1304 Résultats
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199 pages : illustrations ; 27 cm
Description:
199 pages : illustrations ; 27 cm
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Rome : Contrasto, [2013]
Rome : Contrasto, [2013]
Titre:
Pavilions and gardens of Venice Biennale / photographs by Gabriele Basilico ; curated by Adele Re Rebaudengo = Padiglioni e giardini della Biennale di Venezia / fotografie di Gabriele Basilico ; a cura di Adele Re Rebaudengo.
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199 pages : illustrations ; 27 cm
Pavilions and gardens of Venice Biennale / photographs by Gabriele Basilico ; curated by Adele Re Rebaudengo = Padiglioni e giardini della Biennale di Venezia / fotografie di Gabriele Basilico ; a cura di Adele Re Rebaudengo.
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Description:
199 pages : illustrations ; 27 cm
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livres
livres
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Rome : Contrasto, [2013]
Rome : Contrasto, [2013]
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livres
livres
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$39.95
(disponible sur commande)
Résumé:
As Art Director for Muji since 2002, Japanese graphic designer Kenya Hara (born 1958) and his aesthetic of pared-back, beautifully functional objects has taken the world by (quiet) storm. With “Kenya Hara: Designing Japan”, the designer presents his vision of how his industry can contribute to the future of his country: a future founded on Hara’s unique philosophy of(...)
$39.95
(disponible sur commande)
Résumé:
As Art Director for Muji since 2002, Japanese graphic designer Kenya Hara (born 1958) and his aesthetic of pared-back, beautifully functional objects has taken the world by (quiet) storm. With “Kenya Hara: Designing Japan”, the designer presents his vision of how his industry can contribute to the future of his country: a future founded on Hara’s unique philosophy of(...)
Titre:
Kenya Hara, designing Japan: a future built on aesthetics
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$39.95
(disponible sur commande)
Résumé:
As Art Director for Muji since 2002, Japanese graphic designer Kenya Hara (born 1958) and his aesthetic of pared-back, beautifully functional objects has taken the world by (quiet) storm. With “Kenya Hara: Designing Japan”, the designer presents his vision of how his industry can contribute to the future of his country: a future founded on Hara’s unique philosophy of beauty as well as crowd-sourced wisdom from around the world. The book spans history, from the beginnings of professional Japanese design in the 16th century to the impact of the 2011 Tohoku earthquake. But Hara's real focus is on the future. A master collaborator, meticulous organizer and globally conscious innovator, Hara draws on more than three decades of work in design and exhibition curating, as well his professional interactions with creators from many fields. “Designing Japan” offers a foundation course on the essence of Japanese aesthetics, while maintaining a practical approach to Japan’s circumstances and future possibilities. Hara reveals the methods by which designers in Japan work with government and industry, and considers how design can propose solutions for this island nation as its population ages, other nations take over manufacturing and technology develops. Illustrations and examples recognize successful problem-solving through design, proving that design is a living, changing industry that remains relevant not in spite of, but as a partner to, advancing technology.
Kenya Hara, designing Japan: a future built on aesthetics
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Prix:
$39.95
(disponible sur commande)
Résumé:
As Art Director for Muji since 2002, Japanese graphic designer Kenya Hara (born 1958) and his aesthetic of pared-back, beautifully functional objects has taken the world by (quiet) storm. With “Kenya Hara: Designing Japan”, the designer presents his vision of how his industry can contribute to the future of his country: a future founded on Hara’s unique philosophy of beauty as well as crowd-sourced wisdom from around the world. The book spans history, from the beginnings of professional Japanese design in the 16th century to the impact of the 2011 Tohoku earthquake. But Hara's real focus is on the future. A master collaborator, meticulous organizer and globally conscious innovator, Hara draws on more than three decades of work in design and exhibition curating, as well his professional interactions with creators from many fields. “Designing Japan” offers a foundation course on the essence of Japanese aesthetics, while maintaining a practical approach to Japan’s circumstances and future possibilities. Hara reveals the methods by which designers in Japan work with government and industry, and considers how design can propose solutions for this island nation as its population ages, other nations take over manufacturing and technology develops. Illustrations and examples recognize successful problem-solving through design, proving that design is a living, changing industry that remains relevant not in spite of, but as a partner to, advancing technology.
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livres
livres
Publication:
octobre 2019
octobre 2019
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livres
livres
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$31.95
(disponible sur commande)
Résumé:
Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among(...)
$31.95
(disponible sur commande)
Résumé:
Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among(...)
Titre:
Architecture at the edge of everything else
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$31.95
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Résumé:
Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among these new voices and more established authors and practitioners, including Sanford Kwinter, Sylvia Lavin, K. Michael Hays, Philippe Rahm, Liam Gillick, Teddy Cruz, and Michael Meredith. This publication investigates the inner contradictions tangling and obscuring architectural discourse. It locates architecture in a cultural, social, political, and situational landscape — the space it actually occupies in the contemporary world. Examining architecture as it comes into contact with other disciplines — including art, art history, cultural studies, curating, landscape architecture, neuroaesthetics, pedagogy, philosophy, political science, and urbanism — the book considers architecture's precarious position at the edge : at the edge of its own dilemmas and at the edge of "everything else." In different ways, all the contributors suggest how to understand the innovative possibilities and pitfalls of spatial practices—teasing, analyzing, and celebrating architecture's disciplinary ambiguity — with proposals that range from a "lo-res" architecture to one controlled by the curatorial impulse, from customizable "skins" on residential buildings to the collection of residual space for new uses. Their investigations encompass how to interpret, how to intervene, and how to imagine.
Architecture at the edge of everything else
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Prix:
$31.95
(disponible sur commande)
Résumé:
Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among these new voices and more established authors and practitioners, including Sanford Kwinter, Sylvia Lavin, K. Michael Hays, Philippe Rahm, Liam Gillick, Teddy Cruz, and Michael Meredith. This publication investigates the inner contradictions tangling and obscuring architectural discourse. It locates architecture in a cultural, social, political, and situational landscape — the space it actually occupies in the contemporary world. Examining architecture as it comes into contact with other disciplines — including art, art history, cultural studies, curating, landscape architecture, neuroaesthetics, pedagogy, philosophy, political science, and urbanism — the book considers architecture's precarious position at the edge : at the edge of its own dilemmas and at the edge of "everything else." In different ways, all the contributors suggest how to understand the innovative possibilities and pitfalls of spatial practices—teasing, analyzing, and celebrating architecture's disciplinary ambiguity — with proposals that range from a "lo-res" architecture to one controlled by the curatorial impulse, from customizable "skins" on residential buildings to the collection of residual space for new uses. Their investigations encompass how to interpret, how to intervene, and how to imagine.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Looking back
Looking back
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$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
Titre:
Looking back
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Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
Looking back
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Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
Classification:
livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de l’art
Théorie de l’art
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251 pages : illustrations (some color), maps (some color) ; 23 cm.
Description:
251 pages : illustrations (some color), maps (some color) ; 23 cm.
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Publication:
New York, NY : Columbia Books on Architecture and the City, [2020], ©2020
New York, NY : Columbia Books on Architecture and the City, [2020], ©2020
Titre:
Preservation and social inclusion / edited by Erica Avrami.
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251 pages : illustrations (some color), maps (some color) ; 23 cm.
Preservation and social inclusion / edited by Erica Avrami.
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251 pages : illustrations (some color), maps (some color) ; 23 cm.
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livres
livres
Publication:
New York, NY : Columbia Books on Architecture and the City, [2020], ©2020
New York, NY : Columbia Books on Architecture and the City, [2020], ©2020
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livres
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175 pages : illustrations (some color) ; 19 cm
Description:
175 pages : illustrations (some color) ; 19 cm
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New York, New York : Columbia Books on Architecture and the City, [2017]
New York, New York : Columbia Books on Architecture and the City, [2017]
Titre:
Trace elements / Aranda\Lasch.
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175 pages : illustrations (some color) ; 19 cm
Trace elements / Aranda\Lasch.
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Description:
175 pages : illustrations (some color) ; 19 cm
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livres
livres
Publication:
New York, New York : Columbia Books on Architecture and the City, [2017]
New York, New York : Columbia Books on Architecture and the City, [2017]
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livres
livres
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130 pages, 22 unnumbered pages : illustrations (chiefly color), portraits ; 31 x 31 cm
Description:
130 pages, 22 unnumbered pages : illustrations (chiefly color), portraits ; 31 x 31 cm
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Publication:
London : Mack, [2021], ©2021
London : Mack, [2021], ©2021
Titre:
Cinque viaggi (1990-98) / Guido Guidi ; curated by Corrado Benigni.
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130 pages, 22 unnumbered pages : illustrations (chiefly color), portraits ; 31 x 31 cm
Cinque viaggi (1990-98) / Guido Guidi ; curated by Corrado Benigni.
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130 pages, 22 unnumbered pages : illustrations (chiefly color), portraits ; 31 x 31 cm
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livres
livres
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London : Mack, [2021], ©2021
London : Mack, [2021], ©2021
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livres
livres
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207 pages : illustrations (some color) ; 31 cm
Description:
207 pages : illustrations (some color) ; 31 cm
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Toronto : Art Gallery of Ontario ; Los Angeles : Museum of Contemporary Art ; Vancouver : Vancouver Art Gallery ; New York : D.A.P./Distributed Art Publishers [distributor], ©2004.
Toronto : Art Gallery of Ontario ; Los Angeles : Museum of Contemporary Art ; Vancouver : Vancouver Art Gallery ; New York : D.A.P./Distributed Art Publishers [distributor], ©2004.
Titre:
Rodney Graham : a little thought / curated by Grant Arnold, Jessica Bradley, and Cornelia Butler ; additional texts by Lynne Cooke [and others].
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Description:
207 pages : illustrations (some color) ; 31 cm
Rodney Graham : a little thought / curated by Grant Arnold, Jessica Bradley, and Cornelia Butler ; additional texts by Lynne Cooke [and others].
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Description:
207 pages : illustrations (some color) ; 31 cm
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livres
livres
Publication:
Toronto : Art Gallery of Ontario ; Los Angeles : Museum of Contemporary Art ; Vancouver : Vancouver Art Gallery ; New York : D.A.P./Distributed Art Publishers [distributor], ©2004.
Toronto : Art Gallery of Ontario ; Los Angeles : Museum of Contemporary Art ; Vancouver : Vancouver Art Gallery ; New York : D.A.P./Distributed Art Publishers [distributor], ©2004.
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livres
livres
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1 volume (unpaged) : illustrations ; 30 cm
Description:
1 volume (unpaged) : illustrations ; 30 cm
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[Yarlington, England] : Drawing Matter, [2019]
[Yarlington, England] : Drawing Matter, [2019]
Titre:
Alternative histories / curated by Jantje Engels and Marius Grootveld ; photography by Thomas Adank and Guus Kaandorp
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1 volume (unpaged) : illustrations ; 30 cm
Alternative histories / curated by Jantje Engels and Marius Grootveld ; photography by Thomas Adank and Guus Kaandorp
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1 volume (unpaged) : illustrations ; 30 cm
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livres
livres
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[Yarlington, England] : Drawing Matter, [2019]
[Yarlington, England] : Drawing Matter, [2019]
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livres
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44 pages : colour illustrations ; 22 x 27 cm.
Description:
44 pages : colour illustrations ; 22 x 27 cm.
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Publication:
Windsor, Ontario : Art Gallery of Windsor, [2014], ©2014
Windsor, Ontario : Art Gallery of Windsor, [2014], ©2014
Titre:
Bonnie Devine : the Tecumseh papers / curated by Srimoyee Mitra.
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Description:
44 pages : colour illustrations ; 22 x 27 cm.
Bonnie Devine : the Tecumseh papers / curated by Srimoyee Mitra.
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Description:
44 pages : colour illustrations ; 22 x 27 cm.
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livres
livres
Publication:
Windsor, Ontario : Art Gallery of Windsor, [2014], ©2014
Windsor, Ontario : Art Gallery of Windsor, [2014], ©2014
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