAKK studio. In connection with this subject there is a conversation with the curators of the Spanish Pavilion at the Venice Biennale, Manuel Bouzas(...)
AV Proyectos 130 : Circular economy
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This issue’s main feature focuses on the circular economy, a topical theme explored through works by Herzog & de Meuron, BeAr, and Harquitectes, among others, and commentary by architect Mireia Luzárraga of Barcelona-based TAKK studio. In connection with this subject there is a conversation with the curators of the Spanish Pavilion at the Venice Biennale, Manuel Bouzas and Roi Salgueiro. In addition, the construction of the new building by OFFICE Kersten Geers David Van Severen for Swiss Radio and Television in Lausanne is covered, plus an illustrated travelogue of editor Luis Fernández-Galiano’s recent trip to China with Gong Dong, head of Vector Architects.
Revues
livres
032C Magazine 46
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This book chronicles the fourth academic year of the studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. It was produced as a counterpart to Experiments in Thickness, a book which focused on the work of Giancarlo de Carlo in Urbino. As a means of grappling with that elephant in the room—the modern project—and its perceived failure of good(...)
032C Magazine 46
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This book chronicles the fourth academic year of the studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. It was produced as a counterpart to Experiments in Thickness, a book which focused on the work of Giancarlo de Carlo in Urbino. As a means of grappling with that elephant in the room—the modern project—and its perceived failure of good intentions, all the projects gathered here are an update of sorts. Abstract overarching narratives were updated as premises for projects in Milan, De Carlo’s campus in Urbino was updated to accommodate current student population, and unrealised projects in Milan were revived to create a radically contemporary urbanity. But this was not an exercise in nostalgia and retrieval of the lost cause, as much as seeking an opportunity in a modernist ending.
livres
octobre 2024
Revues
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Architecture contemporaine
Open architecture
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La collection « Open-A » a pour ambition majeure d’explorer le potentiel de réinterprétation lié à l’histoire et à la théorie en architecture. En d’autres termes, « Open-A » vise à parcourir les récits des époques antérieures, de construire de nouvelles associations, de faire émerger de nouveaux concepts, par le biais d’une relecture du passé en vue d’une description de(...)
Open architecture
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La collection « Open-A » a pour ambition majeure d’explorer le potentiel de réinterprétation lié à l’histoire et à la théorie en architecture. En d’autres termes, « Open-A » vise à parcourir les récits des époques antérieures, de construire de nouvelles associations, de faire émerger de nouveaux concepts, par le biais d’une relecture du passé en vue d’une description de l’état présent de l’architecture. Le premier tome de la collection, dirigé par Xavier Van Rooyen et intitulé « Open Architecture », débute par la traduction d’une interview de Go Hasegawa, Kersten Geers et David Van Severen. Il est en outre né à partir d’un cycle de conférences (2017 – 2019) qui a regroupé des interventions de Jacques Lucan, Dominique Rouillard, Roberto Gargiani, Catherine Blain, Dirk van den Heuvel et Véronique Patteeuw. Ces conférences s’étaient ancrées dans la période des années 1960 marquée par la transition du modernisme au postmodernisme, une époque optimiste, politiquement engagée, florissante en imaginaires et en récits visuels, radicale dans sa pensée et dans la révolution qu’elle prônait.
Théorie de l’architecture
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year