25748 Résultats
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Personnes et institutions:
Date:
1911-1977
1911-1977
Titre:
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Classification:
archives
Niveau de description archivistique:
Collection AP162
archives
Niveau de description archivistique:
Collection AP162
Date:
1911-1977
1911-1977
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Gianni Pettena fonds
Gianni Pettena fonds
Numéro de référence:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Personnes et institutions:
Date:
1960-2019
1960-2019
Titre:
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1960-2019
1960-2019
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Paul-Philippe Cret
Fonds Paul-Philippe Cret
Numéro de référence:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Personnes et institutions:
Date:
circa 1907-1950
circa 1907-1950
Titre:
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1907-1950
circa 1907-1950
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Niveau de description archivistique:
Project
Project
Date:
1999-2001
1999-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Personnes et institutions:
Date:
circa 2003-2004
circa 2003-2004
Titre:
Urbanización del sector La Lastra, León, Spain (2003)
Actions:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Urbanización del sector La Lastra, León, Spain (2003)
Actions:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Niveau de description archivistique:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Clay House (1972)
Clay House (1972)
Numéro de référence:
AP207.S1.1972.PR02
Description:
The project series documents "Clay House", an installation undertaken by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. It consisted of covering an entire inhabited house with clay located in a middle-class neighbourhood of Salt Lake City. The installation "was another study on the “working” of material, or rather a statement on the re-naturalization of denatured places and materials [...]." It also transformed the house by changing its colour from the other houses in the area, "all devitalized by the anonymity as well as the uniformity of their coloring." [2] The project series contains photographs of the residence before being covered in clay, a photograph of Pettena's team working at covering the house with clay, photographs of the finished installation, and a photograph of the model. The project series also contains drawings for the installation, and a drawing showing four stages of the installation. Source: [1] [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-clay-house-1972-1/ (last accessed 11 November 2019)
AP207.S1.1972.PR02
Description:
The project series documents "Clay House", an installation undertaken by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. It consisted of covering an entire inhabited house with clay located in a middle-class neighbourhood of Salt Lake City. The installation "was another study on the “working” of material, or rather a statement on the re-naturalization of denatured places and materials [...]." It also transformed the house by changing its colour from the other houses in the area, "all devitalized by the anonymity as well as the uniformity of their coloring." [2] The project series contains photographs of the residence before being covered in clay, a photograph of Pettena's team working at covering the house with clay, photographs of the finished installation, and a photograph of the model. The project series also contains drawings for the installation, and a drawing showing four stages of the installation. Source: [1] [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-clay-house-1972-1/ (last accessed 11 November 2019)
Personnes et institutions:
Date:
circa 1972-2016
circa 1972-2016
Titre:
Clay House (1972)
Actions:
AP207.S1.1972.PR02
Description:
The project series documents "Clay House", an installation undertaken by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. It consisted of covering an entire inhabited house with clay located in a middle-class neighbourhood of Salt Lake City. The installation "was another study on the “working” of material, or rather a statement on the re-naturalization of denatured places and materials [...]." It also transformed the house by changing its colour from the other houses in the area, "all devitalized by the anonymity as well as the uniformity of their coloring." [2] The project series contains photographs of the residence before being covered in clay, a photograph of Pettena's team working at covering the house with clay, photographs of the finished installation, and a photograph of the model. The project series also contains drawings for the installation, and a drawing showing four stages of the installation. Source: [1] [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-clay-house-1972-1/ (last accessed 11 November 2019)
Clay House (1972)
Actions:
AP207.S1.1972.PR02
Description:
The project series documents "Clay House", an installation undertaken by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. It consisted of covering an entire inhabited house with clay located in a middle-class neighbourhood of Salt Lake City. The installation "was another study on the “working” of material, or rather a statement on the re-naturalization of denatured places and materials [...]." It also transformed the house by changing its colour from the other houses in the area, "all devitalized by the anonymity as well as the uniformity of their coloring." [2] The project series contains photographs of the residence before being covered in clay, a photograph of Pettena's team working at covering the house with clay, photographs of the finished installation, and a photograph of the model. The project series also contains drawings for the installation, and a drawing showing four stages of the installation. Source: [1] [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-clay-house-1972-1/ (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2016
circa 1972-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
In Absence of Bodies (2011)
In Absence of Bodies (2011)
Numéro de référence:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Personnes et institutions:
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Titre:
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Niveau de description archivistique:
series
series
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Personnes et institutions:
Date:
1960-2007
1960-2007
Titre:
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Niveau de description archivistique:
Series
Series
Date:
1960-2007
1960-2007
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1995:0188:526-705
Description:
correspondence, architect's statement, proposals, building programme for Fun Palace Project, drafts of promotional material, clippings, report on Camden Pilot project, report on Fun Palace Project, notes on circulation, access, and systems, meeting notes, notes, minute of meetings of the Cybernetics Committee, draft articles with annotations, memoranda, draft survey, drafts and sketches of Fun Palace booklet, publications, cost estimate, sketch axonometric of service tower, brochures, questionnaires, certificate of incorporation for the Fun Palace, trust deeds, planning papers, application forms and site drawings of Children's Playground dated 1974, report on land redevelopment, and includes course outline dated 1980 for the Architectural Association
DR1995:0188:526-705
Description:
correspondence, architect's statement, proposals, building programme for Fun Palace Project, drafts of promotional material, clippings, report on Camden Pilot project, report on Fun Palace Project, notes on circulation, access, and systems, meeting notes, notes, minute of meetings of the Cybernetics Committee, draft articles with annotations, memoranda, draft survey, drafts and sketches of Fun Palace booklet, publications, cost estimate, sketch axonometric of service tower, brochures, questionnaires, certificate of incorporation for the Fun Palace, trust deeds, planning papers, application forms and site drawings of Children's Playground dated 1974, report on land redevelopment, and includes course outline dated 1980 for the Architectural Association
Personnes et institutions:
Titre:
Correspondence, architect's statement, proposals, building programme for Fun Palace Project
Actions:
DR1995:0188:526-705
Description:
correspondence, architect's statement, proposals, building programme for Fun Palace Project, drafts of promotional material, clippings, report on Camden Pilot project, report on Fun Palace Project, notes on circulation, access, and systems, meeting notes, notes, minute of meetings of the Cybernetics Committee, draft articles with annotations, memoranda, draft survey, drafts and sketches of Fun Palace booklet, publications, cost estimate, sketch axonometric of service tower, brochures, questionnaires, certificate of incorporation for the Fun Palace, trust deeds, planning papers, application forms and site drawings of Children's Playground dated 1974, report on land redevelopment, and includes course outline dated 1980 for the Architectural Association
Correspondence, architect's statement, proposals, building programme for Fun Palace Project
Actions:
DR1995:0188:526-705
Description:
correspondence, architect's statement, proposals, building programme for Fun Palace Project, drafts of promotional material, clippings, report on Camden Pilot project, report on Fun Palace Project, notes on circulation, access, and systems, meeting notes, notes, minute of meetings of the Cybernetics Committee, draft articles with annotations, memoranda, draft survey, drafts and sketches of Fun Palace booklet, publications, cost estimate, sketch axonometric of service tower, brochures, questionnaires, certificate of incorporation for the Fun Palace, trust deeds, planning papers, application forms and site drawings of Children's Playground dated 1974, report on land redevelopment, and includes course outline dated 1980 for the Architectural Association
Classification:
dessins, documents textuels
dessins, documents textuels
Personnes et institutions:
