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283 pages : illustrations (some color) ; 30 cm
[Dresden] : Verlag der Kunst, ©1997.
Aufriss : künstlerische Positionen zur Industrielandschaft in der Mitte Europas / ein Projekt der Kulturstiftung des Freistaates Sachsen und des Siemens Kulturprogramms ; Lewis Baltz [and others].
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283 pages : illustrations (some color) ; 30 cm
livres
[Dresden] : Verlag der Kunst, ©1997.
Lewis Baltz : texts
$35.00
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Résumé:
This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le(...)
Lewis Baltz : texts
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This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko, among others. This important publication gives Baltz's literary output the standing it deserves and offers a unique insight into some of history's leading photographers.
Théorie de la photographie
$81.50
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Lewis Baltz, with his iconic, minimalist photos of suburban landscape, is considered the founder of the New topographics movement. Reproduced for the first time, his earliest portfolio, The Tract Houses (1971), illuminate Baltz’s drive to capture the reality of a sprawling Western ecology gone wild.
Monographies photo
janvier 1900, Santa Monica
Lewis Baltz : the tract houses
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Lewis Baltz, with his iconic, minimalist photos of suburban landscape, is considered the founder of the New topographics movement. Reproduced for the first time, his earliest portfolio, The Tract Houses (1971), illuminate Baltz’s drive to capture the reality of a sprawling Western ecology gone wild.
Monographies photo
$13.33
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''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered(...)
An interview with Lewis Baltz
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''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Théorie de la photographie
livres
$79.95
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet(...)
Lewis Baltz : the new industrial parks near Irvine, California
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet critical view of the emerging, man-altered landscape. This milestone in the history of American contemporary photography, is once again available in an impeccable facsimile of the original publication.
livres
janvier 2000, Santa Monica / Göttingen
Monographies photo
livres
Description:
224 pages : illustrations (some color) ; 23 cm
New York, NY : D.A.P/Distributed Art Publishers, Inc., 2018., ©2018
Shape of light : 100 years of photography and abstract art / edited by Simon Baker and Emmanuelle de l'Ecotais with Shoair Mavlian ; with contributions by Sarah Allen, Simon Baker, Emmanuelle de l'Ecotais, Emma Lewis, Shoair Mavlian.
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224 pages : illustrations (some color) ; 23 cm
livres
New York, NY : D.A.P/Distributed Art Publishers, Inc., 2018., ©2018
livres
Description:
255 pages : illustrations ; 34 cm
New York : Horizon Press, [1978], ©1978
Court house, a photographic document / edited by Richard Pare ; conceived and directed by Phyllis Lambert ; the writers of Court house, Phyllis Lambert, Richard Pare, The Honorable Paul C. Reardon, Calvin Trillin, Henry-Russell Hitchcock & William Seale ; the photographers of Court house, Harold Allen, Lewis Baltz, Richard Bartlett, Douglas Baz, Caldecot Chubb, William Clift, Jim Dow, Frank Gohlke, Allen Hess, Pirkle Jones, Lewis Kostiner, Ellen Lan-Weber, Patrick Linehan, Nicholas Nixon, Ira Nowinski, Tod Papageorge, Richard Pare, Stephen Shore, Bob Thall, Jerry Thompson, Charles H. Traub, Paul Vanderbilt, Laura Volkerding, Geoff Winningham.
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255 pages : illustrations ; 34 cm
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New York : Horizon Press, [1978], ©1978
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Lewis Baltz
$11.95
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Résumé:
Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact(...)
Lewis Baltz
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$11.95
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Résumé:
Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact images, which are often architecturally-oriented, have a broad intellectual framework and draw attention to larger social and architectural patterns.
livres
janvier 1900, London
Monographies photo
livres
Description:
493 pages : illustrations (some color) ; 25 cm
[Antwerp] : Dumont : Antwerpen Open : Roomade, ©2001.
Laboratorium / edited by Hans Ulrich Obrist and Barbara Vanderlinden.
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493 pages : illustrations (some color) ; 25 cm
livres
[Antwerp] : Dumont : Antwerpen Open : Roomade, ©2001.
Lewis Baltz
$99.00
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Résumé:
This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
avril 2017
Lewis Baltz
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$99.00
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.