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1 portfolio ([31] sheets) : chiefly illustrations (some color) ; 27 cm
[Hamburg] : [publisher not identified], [1995]
Peter Wels zeichnet Projekte von Kleffel, Köhnholdt, Gundermann, Heitgerkan Architekten.
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1 portfolio ([31] sheets) : chiefly illustrations (some color) ; 27 cm
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[Hamburg] : [publisher not identified], [1995]
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11 pages : illustrations ; 26 cm
[Montréal] : [publisher not identified], [19--]?
Église St. Vincent de Paul Montréal : décorations intérieures.
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11 pages : illustrations ; 26 cm
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[Montréal] : [publisher not identified], [19--]?
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1 v. (unpaged) : col. ill. ; 38 cm.
Tōkyō : Paruko Entateinmento Jigyōkyoku, 2007.
ホンマタカシ : new waves / ホンマタカシ = Takashi Homma : new waves / Takashi Homma. Honmatakashi : new waves / Honmatakashi = Takashi Homma : new waves / Takashi Homma.
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1 v. (unpaged) : col. ill. ; 38 cm.
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Tōkyō : Paruko Entateinmento Jigyōkyoku, 2007.
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8 pages ; 20 cm
[A Paris] : De l'Im[primerie] de la veuve Lavrilliere, [1799?]
Suite de la découverte des ponts en fer : applicable aux échelles gravissantes, aux thélégraphes parallélipipèdes universels, aux pompes allant d'elles-mêmes, à l'architecture et aux arts.
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8 pages ; 20 cm
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[A Paris] : De l'Im[primerie] de la veuve Lavrilliere, [1799?]
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2 pages ¡., 233 pages ; 22 x 18 cm
London : Privately printed, [1845]
Handbook of Chatsworth and Hardwick.
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2 pages ¡., 233 pages ; 22 x 18 cm
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London : Privately printed, [1845]
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10 pages : illustrations ; 23 cm
New York : Revere Copper and Brass Incorporated, [1943?]
Researching for a new standard of living.
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10 pages : illustrations ; 23 cm
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New York : Revere Copper and Brass Incorporated, [1943?]
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63, [25] pages, 1 unnumbered leaf of plates : 1 portrait ; 15 cm
Milano : Dalla tip. di G. Pogliani, [1821]
L'indicatore pittorico di Milano : almanacco per l'anno 1821 corredato del ritratto del celebre Bernardino Luini.
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63, [25] pages, 1 unnumbered leaf of plates : 1 portrait ; 15 cm
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Milano : Dalla tip. di G. Pogliani, [1821]
$79.00
(disponible sur commande)
Résumé:
Few figures in nineteenth-century photography remain as elusive and intriguing as John Beasley Greene (1832 1856). Over the course of an exceptionally brief career he created a body of photographs that were publicly admired by his peers and continue to capture the imagination of contemporary audiences. Born in France to an American banker, he made his first expedition to(...)
Signs and wonders, the photographs of John Beasley Greene
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Résumé:
Few figures in nineteenth-century photography remain as elusive and intriguing as John Beasley Greene (1832 1856). Over the course of an exceptionally brief career he created a body of photographs that were publicly admired by his peers and continue to capture the imagination of contemporary audiences. Born in France to an American banker, he made his first expedition to Egypt in 1853, where he photographed ancient Egyptian monuments and is thought to be the first archaeologist to use photography. In these photographs, he positioned his horizon lines with precision, at times placing them so low in the frame that the photograph is nearly all blank sky, or so high that the monuments are almost swallowed up by vast seas of sand. Some of his Egyptian landscapes are so visually spare they appear to be of nothing at all.
Monographies photo
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588 pages, 37 unnumbered leaves of plates : black-and-white illustrations (engravings) ; 27 cm
Pistoia : Tipografia Cino, 1845.
Monumenti del Giardino Puccini.
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588 pages, 37 unnumbered leaves of plates : black-and-white illustrations (engravings) ; 27 cm
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Pistoia : Tipografia Cino, 1845.
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913 pages portraits 22 cm
Montréal] Journalistes associés, 1950.
Les Biographies françaises d'Amérique.
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913 pages portraits 22 cm
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Montréal] Journalistes associés, 1950.