1218 Résultats
Classification:
livres
livres
Actions:
Exemplaires:
Description:
431 pages : illustrations, maps ; 24 cm
Description:
431 pages : illustrations, maps ; 24 cm
Auteur:
Sujet:
- Cities and towns History.,
- Human body Social aspects.,
- Civilization, Western.,
- Body, Human Social apects.,
- Villes Histoire.,
- Corps humain Aspect social.,
- Civilisation occidentale.,
- Social welfare,
- Cities and towns,
- Kultur,
- Körper,
- Sozialgeschichte,
- Stadt,
- Steden.,
- Dagelijks leven.,
- Lichamelijkheid.,
- Sociologie du corps.,
- Cities History,
- History
Publication:
New York : W.W. Norton & Company, ©1994., copyright ©1994
New York : W.W. Norton & Company, ©1994., copyright ©1994
Titre:
Flesh and stone : the body and the city in Western civilization / Richard Sennett.
Actions:
Exemplaires:
Description:
431 pages : illustrations, maps ; 24 cm
Flesh and stone : the body and the city in Western civilization / Richard Sennett.
Actions:
Exemplaires:
Description:
431 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
New York : W.W. Norton & Company, ©1994., copyright ©1994
New York : W.W. Norton & Company, ©1994., copyright ©1994
Auteur:
Sujet:
- Cities and towns History.,
- Human body Social aspects.,
- Civilization, Western.,
- Body, Human Social apects.,
- Villes Histoire.,
- Corps humain Aspect social.,
- Civilisation occidentale.,
- Social welfare,
- Cities and towns,
- Kultur,
- Körper,
- Sozialgeschichte,
- Stadt,
- Steden.,
- Dagelijks leven.,
- Lichamelijkheid.,
- Sociologie du corps.,
- Cities History,
- History
Classification:
livres
livres
Titre:
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
Actions:
Exemplaires:
Description:
xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
Description:
xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
Auteur:
Sujet:
- Knowledge, Sociology of.,
- Material culture.,
- Privacy.,
- Conduct of life.,
- Social history.,
- Civilization, Modern.,
- Privacy England History.,
- Privacy in literature.,
- Social Conditions,
- Sociologie de la connaissance.,
- Culture matérielle.,
- Vie privée.,
- Morale pratique.,
- Histoire sociale.,
- Vie privée Angleterre Histoire.,
- Vie privée dans la littérature.,
- sociology of knowledge.,
- material culture (discipline),
- social history.,
- Manners and customs.,
- Literatur,
- Häuslichkeit,
- Privatheit,
- Kultur,
- England Social life and customs.,
- Angleterre Mœurs et coutumes.,
- England.,
- Großbritannien,
- Englisch.,
- History.
Publication:
Baltimore : Johns Hopkins University Press, 2007.
Baltimore : Johns Hopkins University Press, 2007.
Titre:
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
Actions:
Exemplaires:
Description:
xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
Actions:
Exemplaires:
Description:
xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Baltimore : Johns Hopkins University Press, 2007.
Baltimore : Johns Hopkins University Press, 2007.
Auteur:
Sujet:
- Knowledge, Sociology of.,
- Material culture.,
- Privacy.,
- Conduct of life.,
- Social history.,
- Civilization, Modern.,
- Privacy England History.,
- Privacy in literature.,
- Social Conditions,
- Sociologie de la connaissance.,
- Culture matérielle.,
- Vie privée.,
- Morale pratique.,
- Histoire sociale.,
- Vie privée Angleterre Histoire.,
- Vie privée dans la littérature.,
- sociology of knowledge.,
- material culture (discipline),
- social history.,
- Manners and customs.,
- Literatur,
- Häuslichkeit,
- Privatheit,
- Kultur,
- England Social life and customs.,
- Angleterre Mœurs et coutumes.,
- England.,
- Großbritannien,
- Englisch.,
- History.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xv, 431 pages : illustrations, maps ; 25 cm
Description:
xv, 431 pages : illustrations, maps ; 25 cm
Auteur:
Sujet:
- Manners and customs.,
- Social conditions,
- Sociale geschiedenis.,
- London (England) History.,
- London (England) Social conditions.,
- London (England) Social life and customs.,
- Londres (Angleterre) - Conditions sociales.,
- Londres (Angleterre) - Histoire.,
- Londres (Angleterre) - Mœurs et coutumes.,
- Londres (Angleterre) Histoire.,
- Londres (Angleterre) Conditions sociales.,
- Londres (Angleterre) Mœurs et coutumes.,
- England London.,
- London,
- London (England) -- History,
- London (England) -- Social conditions,
- London (England) -- Social life and customs,
- History.
Publication:
Cambridge, Mass. : Harvard University Press, 1995.
Cambridge, Mass. : Harvard University Press, 1995.
Titre:
London : a social history / Roy Porter.
Actions:
Exemplaires:
Description:
xv, 431 pages : illustrations, maps ; 25 cm
London : a social history / Roy Porter.
Actions:
Exemplaires:
Description:
xv, 431 pages : illustrations, maps ; 25 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : Harvard University Press, 1995.
Cambridge, Mass. : Harvard University Press, 1995.
Auteur:
Sujet:
- Manners and customs.,
- Social conditions,
- Sociale geschiedenis.,
- London (England) History.,
- London (England) Social conditions.,
- London (England) Social life and customs.,
- Londres (Angleterre) - Conditions sociales.,
- Londres (Angleterre) - Histoire.,
- Londres (Angleterre) - Mœurs et coutumes.,
- Londres (Angleterre) Histoire.,
- Londres (Angleterre) Conditions sociales.,
- Londres (Angleterre) Mœurs et coutumes.,
- England London.,
- London,
- London (England) -- History,
- London (England) -- Social conditions,
- London (England) -- Social life and customs,
- History.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
Description:
240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
Auteur:
- Cluitmans, Laurie,,
- Barnas, Maria,,
- Bruce, Jonny,,
- Heilbron, Thiëmo,,
- Helmus, Liesbeth M.,,
- Jong, E. de (Erik),,
- Kam, René de,,
- Katsof, Alhena, 1978-,
- Kincaid, Jamaica,,
- Rutten, Bart,,
- Sandilands, Catriona,,
- Vries, Patricia de, 1966-,
- Forde, Gerard, 1968-,
- Hutchison, Michele,,
- Centraal Museum (Utrecht, Netherlands),
Sujet:
- Gardens in art Exhibitions.,
- Horticultural exhibitions.,
- Arts, European Exhibitions.,
- Jardins dans l'art Expositions.,
- Horticulture Expositions.,
- Arts européens Expositions.,
- Gardens in art,
- Gardening,
- Arts, European,
- Europe,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Publication:
Amsterdam : Valiz, [2021], ©2021
Amsterdam : Valiz, [2021], ©2021
Titre:
On the necessity of gardening : an ABC of art, botany and cultivation / Laurie Cluitmans (ed.) ; with contributions by Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries ; translation: Gerard Forde, Michele Hutchison.
Actions:
Exemplaires:
Description:
240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
On the necessity of gardening : an ABC of art, botany and cultivation / Laurie Cluitmans (ed.) ; with contributions by Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries ; translation: Gerard Forde, Michele Hutchison.
Actions:
Exemplaires:
Description:
240 pages : illustrations, facsimiles, maps, portraits ; 32 cm
Classification:
livres
livres
Publication:
Amsterdam : Valiz, [2021], ©2021
Amsterdam : Valiz, [2021], ©2021
Auteur:
- Cluitmans, Laurie,,
- Barnas, Maria,,
- Bruce, Jonny,,
- Heilbron, Thiëmo,,
- Helmus, Liesbeth M.,,
- Jong, E. de (Erik),,
- Kam, René de,,
- Katsof, Alhena, 1978-,
- Kincaid, Jamaica,,
- Rutten, Bart,,
- Sandilands, Catriona,,
- Vries, Patricia de, 1966-,
- Forde, Gerard, 1968-,
- Hutchison, Michele,,
- Centraal Museum (Utrecht, Netherlands),
Sujet:
- Gardens in art Exhibitions.,
- Horticultural exhibitions.,
- Arts, European Exhibitions.,
- Jardins dans l'art Expositions.,
- Horticulture Expositions.,
- Arts européens Expositions.,
- Gardens in art,
- Gardening,
- Arts, European,
- Europe,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Titre:
Cabinet 55: love
Cabinet 55: love
Actions:
Prix:
$17.50
(disponible sur commande)
Résumé:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
$17.50
(disponible sur commande)
Résumé:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
Titre:
Cabinet 55: love
Actions:
Prix:
$17.50
(disponible sur commande)
Résumé:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Cabinet 55: love
Actions:
Prix:
$17.50
(disponible sur commande)
Résumé:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Sujet:
Revues
Revues
Titre:
Ewa Lajer-Burcharth
Ewa Lajer-Burcharth
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
$27.95
(disponible sur commande)
Résumé:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
Titre:
Ewa Lajer-Burcharth
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Ewa Lajer-Burcharth
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Sujet:
Théorie de l’art
Théorie de l’art
Prix:
$55.95
(disponible sur commande)
Résumé:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
$55.95
(disponible sur commande)
Résumé:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
Titre:
Building: 3000 years of design, engineering and construction
Actions:
Prix:
$55.95
(disponible sur commande)
Résumé:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartres Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers.
Building: 3000 years of design, engineering and construction
Actions:
Prix:
$55.95
(disponible sur commande)
Résumé:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartres Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers.
Sujet:
Structures d’ingénierie
Structures d’ingénierie
Actions:
Prix:
$50.00
(disponible sur commande)
Résumé:
In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
$50.00
(disponible sur commande)
Résumé:
In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
Titre:
Drawing and reinventing landscape
Actions:
Prix:
$50.00
(disponible sur commande)
Résumé:
In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Drawing and reinventing landscape
Actions:
Prix:
$50.00
(disponible sur commande)
Résumé:
In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Sujet:
Théorie du paysage
Théorie du paysage