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In this book, historian Lorraine Daston traces the development of rules in the Western tradition and shows how they have evolved from ancient to modern times. Drawing on a rich trove of examples, including legal treatises, cookbooks, military manuals, traffic regulations, and game handbooks, Daston demonstrates that while the content of rules is dazzlingly diverse, the(...)
Rules: A short history of what we live by
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In this book, historian Lorraine Daston traces the development of rules in the Western tradition and shows how they have evolved from ancient to modern times. Drawing on a rich trove of examples, including legal treatises, cookbooks, military manuals, traffic regulations, and game handbooks, Daston demonstrates that while the content of rules is dazzlingly diverse, the forms that they take are surprisingly few and long-lived. Rules have been devised for almost every imaginable activity and range from meticulous regulations to the laws of nature. Daston probes beneath this variety to investigate when rules work and when they don’t, and why some philosophical problems about rules are as ancient as philosophy itself while others are as modern as calculating machines.
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$131.95
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
Nature's truth: photography, painting, and science in Victorian Britain
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
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[20], 115, [6], 75 pages : illustrations ; 35 cm
London : D. Brown, 1707.
A parallel of the antient architecture with the modern : in a collection of ten principal authors who have written upon the five orders, viz. Palladio and Scamozzi, Serlio and Vignola, D. Barbaro and Cataneo, L.B. Alberti and Viola, Bullant and De Lorme, compared with one another ... / written in French by Roland Freart, sieur de Chambray ; made English for the benefit of builders ... by John Evelyn ... ; to which is added An account of architects and architecture in an historical and etymological explanation of certain terms particularly affected by architects ; with Leone Baptista Alberti's Treatise of statues.
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[20], 115, [6], 75 pages : illustrations ; 35 cm
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London : D. Brown, 1707.
$110.00
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Urban fortifications were the most colossal artistic achievements of the Italian Renaissance. Celebrated sculptors, painters, and architects such as Michelangelo, Bramante, Leonardo, Francesco Paciotto, and Antonio da Sangallo the Younger collaborated with humanists and military commanders to design citadels and ramparts. Unprecedented in their geometric sophistication,(...)
Form and fortification: the art of military architecture in Renaissance Italy
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$110.00
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Urban fortifications were the most colossal artistic achievements of the Italian Renaissance. Celebrated sculptors, painters, and architects such as Michelangelo, Bramante, Leonardo, Francesco Paciotto, and Antonio da Sangallo the Younger collaborated with humanists and military commanders to design citadels and ramparts. Unprecedented in their geometric sophistication, constructional ambition, and physical grandeur, these monuments profoundly transformed the shape and experience of the built environment. "Form and fortification" challenges the long-held assumption that military architecture was merely an instrument of warfare, restoring the practice to its central place at the nexus of sixteenth-century creative and cultural endeavors. Through a rich array of drawings, archival manuscripts, early printed sources, treatises, and realized works, this book traces the remarkable exchanges between fortification and other arenas of art, design, and engineering.
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239 pages : color illustrations ; 23 cm
[London] : MACK, [2016]
The complete essays 1973-1991 / Luigi Ghirri ; translated by Ben Bazalgette and Marguerite Shore ; edited by Michael Mack and Izabella Scott.
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239 pages : color illustrations ; 23 cm
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[London] : MACK, [2016]
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221 pages : illustrations (some color) ; 28 cm
Ostfildern-Ruit [Germany] : Verlag Gerd Hatje ; New York, N.Y. : Distribution Art Publishers, [1997]
Leonardo da Vinci : scientist, inventor, artist / Otto Letze and Thomas Buchsteiner, editors ; with contributions by Nathalie Guttmann [and others] ; and excerpts from Leonardo da Vinci's Treatise on painting ; [translation, Institut für Kulturaustausch Tübingen].
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221 pages : illustrations (some color) ; 28 cm
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Ostfildern-Ruit [Germany] : Verlag Gerd Hatje ; New York, N.Y. : Distribution Art Publishers, [1997]
$50.00
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and(...)
juillet 2024
Nocturnal history of architecture. Column issue 2
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and public spaces gradually transformed conceptions of night in the architectural discipline. This volume offers the first attempt at a nocturnal history of architecture. What emerges from the studies is the thesis that the identity of human beings—across time and their domestic, professional and cultural spaces—is powerfully determined by the parameters of nighttime. By analyzing and studying "night scenes," this book reveals how the night is a laboratory for the development of new forms of conceptualizing space and, ultimately, of living.
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Yoshiharu Tsukamoto and Momoyo Kaijima of Atelier Bow-Wow have built a career confronting the challenges posed by dense urban environments. Their city houses—enclosed in vibrant, idiosyncratic forms—are distinguished by their capacity to accommodate the changing needs of the occupants. A basic feature is the permeability of interior spaces, where public and the more(...)
Atelier Bow-Wow: behaviorology
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Yoshiharu Tsukamoto and Momoyo Kaijima of Atelier Bow-Wow have built a career confronting the challenges posed by dense urban environments. Their city houses—enclosed in vibrant, idiosyncratic forms—are distinguished by their capacity to accommodate the changing needs of the occupants. A basic feature is the permeability of interior spaces, where public and the more intimate places co-mingle, often in vertical structures with a total floor area that rarely exceeds 200 square meters. Atelier Bow-Wow has a dedicated research division that has published a number of treatises on vernacular architecture. This book will feature their newest research, including plans, as well as explorations on mobile or portable projects. The book includes key projects such as the Mini House, The Sway House, the Juicy House, House and Atelier Bow-Wow, the House Tower, and the Aco House.
Architecture, monographies
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xvi, 199 pages : illustrations, map ; 23 cm.
Ithaca : Cornell University Press, 2009.
The mirror, the window, and the telescope : how Renaissance linear perspective changed our vision of the universe / Samuel Y. Edgerton.
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xvi, 199 pages : illustrations, map ; 23 cm.
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Ithaca : Cornell University Press, 2009.
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351 pages : illustrations (some color), facsimiles, portraits ; 32 cm
Berlin : Hatje Cantz, [2024], ©2024
Otti Berger : weaving for modernist architecture / edited by Judith Raum for the Bauhaus-Archiv / Museum für Gestaltung; with contributions from Esther Cleven, Magdalena Droste, Tanya Harrod, Juliet Kinchin, Corinna A. Rader, Judith Raum, Katja Stelz.
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351 pages : illustrations (some color), facsimiles, portraits ; 32 cm
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Berlin : Hatje Cantz, [2024], ©2024